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OW Sensor Archive No.03 — Phone 2007 LUT
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LUTSensor ArchiveNo. 03

Phone 2007 LUT

The colour of a 2005-2008 phone camera: muddy shadows, a yellow-green cast and faded colour. 15 camera profiles in one download.

€19,99
Taxes included.

Buy 2 looks, save 15%. Buy 3 or more, save 25%. Applied automatically at checkout.

Format
.cube
Works with
Resolve · Premiere Pro · Final Cut Pro
Delivery
Instant download

Made by Thijs Kern, senior colorist. Graded for Nike, McDonald's, Mastercard and others.

Digital product, downloaded right after checkout. If something does not work, help is one message away.

Overview

2005-2008 phone camera colour: muddy shadows, a yellow-green cast, faded colour and an early clip.

Low battery, high memory.

The colour of a 2005-2008 mobile phone camera, rebuilt for modern footage. Muddy shadows, a yellow-green cast, faded colour, olive greens, washed-out skies and highlights that blow out early. The look of the first camera that was always in your pocket, made with the precision of a cinema grade.

What you will notice

  • A steep, low-dynamic-range tone curve with muddy, crushed shadows.
  • Highlights that clip early, under three stops above mid-grey.
  • A yellow-green cast through the midtones and warm, yellowish highlights.
  • Faded, uneven colour: greens slide to olive, blue skies wash out to a pale grey-blue, reds turn orange.
  • Skin kept recognisable inside the cheap-sensor palette.

How to use it

  1. Find the folder for your camera. Fifteen input profiles are included in one download, from Sony S-Log3 and ARRI LogC to Apple Log and Rec.709.
  2. Balance first. Set exposure and white balance on the log footage. Exposure matters: the clip is part of the look.
  3. Apply Phone 2007 as the look stage, then set its strength with your software's LUT intensity or node opacity. For the full effect, edit in a 4:3 frame.

Want the low-resolution pixels, JPEG blocks, sharpening, lens shading and chromatic aberration as well? They are in the Phone 2007 DCTL for DaVinci Resolve Studio.

How it was developed

Phone 2007 is built on how early camera phones made a picture: a tiny sensor with little dynamic range, a fixed-focus plastic lens, a cheap colour matrix and auto white balance that drifted towards green and yellow, all saved as a small, heavily compressed JPEG. The result is an original look that reproduces those characteristics on modern log footage, working on scene-linear light after a published-specification input transform for each camera.

Best suited for

  • Music videos, fashion and social content with a low-res, 2000s feel.
  • Night-out, party and backstage footage that should feel like it was shot on a flip phone.
  • Memory and flashback scenes in short films.
  • Indoor, mixed and low light, where early phones struggled most.

Sample images: OpenEXR test images, © Industrial Light & Magic.

Specifications

What you get, and where it works.

Included

1 look included
Phone 2007

15 camera and log profiles in one download
65-point .cube for colour grading
33-point .cube for monitoring and wider compatibility

Compatibility

Supported camera and log profiles
Sony S-Log3 (S-Gamut3.Cine and S-Gamut3), ARRI LogC3 and LogC4, Blackmagic Gen 5, RED IPP2, Canon Log 2 and Log 3, Panasonic V-Log, Fujifilm F-Log2, Nikon N-Log, DJI D-Log, Apple Log, DaVinci Wide Gamut and Rec.709

Example cameras
Sony S-Log3: FX3, FX30, FX6, FX5, A7S III, A7 IV
ARRI: Alexa Mini, Alexa Mini LF, Amira, Alexa 35
Blackmagic Gen 5: PYXIS, Cinema Camera 6K, Pocket Cinema Camera 4K, 6K and 6K Pro
RED IPP2: Komodo, Komodo-X, V-Raptor
Canon: EOS C50, C70, C80, C300 Mark III, R5 Mark II
Panasonic V-Log: Lumix S1 II, S5 II, GH7
Fujifilm F-Log2: X-H2S, X-T5, GFX100 II
Nikon N-Log: Z6III, Z8, Z9
DJI D-Log: Mavic 3 Pro, Inspire 3, Ronin 4D, Osmo Pocket 4
Apple Log: iPhone 15 Pro and newer
Rec.709: footage that is not shot in log

Software compatibility
Compatible with DaVinci Resolve, Adobe Premiere Pro, Final Cut Pro, CapCut Desktop and other applications that support 3D .cube LUTs.

Questions

Before you buy.

Something else? Ask the colorist.

Which file should I use?

Each camera has its own folder. Choose the one that matches the profile you shot in: Sony S-Log3 (S-Gamut3.Cine and S-Gamut3), ARRI LogC3 and LogC4, Blackmagic Gen 5, RED IPP2, Canon Log 2 and Log 3, Panasonic V-Log, Fujifilm F-Log2, Nikon N-Log, DJI D-Log, Apple Log, DaVinci Wide Gamut and Rec.709.

Does it add pixels, JPEG blocks or noise?

No, the LUT is colour and tone only. Low resolution, JPEG compression, sharpening, noise, lens shading and chromatic aberration are in the Phone 2007 DCTL for DaVinci Resolve Studio.

Why does it look green and faded?

That is part of the look: early phone cameras had cheap colour filters and auto white balance that drifted towards green and yellow. Lower the strength, or warm or cool the White Balance before the LUT, for a cleaner result.

Does it work in Premiere Pro, Final Cut Pro or CapCut?

Yes. The .cube files work in DaVinci Resolve, Adobe Premiere Pro, Final Cut Pro, After Effects, CapCut Desktop and other software with LUT support.

Is DJI D-Log M supported?

Not yet. D-Log M has no published specification. Use our D-Log M to S-Log3 conversion LUT, then the Sony S-Log3 file.

Next step

Complete the look

Add the Phone 2007 DCTL for low-res pixels, JPEG blocks and lens shading. Buy 2 looks, save 15% at checkout.

This look Phone 2007 LUT
Sensor Archive Phone 2007 DCTL
Together 15% off both, applied at checkout.

Or pair it with

Reviews

No reviews for this one yet. Across the store, 4.8 out of 5 from 21 verified reviews.

Every tool here is built the same way, by the same colorist. Read the reviews of Nostalgic Film

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