LUTCinema LooksNo. 09

Atelier LUT

Look study · 2.39 : 1The devil is in the details · creamy highlights · olive greens

Inspired by The Devil Wears Prada 2: creamy highlights, soft contrast, olive greens and natural skin. 15 camera profiles in one download.

€19,99
Taxes included.

Buy 2 looks, save 15%. Buy 3 or more, save 25%. Applied automatically at checkout.

Format
.cube
Works with
Resolve · Premiere Pro · Final Cut Pro
Delivery
Instant download

Made by Thijs Kern, senior colorist. Graded for Nike, McDonald's, Mastercard and others.

Digital product, downloaded right after checkout. If something does not work, help is one message away.

Overview

Soft editorial daylight with creamy highlights, olive greens and natural skin.

The devil is in the details.

An editorial daylight look inspired by the colour world of The Devil Wears Prada 2. Soft contrast, creamy highlights and a quiet, considered palette, with natural skin and rich darks. The look of a fashion house on film: calm, warm and expensive, never loud. Designed as a finished look for your own log footage.

What you will notice

  • Creamy, warm highlights with a long, soft roll-off, so bright windows and white walls never turn harsh.
  • Gentle contrast with deep blacks and a subtle cool tint in the darkest shadows.
  • Greens and foliage turned towards olive and muted, so backgrounds stay calm.
  • Natural skin, held slightly warm and away from red.
  • Camel, leather, burgundy and navy kept rich; bright primaries quietened.
  • Overall saturation slightly reduced for a restrained, editorial palette.

How to use it

  1. Find the folder for your camera. Fifteen input profiles are included in one download, from Sony S-Log3 and ARRI LogC to Apple Log and Rec.709.
  2. Balance first. Set exposure and white balance on the log footage.
  3. Apply Atelier as the look stage, then set its strength with your software's LUT intensity or node opacity.

How it was developed

Atelier was built by measuring the tone curve, colour per brightness range, skin and saturation of reference frames from The Devil Wears Prada 2, then designing an original look that matches those characteristics. It works on scene-linear light after a published-specification input transform for each camera, with smooth hue transitions so skin and gradients stay clean.

Best suited for

  • Fashion, beauty and editorial work.
  • Daylight interiors, offices, apartments and hotels.
  • City streets in daylight and overcast exteriors.
  • Interviews, brand films and lifestyle content.

Atelier is an original look by OFFWHITECOLOR. It is not affiliated with or endorsed by the film or its studio.

Specifications

What you get, and where it works.

Included

1 look included
Atelier

15 camera and log profiles in one download
65-point .cube for colour grading
33-point .cube for monitoring and wider compatibility

Compatibility

Supported camera and log profiles
Sony S-Log3 (S-Gamut3.Cine and S-Gamut3), ARRI LogC3 and LogC4, Blackmagic Gen 5, RED IPP2, Canon Log 2 and Log 3, Panasonic V-Log, Fujifilm F-Log2, Nikon N-Log, DJI D-Log, Apple Log, DaVinci Wide Gamut and Rec.709

Example cameras
Sony S-Log3: FX3, FX30, FX6, FX5, A7S III, A7 IV
ARRI: Alexa Mini, Alexa Mini LF, Amira, Alexa 35
Blackmagic Gen 5: PYXIS, Cinema Camera 6K, Pocket Cinema Camera 4K, 6K and 6K Pro
RED IPP2: Komodo, Komodo-X, V-Raptor
Canon: EOS C50, C70, C80, C300 Mark III, R5 Mark II
Panasonic V-Log: Lumix S1 II, S5 II, GH7
Fujifilm F-Log2: X-H2S, X-T5, GFX100 II
Nikon N-Log: Z6III, Z8, Z9
DJI D-Log: Mavic 3 Pro, Inspire 3, Ronin 4D, Osmo Pocket 4
Apple Log: iPhone 15 Pro and newer
Rec.709: footage that is not shot in log

Software compatibility
Compatible with DaVinci Resolve, Adobe Premiere Pro, Final Cut Pro, CapCut Desktop and other applications that support 3D .cube LUTs.

Questions

Before you buy.

Something else? Ask the colorist.

Which file should I use?

Each camera has its own folder. Choose the one that matches the profile you shot in: Sony S-Log3, ARRI LogC3 or LogC4, Blackmagic Gen 5, RED IPP2, Canon Log 2 or Log 3, Panasonic V-Log, Fujifilm F-Log2, Nikon N-Log, DJI D-Log, Apple Log, DaVinci Wide Gamut or Rec.709. Each file only works on its own input.

Does it work in Premiere Pro, Final Cut Pro or CapCut?

Yes. The .cube files work in DaVinci Resolve, Adobe Premiere Pro, Final Cut Pro, After Effects, CapCut Desktop and other software with LUT support.

Do I apply it to log or to Rec.709 footage?

To log footage in the matching profile, after basic exposure and white balance. For footage that is not shot in log, use the Rec.709 version.

Does it work at night?

Atelier is designed for daylight and soft interior light. At night it still gives clean, deep blacks and restrained colour; for neon and city nights, Neon Rain is the better match.

Can I make the look stronger or weaker?

Yes. Use your software's LUT intensity or the node opacity.

Is DJI D-Log M supported?

Not yet. D-Log M has no published specification. Use our D-Log M to S-Log3 conversion LUT, then the Sony S-Log3 file.

Next step

Build your cinema look set

Pressed Flowers takes the same softness somewhere warmer. Add any look and save 15% on both, applied automatically at checkout.

This look Atelier LUT
Cinema Looks Pressed Flowers LUT
Together 15% off both, applied at checkout.

Or pair it with

Reviews

No reviews for this one yet. Across the store, 4.8 out of 5 from 21 verified reviews.

Every tool here is built the same way, by the same colorist. Read the reviews of Nostalgic Film

Brand, camera and film-stock names are trademarks of their owners, used only to describe what a tool models or accepts. Offwhitecolor is not affiliated with them.