{"title":"Panasonic V-Log LUTs","description":"\u003cp\u003eLooks for Panasonic V-Log footage from the Lumix S1 II, S5 II, GH7 and other V-Log cameras.\u003c\/p\u003e\u003cp\u003eFilm-inspired and cinematic looks with a dedicated V-Log version. Choose the Panasonic V-Log version on each product page.\u003c\/p\u003e\u003cp\u003eBuy 2 looks and save 15%, or 3+ looks and save 25%, applied automatically at checkout.\u003c\/p\u003e","products":[{"product_id":"it-ends-with-us-lut-inspired-by-colleen-hoover-s-novel-blake-lively-s-film","title":"OW Cinema Looks No.04 — Pressed Flowers LUT","description":"\u003ch2\u003e\u003cspan\u003eA romantic palette with emotional tension\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003ePressed Flowers translates the heightened beauty associated with \u003c\/span\u003e\u003cem\u003e\u003cspan\u003eIt Ends With Us\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e into a distinctive authored Cinema Look. Soft peach skin, muted gold and warm natural surfaces sit against deeper organic greens and cooler environmental colour. Violet, red, pink and yellow remain expressive, allowing flowers, fabrics and production-design details to become part of the image without turning the entire palette overly saturated.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eThe look feels warm and inviting, but never weightless. Highlights retain a gentle softness while denser lower midtones introduce depth beneath the romantic surface. Cooler shadows and urban neutrals remain present, creating a subtle tension between intimacy and restraint.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eRather than reducing romance to pale pastels or a faded beige wash, Pressed Flowers preserves colour, texture and contrast. The result is tactile, emotionally charged and fundamentally photographic.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan\u003eWhat you will notice\u003c\/span\u003e\u003c\/h3\u003e\n\u003cul data-spread=\"false\"\u003e\n\u003cli\u003e\u003cspan\u003eSoft peach skin with restrained pink and orange warmth.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eMuted gold across sunlight, practical light and warmer neutral surfaces.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eEarthy olive-to-deep-green rendering across foliage and organic environments.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eExpressive violet, pink, red and yellow floral colour.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eCooler separation through shadows and urban neutral tones.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eGently controlled highlights with greater density through the lower midtones.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eA romantic finish that retains texture and emotional weight.\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003e\u003cspan\u003eHow it was designed\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003ePressed Flowers was developed by studying the recurring colour and tonal relationships associated with \u003c\/span\u003e\u003cem\u003e\u003cspan\u003eIt Ends With Us\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e, the film adaptation of Colleen Hoover’s novel starring Blake Lively. Lily’s warmer, creative world uses inviting natural colour and vivid floral accents, while more controlled or emotionally difficult environments introduce cooler colour, muted surfaces and greater tonal weight.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eThese relationships were translated into one repeatable colour design rather than an imitation of a single frame. Warmth remains concentrated in skin, light and organic materials, while cooler environmental colour and denser shadows prevent the image from becoming uniformly golden or sentimental.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003ePressed Flowers is an independently developed Cinema Look. It does not reproduce or claim to contain the original production LUT, colour grade or post-production pipeline used for \u003c\/span\u003e\u003cem\u003e\u003cspan\u003eIt Ends With Us\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan\u003eBest suited for\u003c\/span\u003e\u003c\/h3\u003e\n\u003cul data-spread=\"false\"\u003e\n\u003cli\u003e\u003cspan\u003eRomantic dramas, character-led films and emotionally intimate narratives.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eFlower shops, gardens, weddings and interiors containing organic textures.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003ePortraits and close-ups that benefit from softly warm skin rendering.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eDaylight, golden-hour and softly lit interior scenes.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eFootage containing florals, foliage, vintage furnishings or patterned fabrics.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eFashion, music and branded work requiring romance with greater tonal depth.\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"offwhitecolor","offers":[{"title":"Default Title","offer_id":49432161681746,"sku":"","price":19.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0819\/7344\/4946\/files\/ChatGPT_Image_Jul_21_2026_05_00_41_PM.png?v=1784646069"},{"product_id":"polaroid-romantic-lut","title":"OW Essentials No.02 — Romantic Instant LUT","description":"\u003ch3 data-section-id=\"1v85slj\" data-start=\"1275\" data-end=\"1339\" class=\"PDq2pG_selectionAnchorContainer\"\u003ePersonal colour with the softness of an ageing instant print\u003cspan aria-hidden=\"true\" class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cp data-start=\"1341\" data-end=\"1600\"\u003eRomantic Instant is designed for footage that should feel personal, warm and slightly timeworn without losing its structure. Instead of placing one heavy vintage cast over the entire image, the look creates character through a more controlled colour response.\u003c\/p\u003e\n\u003cp data-start=\"1602\" data-end=\"1912\"\u003eDusty pink-red tones settle into the shadows and darker midtones, greens become warmer and more subdued, and brighter areas take on a softened, lightly green-tinted warmth. Saturation is reduced without removing colour completely, giving daylight, skin and natural surroundings a quieter, more tactile quality.\u003c\/p\u003e\n\u003cp data-start=\"1914\" data-end=\"2192\"\u003eThe result feels nostalgic but remains practical. Skin takes on a warm, softened rendering without becoming heavily orange. Foliage, stone, wood, flowers and faded fabrics move into a restrained palette, while enough tonal separation remains to keep people and details readable.\u003c\/p\u003e\n\u003cp data-start=\"2194\" data-end=\"2489\"\u003eRomantic Instant works especially well when the footage already contains human connection, natural texture and available light. Use it for travel films, couple sessions, weddings, lifestyle work or narrative sequences that should feel closer to a remembered moment than a polished digital image.\u003c\/p\u003e\n\u003ch3 data-section-id=\"11p0xgo\" data-start=\"2491\" data-end=\"2514\"\u003eWhat you will notice\u003c\/h3\u003e\n\u003cul data-start=\"2516\" data-end=\"2982\"\u003e\n\u003cli data-section-id=\"1gufxra\" data-start=\"2516\" data-end=\"2581\"\u003eDusty pink and red colour through shadows and darker midtones\u003c\/li\u003e\n\u003cli data-section-id=\"zfun8q\" data-start=\"2582\" data-end=\"2642\"\u003eWarm, muted greens with less dominant foliage saturation\u003c\/li\u003e\n\u003cli data-section-id=\"19eb6h8\" data-start=\"2643\" data-end=\"2700\"\u003eSoftened blue and cyan tones in daylight environments\u003c\/li\u003e\n\u003cli data-section-id=\"1vgjisx\" data-start=\"2701\" data-end=\"2761\"\u003eWarm highlights with a restrained green-tinted direction\u003c\/li\u003e\n\u003cli data-section-id=\"13qvm8o\" data-start=\"2762\" data-end=\"2826\"\u003eGently reduced saturation and a less clinical digital finish\u003c\/li\u003e\n\u003cli data-section-id=\"1hcqfjr\" data-start=\"2827\" data-end=\"2902\"\u003eWarm skin rendering that remains separated from the surrounding palette\u003c\/li\u003e\n\u003cli data-section-id=\"u49mvz\" data-start=\"2903\" data-end=\"2982\"\u003eA choice between a fuller Standard version and a more subdued Faded version\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 data-section-id=\"1y01iik\" data-start=\"2984\" data-end=\"3013\"\u003eTwo variations of the look\u003c\/h3\u003e\n\u003cp data-section-id=\"1n33c3h\" data-start=\"3015\" data-end=\"3027\"\u003e\u003cstrong\u003eStandard\u003c\/strong\u003e The main Romantic Instant treatment, with the clearest colour separation and a fuller expression of the dusty red, muted green and warm highlight palette.\u003c\/p\u003e\n\u003cp data-section-id=\"6uavr8\" data-start=\"3185\" data-end=\"3194\"\u003e\u003cstrong\u003eFaded\u003c\/strong\u003e A quieter interpretation with a more subdued, timeworn finish. Use it when the Standard version feels too present or when the footage should resemble an older, softly faded print.\u003c\/p\u003e\n\u003ch3 data-section-id=\"68h71a\" data-start=\"3377\" data-end=\"3399\"\u003eHow it was designed\u003c\/h3\u003e\n\u003cp data-start=\"3401\" data-end=\"3533\"\u003eRomantic Instant is an authored, film-inspired colour design rather than a measured reproduction of one specific instant-film stock.\u003c\/p\u003e\n\u003cp data-start=\"3535\" data-end=\"3853\" class=\"\"\u003eThe look takes cues from the way ageing instant prints can shift over time: softened saturation, warmer paper-like highlights, dusty red colour and greens that move away from clean digital reproduction. These characteristics were balanced to create a repeatable creative treatment rather than a novelty vintage effect.\u003c\/p\u003e\n\u003ch3 data-section-id=\"1hx3z6s\" data-start=\"3855\" data-end=\"3873\"\u003eBest suited for\u003c\/h3\u003e\n\u003cul data-start=\"3875\" data-end=\"4202\"\u003e\n\u003cli data-section-id=\"16yzbmf\" data-start=\"3875\" data-end=\"3905\"\u003eTravel and lifestyle films\u003c\/li\u003e\n\u003cli data-section-id=\"z705wh\" data-start=\"3906\" data-end=\"3957\"\u003eCouples, weddings and personal documentary work\u003c\/li\u003e\n\u003cli data-section-id=\"c6ygl9\" data-start=\"3958\" data-end=\"4011\"\u003ePortraits and people-led footage in natural light\u003c\/li\u003e\n\u003cli data-section-id=\"1t036ic\" data-start=\"4012\" data-end=\"4075\"\u003eFlowers, foliage, summer daylight and textured environments\u003c\/li\u003e\n\u003cli data-section-id=\"11jjv8t\" data-start=\"4076\" data-end=\"4123\"\u003eMusic videos and narrative memory sequences\u003c\/li\u003e\n\u003cli data-section-id=\"1wf09g1\" data-start=\"4124\" data-end=\"4202\"\u003eProjects that need warmth and nostalgia without an aggressive retro effect\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2 data-section-id=\"1n3obi1\" data-start=\"4204\" data-end=\"4228\"\u003e\u003cbr\u003e\u003c\/h2\u003e","brand":"offwhitecolor","offers":[{"title":"Default Title","offer_id":50466700493138,"sku":"","price":19.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0819\/7344\/4946\/files\/ri1_e78e8c47-48e1-45e3-ab89-d7df0e4acf75.jpg?v=1785152400"},{"product_id":"content-creator-cine-lut","title":"OW Essentials No.03 — Creator Cine LUT","description":"\u003cdiv class=\"rich-text__text rte variant-dynamic-text-4\"\u003e\n\u003ch2 class=\"PDq2pG_selectionAnchorContainer\" data-end=\"1308\" data-start=\"1254\" data-section-id=\"1pgrnjg\"\u003eA considered finish without a heavy stylised grade\u003cspan class=\"PDq2pG_selectionAnchor\" aria-hidden=\"true\"\u003e\u003c\/span\u003e\n\u003c\/h2\u003e\n\u003cp data-end=\"1638\" data-start=\"1310\"\u003eCreator Cine is designed for footage that needs to feel more deliberate and complete without being pushed into an obvious colour effect. It introduces a restrained silver quality through neutral surfaces, controls digital-looking saturation and adds enough tonal density to give everyday images a more finished visual structure.\u003c\/p\u003e\n\u003cp data-end=\"1895\" data-start=\"1640\"\u003eSkin remains clean and gently warm against cooler non-skin neutrals. Whites, greys, concrete, metal and subdued natural colours take on a quieter, more unified rendering, while contrast is shaped to create focus without making shadows unnecessarily heavy.\u003c\/p\u003e\n\u003cp data-end=\"2135\" data-start=\"1897\"\u003eThe result is modern, polished and repeatable. It works across talking-head footage, interviews, branded content, lifestyle films, product details and narrative material where the colour should support the subject rather than dominate it.\u003c\/p\u003e\n\u003cp data-end=\"2420\" data-start=\"2137\"\u003eCreator Cine is especially useful when standard camera colour feels technically correct but visually unfinished. The look adds separation, density and a consistent tonal direction while leaving enough room for the lighting, location and personality of each project to remain visible.\u003c\/p\u003e\n\u003ch3 data-end=\"2445\" data-start=\"2422\" data-section-id=\"11p0xgo\"\u003eWhat you will notice\u003c\/h3\u003e\n\u003cul data-end=\"2976\" data-start=\"2447\"\u003e\n\u003cli data-end=\"2499\" data-start=\"2447\" data-section-id=\"175w74n\"\u003eClean skin-tone rendering with restrained warmth\u003c\/li\u003e\n\u003cli data-end=\"2584\" data-start=\"2500\" data-section-id=\"v549kq\"\u003eSubtle silver-toned separation through whites, greys and other non-skin neutrals\u003c\/li\u003e\n\u003cli data-end=\"2655\" data-start=\"2585\" data-section-id=\"1oy6hk3\"\u003eModerated saturation without reducing the image to a faded palette\u003c\/li\u003e\n\u003cli data-end=\"2712\" data-start=\"2656\" data-section-id=\"d72ym7\"\u003eGreens that feel quieter and less digitally dominant\u003c\/li\u003e\n\u003cli data-end=\"2777\" data-start=\"2713\" data-section-id=\"vucg25\"\u003eAdded midtone and shadow density with readable darker detail\u003c\/li\u003e\n\u003cli data-end=\"2845\" data-start=\"2778\" data-section-id=\"amgsek\"\u003eControlled highlights that retain a polished, neutral character\u003c\/li\u003e\n\u003cli data-end=\"2904\" data-start=\"2846\" data-section-id=\"1ptxtss\"\u003eClearer visual focus without an aggressive colour cast\u003c\/li\u003e\n\u003cli data-end=\"2976\" data-start=\"2905\" data-section-id=\"ttcezk\"\u003eA consistent modern finish across people, products and environments\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 data-end=\"3006\" data-start=\"2978\" data-section-id=\"189ycdt\"\u003eA practical everyday look\u003c\/h3\u003e\n\u003cp data-end=\"3209\" data-start=\"3008\"\u003eCreator Cine is not designed to imitate one specific film stock or reproduce a recognisable historical process. It is an original colour design built for repeat use across contemporary digital footage.\u003c\/p\u003e\n\u003cp data-end=\"3525\" data-start=\"3211\"\u003eIts character comes from the relationship between skin, neutrals, saturation and contrast rather than from an exaggerated teal-and-orange split, faded blacks or a strong vintage tint. This makes the look distinctive enough to establish a visual identity, but restrained enough to use throughout a complete project.\u003c\/p\u003e\n\u003ch3 data-end=\"3550\" data-start=\"3527\" data-section-id=\"9rp2ul\"\u003eHow it was developed\u003c\/h3\u003e\n\u003cp data-end=\"3680\" data-start=\"3552\"\u003eCreator Cine was developed around controlled colour relationships and tonal behaviour rather than a single dominant colour cast.\u003c\/p\u003e\n\u003cp data-end=\"4046\" data-start=\"3682\"\u003eThe look uses Offwhitecolor’s Pure Color Hue™ and ToneSafe™ approach, with the practical aim of maintaining cleaner colour separation and a controlled tonal range across the supported source profiles. The visible priorities remain simple: natural skin relationships, silver-toned neutrals, modest colour density and highlights that feel polished rather than harsh.\u003c\/p\u003e\n\u003ch3 data-end=\"4066\" data-start=\"4048\" data-section-id=\"1hx3z6s\"\u003eBest suited for\u003c\/h3\u003e\n\u003cul data-end=\"4472\" data-start=\"4068\"\u003e\n\u003cli data-end=\"4104\" data-start=\"4068\" data-section-id=\"1jcqj6g\"\u003eYouTube and talking-head content\u003c\/li\u003e\n\u003cli data-end=\"4140\" data-start=\"4105\" data-section-id=\"xqj2zh\"\u003eInterviews and documentary work\u003c\/li\u003e\n\u003cli data-end=\"4181\" data-start=\"4141\" data-section-id=\"1ak5a29\"\u003eBranded films and commercial content\u003c\/li\u003e\n\u003cli data-end=\"4232\" data-start=\"4182\" data-section-id=\"wy4szb\"\u003eProduct, food and detail photography in motion\u003c\/li\u003e\n\u003cli data-end=\"4279\" data-start=\"4233\" data-section-id=\"1ktejfg\"\u003eLifestyle, travel and creator-led projects\u003c\/li\u003e\n\u003cli data-end=\"4338\" data-start=\"4280\" data-section-id=\"1t2bu09\"\u003eSocial content that needs a consistent visual identity\u003c\/li\u003e\n\u003cli data-end=\"4398\" data-start=\"4339\" data-section-id=\"1ibd5rz\"\u003eNarrative footage requiring a clean contemporary finish\u003c\/li\u003e\n\u003cli data-end=\"4472\" data-start=\"4399\" data-section-id=\"6tfkr3\"\u003eProjects combining people, neutral interiors and natural environments\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"offwhitecolor","offers":[{"title":"Default Title","offer_id":50472170750290,"sku":"","price":19.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0819\/7344\/4946\/files\/Still_2025-03-09_122919_1.126.1.T.png?v=1742034367"},{"product_id":"kodak-nostalgic-look-lut","title":"OW Essentials No.01 — Nostalgic Film LUT","description":"\u003ch2 data-section-id=\"rl6fpe\" data-start=\"595\" data-end=\"638\" class=\"PDq2pG_selectionAnchorContainer\"\u003eA warm and cohesive nostalgic film look\u003cspan aria-hidden=\"true\" class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\n\u003c\/h2\u003e\n\u003cp data-start=\"640\" data-end=\"868\"\u003eNostalgic Film is a creative LUT inspired by the colour character of classic Kodak film stocks. It combines warm highlights, rich blacks and targeted colour compression to give digital footage a more cohesive, filmic appearance.\u003c\/p\u003e\n\u003cp data-start=\"870\" data-end=\"1109\"\u003eGolden amber and turquoise tones shape the overall palette, creating a recognisable nostalgic character that works across both cinematic and everyday imagery. The result is warm, timeless and ready to use without requiring a complex grade.\u003c\/p\u003e\n\u003ch3 data-section-id=\"h8v77v\" data-start=\"1111\" data-end=\"1135\"\u003eWhat you will notice\u003c\/h3\u003e\n\u003cul data-start=\"1137\" data-end=\"1383\"\u003e\n\u003cli data-section-id=\"10ukhhx\" data-start=\"1137\" data-end=\"1164\"\u003eWarm highlight rendering.\u003c\/li\u003e\n\u003cli data-section-id=\"8horqn\" data-start=\"1165\" data-end=\"1188\"\u003eRich, defined blacks.\u003c\/li\u003e\n\u003cli data-section-id=\"1sr50pc\" data-start=\"1189\" data-end=\"1219\"\u003eTargeted colour compression.\u003c\/li\u003e\n\u003cli data-section-id=\"miodyg\" data-start=\"1220\" data-end=\"1281\"\u003eA balanced combination of golden amber and turquoise tones.\u003c\/li\u003e\n\u003cli data-section-id=\"1ube8an\" data-start=\"1282\" data-end=\"1316\"\u003eA cohesive, warm colour palette.\u003c\/li\u003e\n\u003cli data-section-id=\"z1vyky\" data-start=\"1317\" data-end=\"1383\"\u003eA consistent creative look across the supported camera profiles.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 data-section-id=\"lglq8t\" data-start=\"1385\" data-end=\"1408\"\u003eHow it was designed\u003c\/h3\u003e\n\u003cp data-start=\"1410\" data-end=\"1578\"\u003eNostalgic Film is a creative interpretation of the colour character associated with classic Kodak imagery. It is not a measured reproduction of one specific film stock.\u003c\/p\u003e\n\u003cp data-start=\"1580\" data-end=\"1815\"\u003eThe look is built around warm highlights, rich blacks and controlled colour relationships. Each camera-specific version is designed for its stated log profile, allowing the same creative look to be used across different camera systems.\u003c\/p\u003e\n\u003cp data-start=\"1817\" data-end=\"1937\"\u003eNostalgic Film is independently developed by Offwhitecolor and is not affiliated with, licensed by or endorsed by Kodak.\u003c\/p\u003e\n\u003ch3 data-section-id=\"1tlfnfr\" data-start=\"1939\" data-end=\"1958\"\u003eBest suited for\u003c\/h3\u003e\n\u003cul data-start=\"1960\" data-end=\"2196\"\u003e\n\u003cli data-section-id=\"1rjjctn\" data-start=\"1960\" data-end=\"2006\"\u003eNarrative films and short-form storytelling.\u003c\/li\u003e\n\u003cli data-section-id=\"118qecj\" data-start=\"2007\" data-end=\"2045\"\u003eBranded content and commercial work.\u003c\/li\u003e\n\u003cli data-section-id=\"u5nkgg\" data-start=\"2046\" data-end=\"2083\"\u003eTravel films and lifestyle content.\u003c\/li\u003e\n\u003cli data-section-id=\"1iwwszl\" data-start=\"2084\" data-end=\"2127\"\u003ePortrait, fashion and editorial projects.\u003c\/li\u003e\n\u003cli data-section-id=\"inkd2q\" data-start=\"2128\" data-end=\"2196\"\u003eCreative work that benefits from a warm, nostalgic film character.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"offwhitecolor","offers":[{"title":"All cameras (bundle)","offer_id":50473394995538,"sku":"","price":19.99,"currency_code":"EUR","in_stock":true},{"title":"Sony","offer_id":50473395028306,"sku":"","price":9.99,"currency_code":"EUR","in_stock":true},{"title":"Apple iPhone","offer_id":50473395061074,"sku":"","price":9.99,"currency_code":"EUR","in_stock":true},{"title":"DJI Pocket 3","offer_id":50473395093842,"sku":"","price":9.99,"currency_code":"EUR","in_stock":true},{"title":"Blackmagic","offer_id":50473395126610,"sku":"","price":9.99,"currency_code":"EUR","in_stock":true},{"title":"RED","offer_id":50473395159378,"sku":"","price":9.99,"currency_code":"EUR","in_stock":true},{"title":"Fujifilm","offer_id":50473395192146,"sku":"","price":9.99,"currency_code":"EUR","in_stock":true},{"title":"ARRI","offer_id":50473395224914,"sku":"","price":9.99,"currency_code":"EUR","in_stock":true},{"title":"Panasonic","offer_id":50473395257682,"sku":"","price":9.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0819\/7344\/4946\/files\/Still_2025-03-14_100627_1.10.3.T.png?v=1741943376"},{"product_id":"pastel-dream-lut","title":"OW Essentials No.08 — Pastel Dream LUT","description":"\u003ch2\u003ePASTEL COLOUR WITHOUT LOSING STRUCTURE\u003c\/h2\u003e\n\u003cp\u003ePastel Dream is designed for footage that should feel light, romantic and polished without becoming washed out. Inspired by the colour language of Fuji 400H and contemporary pastel wedding photography, it combines airy highlights and softened contrast with delicate shifts through the cooler parts of the palette.\u003c\/p\u003e\n\u003cp\u003eGreens and cooler surroundings move towards soft mint and blue-green, while muted rose and lavender accents bring gentle variation to the midtones. Skin remains comparatively natural and enough black point is retained to keep the image grounded.\u003c\/p\u003e\n\u003cp\u003eThree variations allow the look to move from clean and balanced to more faded or distinctly green-toned, while maintaining the same soft pastel direction.\u003c\/p\u003e\n\u003ch3\u003eWhat you will notice\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eAiry highlights with a soft tonal finish\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eGentler contrast without completely removing the black point\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eFresh, muted greens and subtle blue-green accents\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eDelicate rose and lavender colour through the midtones\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eNatural-looking skin against the cooler pastel palette\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eThree variations for different levels of fade and green bias\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eA consistent creative direction across the supported camera profiles\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eHow it was designed\u003c\/h3\u003e\n\u003cp\u003ePastel Dream creates its character through selective colour shaping and a softened contrast curve rather than applying a uniform pastel wash across the image. This allows lighter surfaces, foliage, skin and cooler surroundings to retain useful separation.\u003c\/p\u003e\n\u003cp\u003eThe look is inspired by Fuji 400H and the palette associated with pastel wedding photography. It is not a measured reproduction of a specific film stock, negative or laboratory process.\u003c\/p\u003e\n\u003cp\u003eStandard delivers the main Pastel Dream balance. Faded Fuji introduces a softer, more faded tonal finish, while Green Tone adds a stronger green bias through foliage and cooler parts of the image.\u003c\/p\u003e\n\u003cp\u003eEach camera-specific version is designed for direct use with its stated log profile, creating a consistent version of the look across different camera systems.\u003c\/p\u003e\n\u003ch3\u003eBest suited for\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eWedding and couple films\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eLifestyle and fashion content\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003ePortraits and beauty films\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eGarden, coastal and natural-light footage\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eTravel films and vlogs\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eRomantic narrative work\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eSoft, considered branded content\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"offwhitecolor","offers":[{"title":"Default Title","offer_id":50506084516178,"sku":null,"price":19.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0819\/7344\/4946\/files\/collectie_images.jpg?v=1784636811"},{"product_id":"moody-teal-dust-lut","title":"OW Essentials No.04 — Moody Teal \u0026 Dust LUT","description":"\u003ch2 class=\"isSelectedEnd\"\u003eA muted teal-and-olive look with weathered neutrals, controlled highlights and natural warmth in skin.\u003c\/h2\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eMoody Teal \u0026amp; Dust is designed for footage that should feel grounded, textured and slightly weathered rather than bright, glossy or overly polished.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eThe look draws cooler cyan-teal tones into skies, shadows, denim and darker environmental colours. Greens move towards deep olive, while concrete, earth tones and warmer surfaces become softer and dustier. Whites settle into restrained cream and grey instead of remaining clinically bright.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eSkin retains enough natural warmth to remain believable within the cooler palette. Rather than creating an exaggerated orange-and-teal split, the colours stay connected to the environment.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eThe result is controlled but clearly visible. In direct daylight, the look creates density, stronger colour separation and a darker urban structure. In overcast light, interiors and coastal environments, it becomes softer, quieter and more atmospheric.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan\u003eWhat you will notice\u003c\/span\u003e\u003c\/h3\u003e\n\u003cul data-spread=\"false\"\u003e\n\u003cli\u003e\u003cspan\u003eCyan-teal separation through skies, shadows and darker blue surfaces\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eDeep olive greens with reduced yellow brightness\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eDustier browns, concrete tones and weathered neutrals\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eCream and grey highlights instead of clean digital white\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eNatural warm-neutral skin without an exaggerated orange cast\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eDense blacks and controlled contrast that remain adjustable in the grade\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003e\u003cspan\u003eA look for real environments\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eMoody Teal \u0026amp; Dust works particularly well when the scene already contains surfaces the palette can respond to: concrete, brick, denim, foliage, wet streets, dark architecture, pale interiors and open skies.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eIt gives everyday footage a stronger visual identity without making every shot feel like a stylised effect. Urban reportage, portraits, travel footage and behind-the-scenes material remain observational and believable while sharing a consistent colour world.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan\u003eBest suited for\u003c\/span\u003e\u003c\/h3\u003e\n\u003cul data-spread=\"false\"\u003e\n\u003cli\u003e\u003cspan\u003eUrban documentary and street footage\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eEnvironmental portraits and lifestyle films\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eMusic sessions, rehearsals and behind-the-scenes content\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eArchitecture, industrial spaces and transport environments\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eOvercast streets, wet weather and cloudy coastlines\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eFoliage, earth tones and subdued natural landscapes\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eDirect daylight that needs a denser, less digital response\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eQuiet editorial, fashion and narrative work\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003e\u003cbr\u003e\u003c\/h2\u003e","brand":"offwhitecolor","offers":[{"title":"Default Title","offer_id":50515409535314,"sku":"","price":19.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0819\/7344\/4946\/files\/Still_2025-03-28_154954_1.36.1.POST.jpg?v=1754315565"},{"product_id":"adolescence-film-look-lut","title":"OW Cinema Looks No.05 — Early Hours LUT","description":"\u003cp data-start=\"588\" data-end=\"742\"\u003e\u003cstrong data-start=\"588\" data-end=\"742\"\u003eInspired by the restrained natural-light colour language of the Netflix series Adolescence, Early Hours translates its muted blues, creamy highlights and gentle shadow structure into an original look for contemporary footage.\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch2 data-section-id=\"1og2oc7\" data-start=\"773\" data-end=\"815\"\u003eSoft colour for changing natural light\u003c\/h2\u003e\n\u003cp data-start=\"817\" data-end=\"1100\"\u003eNatural light rarely remains consistent. Overcast exteriors, open shade, window light and brief moments of low sun can all exist within the same scene. Early Hours brings those conditions into one controlled visual world without flattening the atmosphere that makes them interesting.\u003c\/p\u003e\n\u003cp data-start=\"1102\" data-end=\"1325\"\u003eThe look combines grounded saturation with muted blues, creamy highlights and a gentle shadow structure. Skin tones remain natural within the restrained palette, while brighter areas take on a softer, less clinical quality.\u003c\/p\u003e\n\u003cp data-start=\"1327\" data-end=\"1561\"\u003eEarly Hours is designed to feel quiet and observational rather than heavily graded. It gives uncontrolled light greater continuity while allowing the emotional distance, stillness and intimacy of the original images to remain present.\u003c\/p\u003e\n\u003ch3 data-section-id=\"h8v77v\" data-start=\"1563\" data-end=\"1587\"\u003eWhat you will notice\u003c\/h3\u003e\n\u003cul data-start=\"1589\" data-end=\"2022\"\u003e\n\u003cli data-section-id=\"bkh3ud\" data-start=\"1589\" data-end=\"1669\"\u003eGrounded saturation that removes digital intensity without draining the image.\u003c\/li\u003e\n\u003cli data-section-id=\"1yqzmxx\" data-start=\"1670\" data-end=\"1716\"\u003eMuted blues and cooler environmental colour.\u003c\/li\u003e\n\u003cli data-section-id=\"1tnegk8\" data-start=\"1717\" data-end=\"1763\"\u003eCreamy, gently softened highlight rendering.\u003c\/li\u003e\n\u003cli data-section-id=\"6ae04q\" data-start=\"1764\" data-end=\"1828\"\u003eOpen shadows with controlled contrast and retained separation.\u003c\/li\u003e\n\u003cli data-section-id=\"1miyp8s\" data-start=\"1829\" data-end=\"1895\"\u003eNatural skin-tone relationships within a cooler overall palette.\u003c\/li\u003e\n\u003cli data-section-id=\"bboa72\" data-start=\"1896\" data-end=\"1960\"\u003eGreater visual continuity across changing daylight conditions.\u003c\/li\u003e\n\u003cli data-section-id=\"26k5zi\" data-start=\"1961\" data-end=\"2022\"\u003eA soft film-inspired character without a heavy colour cast.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 data-section-id=\"zgmg8k\" data-start=\"2024\" data-end=\"2052\"\u003eTwo versions of the look\u003c\/h3\u003e\n\u003cp data-start=\"2054\" data-end=\"2246\"\u003e\u003cstrong data-start=\"2054\" data-end=\"2065\"\u003eNeutral\u003c\/strong\u003e preserves the core palette in its most balanced form. It is designed for overcast exteriors, open shade, window light and scenes where the existing warmth should remain controlled.\u003c\/p\u003e\n\u003cp data-start=\"2248\" data-end=\"2430\"\u003e\u003cstrong data-start=\"2248\" data-end=\"2256\"\u003eWarm\u003c\/strong\u003e introduces a measured increase in warmth for golden hour, low sunlight and emotionally softer scenes. It follows warmer light rather than forcing every image towards orange.\u003c\/p\u003e\n\u003cp data-start=\"2432\" data-end=\"2530\"\u003eBoth versions share the same contrast structure, saturation behaviour and overall colour identity.\u003c\/p\u003e\n\u003ch3 data-section-id=\"17a8yz2\" data-start=\"2532\" data-end=\"2556\"\u003eHow it was developed\u003c\/h3\u003e\n\u003cp data-start=\"2558\" data-end=\"2766\"\u003eEarly Hours was developed around the challenge of maintaining visual continuity in uncontrolled natural light, particularly across longer scenes where the lighting cannot be rebuilt for every angle or moment.\u003c\/p\u003e\n\u003cp data-start=\"2768\" data-end=\"3068\"\u003eThe palette was shaped to keep skin tones stable while reducing the intensity of blues, softening brighter areas and preventing shadows from becoming unnecessarily heavy. The goal was not to disguise changes in the light, but to make those changes feel as though they belong to the same visual world.\u003c\/p\u003e\n\u003cp data-start=\"3070\" data-end=\"3205\"\u003eThis is an original, film-inspired colour design. It is not a measured reproduction of a specific film stock or a technical conversion.\u003c\/p\u003e\n\u003ch3 data-section-id=\"1tlfnfr\" data-start=\"3207\" data-end=\"3226\"\u003eBest suited for\u003c\/h3\u003e\n\u003cul data-start=\"3228\" data-end=\"3629\"\u003e\n\u003cli data-section-id=\"1c611l9\" data-start=\"3228\" data-end=\"3281\"\u003eCharacter-driven narrative and coming-of-age films.\u003c\/li\u003e\n\u003cli data-section-id=\"1v3n2iq\" data-start=\"3282\" data-end=\"3343\"\u003eNatural-light productions and continuous-take environments.\u003c\/li\u003e\n\u003cli data-section-id=\"h0e7jj\" data-start=\"3344\" data-end=\"3402\"\u003eOvercast exteriors, open shade and window-lit interiors.\u003c\/li\u003e\n\u003cli data-section-id=\"1qwsoch\" data-start=\"3403\" data-end=\"3447\"\u003eGolden-hour scenes using the Warm version.\u003c\/li\u003e\n\u003cli data-section-id=\"1j9tyxw\" data-start=\"3448\" data-end=\"3500\"\u003eDocumentary, lifestyle and ambient travel footage.\u003c\/li\u003e\n\u003cli data-section-id=\"6v18pe\" data-start=\"3501\" data-end=\"3561\"\u003eMusic films and visual essays with a quiet emotional tone.\u003c\/li\u003e\n\u003cli data-section-id=\"ekygkd\" data-start=\"3562\" data-end=\"3629\"\u003eProjects that need softness without losing believable skin tones.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"offwhitecolor","offers":[{"title":"Default Title","offer_id":50538407887186,"sku":"","price":19.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0819\/7344\/4946\/files\/Adolesence_LOOK_1.19.1.POST.png?v=1754319480"},{"product_id":"ow-essentials-no-5-mintprint","title":"OW Essentials No.05 — Mintprint 2-Strip LUT","description":"\u003ch2\u003eTWO-STRIP COLOUR, REWORKED FOR MOTION\u003c\/h2\u003e\n\u003cp\u003eMintprint is built for footage that should feel intentionally designed rather than neutrally reproduced. It reinterprets the limited palette and colour separation associated with early two-colour cinema as a contemporary motion look.\u003c\/p\u003e\n\u003cp\u003eWhites, foliage and cooler surroundings move towards mint and cyan, while reds, oranges and skin retain a comparatively warmer bias. Dusty pink and coral midtones combine with deeper teal-toned shadows to create a graphic split between warm and cool colour families.\u003c\/p\u003e\n\u003cp\u003eThe result is stylised and immediately recognisable. Standard delivers the full colour separation and contrast of the look, while Soft retains the same palette with gentler contrast and smoother tonal transitions.\u003c\/p\u003e\n\u003ch3\u003eWhat you will notice\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eMint and cyan through whites, foliage and cooler surroundings\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eWarm-biased reds, oranges and skin separation\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eDusty pink and coral colour through the midtones\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eMuted blues and deeper teal-toned shadows\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eBold split-toning with a deliberately reduced palette\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eA consistent creative direction across the supported camera profiles\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eHow it was designed\u003c\/h3\u003e\n\u003cp\u003eMintprint is an authored interpretation of the colour separation associated with early two-colour cinema. It is not a measured reproduction of a specific historical print, film stock or laboratory process.\u003c\/p\u003e\n\u003cp\u003eThe Standard version carries the strongest palette separation and contrast. Soft uses the same underlying colour direction with smoother contrast and more natural roll-offs, making it easier to integrate into gentler grades.\u003c\/p\u003e\n\u003cp\u003eEach camera-specific version is designed for direct use with its stated log profile, allowing the same creative direction to be used across different camera systems.\u003c\/p\u003e\n\u003ch3\u003eBest suited for\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eFashion and editorial films\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eMusic videos and performance content\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eNarrative and short-form storytelling\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eUrban, lifestyle and travel footage\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eStylised branded content\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eProjects that benefit from a strong, graphic colour concept\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"offwhitecolor","offers":[{"title":"Default Title","offer_id":51282644992338,"sku":null,"price":19.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0819\/7344\/4946\/files\/mint_4.jpg?v=1784560569"},{"product_id":"ow-essentials-no-7-printlite-3513-lut","title":"OW Essentials No.07 — Printlite 3513 LUT","description":"\u003ch2\u003e\u003cspan\u003eThe character of 3513DI, rebuilt for commercial grading\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003ePrintLite 3513 began inside a real commercial grade that called for the recognisable look and feel associated with Fujifilm 3513DI D55. The standard film-print LUT supplied with DaVinci Resolve brought the image into the right general colour world, but its transformation was not clean or flexible enough for the finish the project required.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eTraditional film-print LUTs can introduce a strong tonal curve, colour shifts and other characteristics that form part of their identity. In commercial work, those same characteristics can become restrictive. Skin, products, brand colours and neutral surfaces often require precise control, leaving the colorist to correct or work against qualities introduced by the LUT itself.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eInstead of first imposing those limitations and then grading them back out, PrintLite 3513 rebuilds the most useful parts of the look in a cleaner form. It retains print-inspired colour cohesion, controlled saturation and satisfying tonal density while preserving more freedom for balancing, matching and creative adjustment.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eThe result is recognisably filmic and finished, but clean enough for commercials, branded content, narrative work and other projects where the grade still needs to remain controlled.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan\u003eWhat you will notice\u003c\/span\u003e\u003c\/h3\u003e\n\u003cul data-spread=\"false\"\u003e\n\u003cli\u003e\u003cspan\u003eFilm-print-inspired colour cohesion without an overpowering global cast.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eControlled saturation that creates colour density rather than a broad digital boost.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eGently weighted midtones and controlled blacks without unnecessarily crushing the image.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eWarm, cohesive skin rendering without a strong orange bias.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eCleaner neutral separation across whites, greys and production-design surfaces.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eSofter, less brittle highlight transitions.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eA finished filmic character that still leaves room for normal grading decisions.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eGreater flexibility across products, skin, interiors and mixed real-world colour.\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003e\u003cspan\u003eHow it was designed\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003ePrintLite 3513 was developed during a commercial project that required the familiar visual character of Fujifilm 3513DI D55, but demanded a cleaner and more controllable result than the standard DaVinci Resolve film-print LUT provided.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eRather than modifying or redistributing the original LUT, the look was rebuilt independently by identifying the qualities that made the reference useful: its colour organisation, compact saturation, tonal density, highlight behaviour and overall sense of cohesion. These qualities were then translated into a cleaner creative transform without retaining corrections that would immediately need to be counteracted during a commercial grade.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eThis approach avoids a workflow in which the image is first pushed too far by a conventional print transform and then corrected back towards the desired result. PrintLite 3513 starts closer to that intended endpoint, providing film-print character while keeping the underlying grade more adaptable.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eEach camera- and log-specific version is designed for direct use with its stated input profile. PrintLite 3513 is an independently developed Offwhitecolor look and does not contain or redistribute the original Fujifilm or DaVinci Resolve LUT.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan\u003eBest suited for\u003c\/span\u003e\u003c\/h3\u003e\n\u003cul data-spread=\"false\"\u003e\n\u003cli\u003e\u003cspan\u003eCommercials and branded content requiring film character with precise colour control.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eNarrative, documentary and lifestyle footage.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eProduct imagery in which brand colours and neutral surfaces need to remain manageable.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003ePortraits and close-ups that benefit from cohesive, controlled skin rendering.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eDaylight and interior footage requiring greater tonal density without a heavy vintage finish.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eProjects that need a consistent print-inspired foundation across varied scenes.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eColorists who enjoy the character of 3513DI D55 but regularly find themselves grading against a conventional film-print LUT.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eCreators who want a finished filmic result without building a separate Cineon print workflow.\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\n\n\n\n","brand":"offwhitecolor","offers":[{"title":"Default Title","offer_id":51288683184466,"sku":null,"price":19.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0819\/7344\/4946\/files\/pl2.jpg?v=1785153770"},{"product_id":"pluribus-look-lut","title":"OW Cinema Looks No.06 — Collective Neutral LUT","description":"\u003ch2\u003e\u003cspan\u003eA Pluribus-inspired balance of film colour and modern clarity\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eCollective Neutral translates the distinctive colour world associated with the Apple TV series \u003c\/span\u003e\u003cem\u003e\u003cspan\u003ePluribus\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e into a complete authored grade. Softened blues and greens sit against natural skin, pale sunlit neutrals and concentrated red accents, while controlled contrast gives the image a finished sense of density without making it feel heavy or aggressively stylised.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eIts character lies in the balance between two visual qualities. The colour has the compactness and gentle softness associated with transparency film, while whites, skin tones and fine colour separation retain the clarity of contemporary high-end television. The result feels filmic without becoming faded, grainy or overtly nostalgic.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eCollective Neutral is designed as a finished creative look rather than a neutral technical foundation. The matching input version establishes the intended palette, saturation and contrast in one transformation, while still leaving room for normal exposure balancing, white-balance correction and shot matching.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan\u003eWhat you will notice\u003c\/span\u003e\u003c\/h3\u003e\n\u003cul data-spread=\"false\"\u003e\n\u003cli\u003e\u003cspan\u003eNatural to softly peach skin without an exaggerated orange bias.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eSoftened blue and green hues with a subtle transparency-film character.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eConcentrated reds and rust tones that remain distinct without becoming neon.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eClean pale neutrals and whites with restrained digital harshness.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eControlled highlight transitions and greater density through the midtones.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eFirm, defined contrast that retains separation in darker environments.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eA complete colour finish that remains clean rather than heavily filtered.\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003e\u003cspan\u003eHow it was designed\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eCollective Neutral was developed by studying the recurring palette and tonal relationships associated with \u003c\/span\u003e\u003cem\u003e\u003cspan\u003ePluribus\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e, the Apple TV series created by Vince Gilligan and starring Rhea Seehorn.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eThe visual reference combines faded blue-green colour, stronger red accents, natural faces and pale sunlit surfaces with the clean image structure of contemporary digital cinematography. Instead of matching one individual frame, these relationships were translated into a repeatable colour design that can respond across daylight, interiors and lower-light material.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eThe result is an independently developed Cinema Look with its own controlled balance of film colour and modern clarity. Collective Neutral does not reproduce or claim to contain the original production LUT, colour grade or post-production pipeline used for \u003c\/span\u003e\u003cem\u003e\u003cspan\u003ePluribus\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan\u003eBest suited for\u003c\/span\u003e\u003c\/h3\u003e\n\u003cul data-spread=\"false\"\u003e\n\u003cli\u003e\u003cspan\u003eCharacter-led drama, science fiction and psychologically restrained narrative work.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eDry daylight, suburban environments and wide exterior cinematography.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eContemporary interiors that benefit from cleaner neutral separation.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eFootage containing blue, green, white, red or rust-coloured production design.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003ePortraits and close-ups requiring natural skin within a clearly authored palette.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eCommercial, fashion and music work that needs film character without a visibly retro finish.\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"offwhitecolor","offers":[{"title":"ARRI LogC3","offer_id":52526294008146,"sku":null,"price":19.99,"currency_code":"EUR","in_stock":true},{"title":"Sony S-Log3","offer_id":52526293942610,"sku":null,"price":19.99,"currency_code":"EUR","in_stock":true},{"title":"DJI D-Log M","offer_id":52526294040914,"sku":null,"price":19.99,"currency_code":"EUR","in_stock":true},{"title":"Apple Log \u0026 Log 2","offer_id":52526561001810,"sku":null,"price":19.99,"currency_code":"EUR","in_stock":true},{"title":"Blackmagic Gen 5","offer_id":52526293975378,"sku":null,"price":19.99,"currency_code":"EUR","in_stock":true},{"title":"RED IPP2","offer_id":52526294073682,"sku":null,"price":19.99,"currency_code":"EUR","in_stock":true},{"title":"Panasonic V-Log","offer_id":52526560969042,"sku":null,"price":19.99,"currency_code":"EUR","in_stock":true},{"title":"Canon Log 2","offer_id":52527364997458,"sku":null,"price":19.99,"currency_code":"EUR","in_stock":true},{"title":"sRGB","offer_id":52526561034578,"sku":null,"price":19.99,"currency_code":"EUR","in_stock":true},{"title":"All cameras (bundle)","offer_id":52526561067346,"sku":null,"price":34.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0819\/7344\/4946\/files\/ChatGPT_Image_Jul_27_2026_12_55_13_PM_1.jpg?v=1785150193"},{"product_id":"modern-editorial-lut","title":"OW Essentials No.11 — Modern Editorial LUT","description":"\u003ch2 class=\"PDq2pG_selectionAnchorContainer\"\u003eContemporary colour for commercial and everyday footage\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\n\u003c\/h2\u003e\n\u003cp\u003eModern Editorial brings the controlled palette and denser tonal structure of contemporary fashion, lifestyle and brand imagery to a wide range of footage. It cools environmental colour towards steel blue, controls yellow-green foliage and keeps skin in a calmer, warmer-neutral range.\u003c\/p\u003e\n\u003cp\u003eThe result is clearly graded without becoming a one-scene effect. Primary colours remain separated, warm practicals retain their presence and added density gives daylight, interiors and city footage a consistent editorial finish.\u003c\/p\u003e\n\u003ch3\u003eWhat you will notice\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eWarm-neutral skin tones with less visible pink and magenta.\u003c\/li\u003e\n\u003cli\u003eDeeper blues with a controlled steel-blue and cyan direction.\u003c\/li\u003e\n\u003cli\u003eYellow-green foliage shifted towards darker, quieter olive tones.\u003c\/li\u003e\n\u003cli\u003eCooler separation in whites, greys, concrete and metallic surfaces.\u003c\/li\u003e\n\u003cli\u003eCrisp contrast and increased colour density without excessively closing the image.\u003c\/li\u003e\n\u003cli\u003eWarm interior light and coloured night practicals remain clearly separated.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eHow it was designed\u003c\/h3\u003e\n\u003cp\u003eModern Editorial was developed as a versatile finishing look rather than a film-stock reproduction or heavily stylised effect. Its character comes from the relationship between warmer skin, cooler environments, controlled greens and deeper blues.\u003c\/p\u003e\n\u003cp\u003eThe look was evaluated across skin tones, foliage, water, architecture, warm interiors and coloured night lighting. This helped keep its editorial identity consistent across different subjects without forcing every image into the same dominant colour cast.\u003c\/p\u003e\n\u003ch3\u003eBest suited for\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eFashion, lifestyle and beauty content.\u003c\/li\u003e\n\u003cli\u003eCommercial and branded films.\u003c\/li\u003e\n\u003cli\u003eContemporary social and creator content.\u003c\/li\u003e\n\u003cli\u003eUrban, architectural and travel footage.\u003c\/li\u003e\n\u003cli\u003eDaylight, overcast scenes, warm interiors and coloured night lighting.\u003c\/li\u003e\n\u003cli\u003eProjects that need a distinct finish without a heavy film-emulation character.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"offwhitecolor","offers":[{"title":"Sony S-Log3","offer_id":54130479464786,"sku":null,"price":19.99,"currency_code":"EUR","in_stock":true},{"title":"Blackmagic Gen 5","offer_id":54130479497554,"sku":null,"price":19.99,"currency_code":"EUR","in_stock":true},{"title":"Panasonic V-Log","offer_id":54130479530322,"sku":null,"price":19.99,"currency_code":"EUR","in_stock":true},{"title":"ARRI LogC3","offer_id":54130479563090,"sku":null,"price":19.99,"currency_code":"EUR","in_stock":true},{"title":"Apple Log \u0026 Log 2","offer_id":54130479595858,"sku":null,"price":19.99,"currency_code":"EUR","in_stock":true},{"title":"DJI D-Log \/ D-Log M","offer_id":54130479628626,"sku":null,"price":19.99,"currency_code":"EUR","in_stock":true},{"title":"RED IPP2","offer_id":54130479661394,"sku":null,"price":19.99,"currency_code":"EUR","in_stock":true},{"title":"ARRI LogC4","offer_id":54130479694162,"sku":null,"price":19.99,"currency_code":"EUR","in_stock":true},{"title":"Rec.709","offer_id":54130479726930,"sku":null,"price":19.99,"currency_code":"EUR","in_stock":true},{"title":"All cameras (bundle)","offer_id":54130483265874,"sku":null,"price":30.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0819\/7344\/4946\/files\/ChatGPTImageJul29_2026_04_53_07PM.jpg?v=1785336876"},{"product_id":"moody-teal-dust-dctl","title":"OW Essentials No.04 — Moody Teal \u0026 Dust DCTL","description":"\u003ch2\u003e\u003cspan\u003eOne look. Multiple camera pipelines. One simple workflow.\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eMoody Teal \u0026amp; Dust builds a cool teal-cyan environment around dusty warm neutrals, separated skin tones, and dense but readable shadows. Inspired by overcast skies, worn denim, and faded urban textures, it brings a quiet, lived-in atmosphere to documentary work, urban portraits, ambient b-roll, and understated narrative scenes.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eThe DCTL brings the complete look family into one Resolve effect. Select your camera profile or working color space, choose one of three curated variations, and adjust the Look Strength—all inside a single node.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eInstead of manually combining technical transforms with separate camera-specific LUTs, the DCTL normalizes the selected input before applying the creative look. This creates a faster and more consistent workflow across supported cameras.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2\u003e\n\u003cmeta charset=\"utf-8\"\u003eThree curated variations\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eStandard\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe defining Moody Teal \u0026amp; Dust grade: cool teal shadows, dusty neutrals, controlled saturation, and natural contrast.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWarm\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eIntroduces a gentle warmth into the midtones and highlights while preserving the cooler environmental palette.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFaded\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eReduces contrast, softens saturation, and lifts the shadows for a quieter, more nostalgic finish.\u003c\/p\u003e\n\u003ch2\u003eAdjustable \u003cmeta charset=\"utf-8\"\u003eLook Strength\u003c\/h2\u003e\n\u003cp\u003eThe LUT Strength control blends between a neutral Rec.709 conversion and the selected creative grade.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003e0% — neutral Rec.709 Gamma 2.4 output\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e100% — the complete selected look\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eAny value in between — a controlled, predictable balance\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eThe creative character and tonal response remain connected, preserving the original intent of the grade at full strength.\u003c\/p\u003e\n\u003ch2\u003eBuilt for a practical grading workflow\u003c\/h2\u003e\n\u003col\u003e\n\u003cli\u003e\n\u003cp\u003eBalance exposure and white balance before the DCTL.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eSelect the correct Input Color Space.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eChoose Standard, Warm, or Faded.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eSet the \u003cmeta charset=\"utf-8\"\u003eLook Strength.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eContinue with any final adjustments after the look.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eThe DCTL produces a finished SDR Rec.709 Gamma 2.4 output. No additional Rec.709 output transform should be placed after it.\u003c\/p\u003e","brand":"offwhitecolor","offers":[{"title":"Default Title","offer_id":54175048008018,"sku":null,"price":29.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0819\/7344\/4946\/files\/Still_2025-03-28_154954_1.36.1.POST.jpg?v=1754315565"},{"product_id":"odyssey-65-dctl","title":"OW Cinema Looks No.07 — Odyssey 65 DCTL","description":"\u003ch2\u003e\u003cspan\u003eA film-derived look. Multiple camera pipelines. One simple workflow.\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eOdyssey 65 is an original digital film look inspired by the large-format film pipeline and elemental colour world of Christopher Nolan’s \u003c\/span\u003e\u003cem\u003e\u003cspan\u003eThe Odyssey\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eThe look begins with a custom Cineon film-emulation foundation, then introduces original colour decisions built around pale landscapes, steel-blue environments, weathered earth tones, controlled highlights, and warm human detail.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eThe result is a distinctive film-derived starting point for modern digital footage, rather than a simple ancient-world colour filter.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eThe DCTL brings the input transform and complete Odyssey 65 look together in one Resolve effect. Select the profile entering the node, then adjust Look Strength to suit the footage.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eInstead of selecting separate camera-specific LUT files or manually combining a technical transform with a creative LUT, the DCTL normalizes the selected input before applying the finished look—all inside a single node.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2\u003e\u003cspan\u003eBuilt from a film response, not only a colour palette\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eOdyssey 65 was developed using custom Offwhitecolor film-stock profiles and a Cineon-based negative emulation.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eThe underlying film response was informed partly by photographed colour-chart references and partly by published technical film data. These sources were used to shape the tonal response and colour relationships beneath the finished look.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eOriginal colour decisions were then added to control the relationship between bleached earth, cooler environments, protected skin tones, and selective warmth.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eIt is not an exact reproduction of the film’s private negative, laboratory, or final grading pipeline. It is an independently developed digital film look inspired by its large-format film language.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2\u003e\u003cspan\u003eWhat you will notice\u003c\/span\u003e\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003eDenser, more substantial midtones\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eControlled highlights in hard daylight and reflective environments\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003ePale sand, stone, and earth tones without a heavy sepia wash\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eSteel-blue separation through water, skies, and cooler shadows\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eWarm skin, firelight, and bronze held apart from the surrounding palette\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eRestrained saturation with clear colour separation\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eA grounded image that works across wide landscapes and close human detail\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003e\u003cspan\u003eAdjustable Look Strength\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eLook Strength blends between a neutral Rec.709 conversion and the complete Odyssey 65 look.\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003e\u003cspan\u003e0%\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e — Neutral Rec.709 Gamma 2.4 output\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e\u003cspan\u003e100%\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e — The complete Odyssey 65 look\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e\u003cspan\u003eAnything in between\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e — A controlled balance tailored to your footage\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003e\u003cspan\u003eSimple one-node workflow\u003c\/span\u003e\u003c\/h2\u003e\n\u003col start=\"1\"\u003e\n\u003cli\u003e\u003cspan\u003eBalance exposure and white balance before the DCTL.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eSelect the correct input profile.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eAdjust Look Strength.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eApply any final shot matching or finishing adjustments after the look.\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eThe DCTL produces a finished SDR Rec.709 Gamma 2.4 image. No additional Rec.709 output transform should be placed after it.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2\u003e\u003cspan\u003eBest suited for\u003c\/span\u003e\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003eNarrative, historical, and myth-inspired filmmaking\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eCoastal landscapes, beaches, mountains, and exposed natural environments\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eStone architecture, weathered locations, and practical sets\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eImages combining warm skin with cooler water, skies, or shadows\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eTravel, documentary, fashion, and editorial work\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eNatural daylight, overcast exteriors, and firelit scenes\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"offwhitecolor","offers":[{"title":"Default Title","offer_id":54176360169810,"sku":null,"price":29.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0819\/7344\/4946\/files\/ChatGPTImageJul21_2026_04_49_21PM.jpg?v=1784645422"},{"product_id":"products-late-summer-patina-dctl","title":"OW Essentials No.12 — Late Summer Patina DCTL","description":"\u003ch2\u003e\u003cspan\u003eA warm, lived-in look. Multiple camera pipelines. One simple workflow.\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cspan\u003eLate Summer Patina gives clean digital footage the warmth and colour separation of a summer remembered through time. Copper-toned skin sits against sun-aged olive greens, cream highlights, tarnished gold, brick reds and quiet verdigris blues.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIts visual world moves between late-August Europe and early-1990s New York: sun-warmed stone, Brooklyn brownstones, faded storefronts, rooftop evenings and the oxidized copper of the Statue of Liberty. The result feels nostalgic and lived-in, but still open, youthful and sunlit—never gloomy or distressed.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe DCTL brings the input transform and complete Late Summer Patina look together in one Resolve effect. Select the profile entering the node, then adjust Look Strength to suit the footage.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eInstead of selecting separate camera-specific LUT files or manually combining a technical transform with a creative LUT, the DCTL normalizes the selected input before applying the finished look—all inside a single node.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2\u003e\u003cspan\u003eColour shaped by memory and patina\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cspan\u003eLate Summer Patina is built around the relationship between copper before and after oxidation. Warm skin, brick and tarnished gold are held apart from Liberty green, olive and quiet cyan, creating a distinctive warm-cool palette without becoming a conventional orange-and-teal look.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eDense photographic midtones give the image weight, while controlled highlights and readable dark detail keep the grade open and inviting. It feels aged by warmth and memory rather than damaged by time: no washed black floor, artificial distress or heavy retro effect.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThis is an original Offwhitecolor colour design. Early-1990s photography is part of its visual memory, but Late Summer Patina is not an exact emulation of one specific film stock, print process or laboratory pipeline.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2\u003e\u003cspan\u003eWhat you will notice\u003c\/span\u003e\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan\u003eWarm, copper-toned skin held apart from cooler surroundings\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan\u003eFresh greens reshaped into sun-aged olive and herbaceous yellow-green\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan\u003eBlue skies, water and fabrics shifted towards seafoam, petrol and verdigris\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan\u003eCream highlights and warm stone neutrals instead of cold digital white\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan\u003eTarnished gold, mustard, brick red and rust through warmer colours\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan\u003eDense, substantial midtones with readable dark detail\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan\u003eControlled highlights without a washed, matte or faded finish\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003e\u003cspan\u003eAdjustable Look Strength\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cspan\u003eLook Strength blends between a neutral Rec.709 conversion and the complete Late Summer Patina look.\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003e0%\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e — Neutral Rec.709 Gamma 2.4 output\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003e100%\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e — The complete Late Summer Patina look\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eAnything in between\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e — A controlled balance tailored to your footage\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003e\u003cspan\u003eSimple one-node workflow\u003c\/span\u003e\u003c\/h2\u003e\n\u003col start=\"1\"\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan\u003eBalance exposure and white balance before the DCTL.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan\u003eSelect the correct input profile.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan\u003eAdjust Look Strength.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan\u003eApply any final shot matching or finishing adjustments after the look.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cspan\u003eThe DCTL produces a finished SDR Rec.709 Gamma 2.4 image. No additional Rec.709 output transform should be placed after it.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2\u003e\u003cspan\u003eBest suited for\u003c\/span\u003e\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan\u003eTravel, lifestyle and character-led documentary\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan\u003eEditorial fashion, portraiture and coming-of-age stories\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan\u003eLate-summer daylight, golden-hour exteriors and warm interiors\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan\u003eEuropean streets, Brooklyn brownstones and sun-warmed architecture\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan\u003eImages combining skin, foliage, stone, sky or water\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan\u003eNight scenes with red practicals and cyan-green reflections\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"offwhitecolor","offers":[{"title":"Default Title","offer_id":54197613363538,"sku":null,"price":29.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0819\/7344\/4946\/files\/PhotoAlbum1-00000004.jpg?v=1786028580"},{"product_id":"ow-film-lab-kodak-vision3-250d","title":"OW Film Lab — Kodak Vision3 250D","description":"\u003cp\u003eA complete film lab in one DaVinci Resolve node. Your footage exposes a Kodak VISION3 250D negative, is developed, and printed onto Kodak 2383 for projection, calculated from Kodak's own data.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eNegative, development and print\u003c\/strong\u003e, not a fixed look\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eReal lab controls:\u003c\/strong\u003e printer points, print density and DIR couplers\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e16 camera log profiles built in:\u003c\/strong\u003e ARRI LogC3 and LogC4, Sony S-Log3 (S-Gamut3 and S-Gamut3.Cine), Blackmagic Film Gen 5, RED Log3G10, Canon Log 2 and Canon Log 3, Panasonic V-Log, Apple Log and Apple Log 2, DJI D-Log, Fujifilm F-Log2, Nikon N-Log, DaVinci Intermediate and ACEScct\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eOne switch, two outputs:\u003c\/strong\u003e the Cineon negative scan, or that same negative printed onto Kodak 2383 as a finished Rec.709 image\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eIncludes:\u003c\/strong\u003e one OW Film Lab Kodak Vision3 250D DCTL for DaVinci Resolve Studio. Balanced for daylight (5500K).\u003c\/p\u003e","brand":"offwhitecolor","offers":[{"title":"Default Title","offer_id":55325695738194,"sku":null,"price":69.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0819\/7344\/4946\/files\/DaVinci_Resolve_DCTL_Interface_250D.png?v=1793802306"},{"product_id":"ow-film-lab-kodak-vision3-500t","title":"OW Film Lab — Kodak Vision3 500T","description":"\u003cp\u003eA complete film lab in one DaVinci Resolve node. Your footage exposes a Kodak VISION3 500T negative, Kodak's high-speed tungsten stock for night and low light. It is developed and printed onto Kodak 2383 for projection, calculated from Kodak's own data.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eNegative, development and print\u003c\/strong\u003e, not a fixed look\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eReal lab controls:\u003c\/strong\u003e printer points, print density and DIR couplers\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e16 camera log profiles built in:\u003c\/strong\u003e ARRI LogC3 and LogC4, Sony S-Log3 (S-Gamut3 and S-Gamut3.Cine), Blackmagic Film Gen 5, RED Log3G10, Canon Log 2 and Canon Log 3, Panasonic V-Log, Apple Log and Apple Log 2, DJI D-Log, Fujifilm F-Log2, Nikon N-Log, DaVinci Intermediate and ACEScct\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eOne switch, two outputs:\u003c\/strong\u003e the Cineon negative scan, or that same negative printed onto Kodak 2383 as a finished Rec.709 image\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eIncludes:\u003c\/strong\u003e one OW Film Lab Kodak Vision3 500T DCTL for DaVinci Resolve Studio. Balanced for tungsten light (3200K).\u003c\/p\u003e","brand":"offwhitecolor","offers":[{"title":"Default Title","offer_id":55332938252626,"sku":null,"price":69.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0819\/7344\/4946\/files\/Clean_DaVinci_Resolve_DCTL_Interface_500T.png?v=1793802306"},{"product_id":"ow-film-lab-fuji-eterna-vivid-500","title":"OW Film Lab — Fuji Eterna Vivid 500","description":"\u003cp\u003eA complete film lab in one DaVinci Resolve node. Your footage exposes a Fujifilm ETERNA Vivid 500 negative, a tungsten stock Fujifilm no longer makes. It is developed and printed onto your choice of four print stocks, from Fujifilm ETERNA-CP to Kodak 2383, calculated from Fujifilm's and Kodak's published data.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eNegative, development and print\u003c\/strong\u003e, not a fixed look\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eReal lab controls:\u003c\/strong\u003e printer points, print density and DIR couplers\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e16 camera log profiles built in:\u003c\/strong\u003e ARRI LogC3 and LogC4, Sony S-Log3 (S-Gamut3 and S-Gamut3.Cine), Blackmagic Film Gen 5, RED Log3G10, Canon Log 2 and Canon Log 3, Panasonic V-Log, Apple Log and Apple Log 2, DJI D-Log, Fujifilm F-Log2, Nikon N-Log, DaVinci Intermediate and ACEScct\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eOne switch, five outputs:\u003c\/strong\u003e the Cineon negative scan, or that same negative printed onto Fujifilm ETERNA-CP 3513DI, ETERNA-CP 3521XD, F-CP 3510 or Kodak 2383 as a finished Rec.709 image\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eIncludes:\u003c\/strong\u003e one OW Film Lab Fuji Eterna Vivid 500 DCTL for DaVinci Resolve Studio. Balanced for tungsten light (3200K).\u003c\/p\u003e","brand":"offwhitecolor","offers":[{"title":"Default Title","offer_id":55332938350930,"sku":null,"price":69.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0819\/7344\/4946\/files\/Clean_DaVinci_Resolve_DCTL_interface_Eterna.png?v=1793802307"}],"url":"https:\/\/offwhitecolor.com\/collections\/panasonic-v-log-luts.oembed","provider":"OFFWHITECOLOR","version":"1.0","type":"link"}