{"title":"DJI Osmo Pocket 3 LUTs","description":"\u003cp\u003eThe Pocket 3 is small, but D-Log M footage deserves a proper colour pipeline. This collection brings together every Offwhitecolor tool built for DJI Osmo Pocket 3 D-Log M.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eStart with the conversion.\u003c\/strong\u003e The D-Log M → S-Log3 Conversion LUT moves Pocket 3 footage into an S-Log3-based working space, so it can use any S-Log3 creative LUT and match Sony cameras in a mixed timeline.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eOr go straight to a look.\u003c\/strong\u003e The film emulations and cinematic looks below include a dedicated Pocket 3 version, built for D-Log M footage from the start.\u003c\/p\u003e\u003cp\u003eBuy 2 looks and save 15%, or 3+ looks and save 25%, applied automatically at checkout.\u003c\/p\u003e","products":[{"product_id":"kodak-vision3-250d-cineon-film-emulation-lut","title":"OW Digital Film Stocks No.03 — Kodak Vision3 250D \/ Cineon","description":"\u003ch2 class=\"p1\"\u003eA daylight negative response, not a baked film filter\u003c\/h2\u003e\n\u003cp class=\"p2\"\u003eKodak Vision3 250D is valued for daylight colour that feels clean without becoming clinical: natural skin-tone relationships, measured saturation and a negative response that holds brightness and colour together. Reproducing that character requires more than warming the image or softening contrast. Many film-look LUTs compress the image into a stylised finish. This emulation was developed from scanned 250D negative data to recreate the stock’s underlying Cineon response as a practical grading starting point.\u003c\/p\u003e\n\u003cp class=\"p3\"\u003eThe selected camera-log version maps your footage into the 250D-derived Cineon representation. From there, it can feed a print-film emulation such as Kodak 2383 or another Cineon-to-display stage. The result is not intended to lock the image into one finished aesthetic. It gives you a film-derived negative response that still leaves room for exposure, balance, print choice and creative grading.\u003c\/p\u003e\n\u003ch3 class=\"p1\"\u003eWhat you will notice\u003c\/h3\u003e\n\u003cp class=\"p4\"\u003e•\u003cspan class=\"Apple-converted-space\"\u003e  \u003c\/span\u003eClean daylight colour with measured saturation rather than a global colour boost.\u003c\/p\u003e\n\u003cp class=\"p4\"\u003e•\u003cspan class=\"Apple-converted-space\"\u003e  \u003c\/span\u003eNatural separation between skin tones, foliage, skies and warmer environmental colour.\u003c\/p\u003e\n\u003cp class=\"p4\"\u003e•\u003cspan class=\"Apple-converted-space\"\u003e  \u003c\/span\u003eA denser negative-style tonal structure that remains open to further grading.\u003c\/p\u003e\n\u003cp class=\"p4\"\u003e•\u003cspan class=\"Apple-converted-space\"\u003e  \u003c\/span\u003eControlled highlight transitions designed to work as part of a negative-to-print pipeline.\u003c\/p\u003e\n\u003cp class=\"p5\"\u003e•\u003cspan class=\"Apple-converted-space\"\u003e  \u003c\/span\u003eA film response that feels integrated with the image rather than applied as a surface effect.\u003c\/p\u003e\n\u003ch3 class=\"p1\"\u003eHow it was developed\u003c\/h3\u003e\n\u003cp class=\"p2\"\u003eThe emulation is based on direct data from scanned Kodak Vision3 250D negatives. The tonal curve and colour relationships were translated into a Cineon-based digital response, then adapted for the supported camera log profiles. The development priority was not to exaggerate recognisable “film” traits, but to preserve the relationships that make the stock useful: colour separation, density and a controlled response across the image.\u003c\/p\u003e\n\u003cp class=\"p3\"\u003eThis is a reference-led reproduction, not a claim to recreate every variable of a complete photochemical process. Exposure, processing, scanning, print stock and display all influence the final result. The LUT provides the negative-emulation stage so those later choices remain available within the workflow.\u003c\/p\u003e\n\u003ch3 class=\"p1\"\u003eBest suited for\u003c\/h3\u003e\n\u003cp class=\"p4\"\u003e•\u003cspan class=\"Apple-converted-space\"\u003e  \u003c\/span\u003eDaylight narrative, documentary, commercial and lifestyle footage.\u003c\/p\u003e\n\u003cp class=\"p4\"\u003e•\u003cspan class=\"Apple-converted-space\"\u003e  \u003c\/span\u003eImages that benefit from natural skin tones and clear environmental colour separation.\u003c\/p\u003e\n\u003cp class=\"p4\"\u003e•\u003cspan class=\"Apple-converted-space\"\u003e  \u003c\/span\u003eColorists using a Cineon negative-to-print workflow in DaVinci Resolve or another grading application.\u003c\/p\u003e\n\u003cp class=\"p5\"\u003e•\u003cspan class=\"Apple-converted-space\"\u003e  \u003c\/span\u003eCreators who want a film-derived starting point without a heavily baked final look.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWorkflow guide:\u003c\/strong\u003e \u003ca href=\"\/blogs\/insights\/kodak-250d-lut-kodak-2383-davinci-resolve\"\u003eKodak 250D + Kodak 2383 in DaVinci Resolve →\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGrading in DaVinci Resolve Studio?\u003c\/strong\u003e \u003ca href=\"\/products\/ow-film-lab-kodak-vision3-250d\"\u003eOW Film Lab — Kodak Vision3 250D\u003c\/a\u003e calculates the full negative, development and Kodak 2383 print in one node, with printer points and print density →\u003c\/p\u003e","brand":"offwhitecolor","offers":[{"title":"Sony S-Log3","offer_id":50270999282002,"sku":"","price":29.99,"currency_code":"EUR","in_stock":true},{"title":"Blackmagic Gen 5","offer_id":50281423176018,"sku":"","price":29.99,"currency_code":"EUR","in_stock":true},{"title":"ARRI LogC3","offer_id":50281439658322,"sku":"","price":29.99,"currency_code":"EUR","in_stock":true},{"title":"DJI D-Log M","offer_id":50281439691090,"sku":"","price":29.99,"currency_code":"EUR","in_stock":true},{"title":"RED IPP2","offer_id":50281439723858,"sku":"","price":29.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0819\/7344\/4946\/files\/Photo_Album_1_-_00000001_f3be5cdd-46c4-4b8f-a017-9c67d1505065.jpg?v=1784215520"},{"product_id":"dji-osmo-pocket-3-d-log-m-to-s-log3-conversion-lut","title":"OW Technical — DJI Osmo Pocket 3 D-Log M → S-Log3 Conversion LUT","description":"\u003ch2 class=\"p1\"\u003eBring Pocket 3 D-Log M into an S-Log3-based workflow\u003c\/h2\u003e\n\u003cp class=\"p2\"\u003eDJI Pocket 3 D-Log M does not behave like Sony S-Log3. Treating the two as interchangeable can produce inconsistent contrast, saturation and highlight behaviour, while creative LUTs designed for S-Log3 may not respond as intended. This conversion maps Pocket 3 D-Log M into the S-Log3-based working space encoded by the LUT, creating a more predictable technical starting point for grading and mixed Sony \/ DJI timelines.\u003c\/p\u003e\n\u003cp class=\"p3\"\u003eThis is a technical conversion, not a finished creative look. Apply it before S-Log3 creative LUTs or look development, then continue with normal shot balancing, camera matching and output colour management. It streamlines the workflow; it does not claim to make the Pocket 3 sensor identical to a Sony camera.\u003c\/p\u003e\n\u003ch3 class=\"p1\"\u003eWhat the conversion enables\u003c\/h3\u003e\n\u003cp class=\"p4\"\u003e•\u003cspan class=\"Apple-converted-space\"\u003e  \u003c\/span\u003eMore predictable contrast and colour behaviour when Pocket 3 footage enters an S-Log3-based pipeline.\u003c\/p\u003e\n\u003cp class=\"p4\"\u003e•\u003cspan class=\"Apple-converted-space\"\u003e  \u003c\/span\u003eImproved compatibility with creative LUTs and monitoring tools designed for the specified S-Log3 output.\u003c\/p\u003e\n\u003cp class=\"p4\"\u003e•\u003cspan class=\"Apple-converted-space\"\u003e  \u003c\/span\u003eA clearer starting point for matching Pocket 3 material with Sony S-Log3 cameras in mixed-camera edits.\u003c\/p\u003e\n\u003cp class=\"p4\"\u003e•\u003cspan class=\"Apple-converted-space\"\u003e  \u003c\/span\u003eRetention of the usable highlight and shadow information present in correctly exposed D-Log M footage.\u003c\/p\u003e\n\u003cp class=\"p5\"\u003e•\u003cspan class=\"Apple-converted-space\"\u003e  \u003c\/span\u003eA repeatable technical first stage instead of rebuilding the same manual approximation on every project.\u003c\/p\u003e\n\u003ch3 class=\"p1\"\u003eHow it works\u003c\/h3\u003e\n\u003cp class=\"p2\"\u003eThe LUT performs a log-to-log transformation from DJI Osmo Pocket 3 D-Log M into the defined Sony S-Log3-based output. Gamma and colour-gamut relationships are mapped together so the converted image can enter the intended Sony workflow before the creative grade. Because this is a technical step, correct input footage is essential: the LUT should only be used on Pocket 3 material recorded in D-Log M.\u003c\/p\u003e\n\u003cp class=\"p3\"\u003eThe conversion cannot remove differences caused by sensor response, lens transmission, exposure, white balance, lighting or in-camera processing. Those variables still need to be matched shot by shot. Its purpose is to remove one predictable colour-space mismatch so the remaining grading work begins from a more consistent base.\u003c\/p\u003e\n\u003ch3 class=\"p1\"\u003eBest suited for\u003c\/h3\u003e\n\u003cp class=\"p4\"\u003e•\u003cspan class=\"Apple-converted-space\"\u003e  \u003c\/span\u003eFilmmakers combining DJI Osmo Pocket 3 footage with Sony S-Log3 cameras.\u003c\/p\u003e\n\u003cp class=\"p4\"\u003e•\u003cspan class=\"Apple-converted-space\"\u003e  \u003c\/span\u003eEditors and colorists who already use S-Log3 creative LUTs or monitoring workflows.\u003c\/p\u003e\n\u003cp class=\"p4\"\u003e•\u003cspan class=\"Apple-converted-space\"\u003e  \u003c\/span\u003eDaVinci Resolve, Premiere Pro and Final Cut Pro timelines that need a repeatable Pocket 3 input stage.\u003c\/p\u003e\n\u003cp class=\"p5\"\u003e•\u003cspan class=\"Apple-converted-space\"\u003e  \u003c\/span\u003eTravel, documentary, commercial and creator productions where the Pocket 3 functions as a compact second camera.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWorkflow guide:\u003c\/strong\u003e \u003ca href=\"\/blogs\/insights\/dji-pocket-3-d-log-m-to-s-log3-lut-workflow\"\u003eUsing S-Log3 LUTs on DJI Pocket 3 D-Log M →\u003c\/a\u003e · \u003ca href=\"\/collections\/dji-osmo-pocket-3-luts\"\u003eAll Pocket 3 LUTs\u003c\/a\u003e\u003c\/p\u003e","brand":"offwhitecolor","offers":[{"title":"DJI D-Log M","offer_id":50521174475090,"sku":"","price":9.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0819\/7344\/4946\/files\/Technical.jpg?v=1785241153"},{"product_id":"kodak-nostalgic-look-lut","title":"OW Essentials No.01 — Nostalgic Film LUT","description":"\u003ch2 data-section-id=\"rl6fpe\" data-start=\"595\" data-end=\"638\" class=\"PDq2pG_selectionAnchorContainer\"\u003eA warm and cohesive nostalgic film look\u003cspan aria-hidden=\"true\" class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\n\u003c\/h2\u003e\n\u003cp data-start=\"640\" data-end=\"868\"\u003eNostalgic Film is a creative LUT inspired by the colour character of classic Kodak film stocks. It combines warm highlights, rich blacks and targeted colour compression to give digital footage a more cohesive, filmic appearance.\u003c\/p\u003e\n\u003cp data-start=\"870\" data-end=\"1109\"\u003eGolden amber and turquoise tones shape the overall palette, creating a recognisable nostalgic character that works across both cinematic and everyday imagery. The result is warm, timeless and ready to use without requiring a complex grade.\u003c\/p\u003e\n\u003ch3 data-section-id=\"h8v77v\" data-start=\"1111\" data-end=\"1135\"\u003eWhat you will notice\u003c\/h3\u003e\n\u003cul data-start=\"1137\" data-end=\"1383\"\u003e\n\u003cli data-section-id=\"10ukhhx\" data-start=\"1137\" data-end=\"1164\"\u003eWarm highlight rendering.\u003c\/li\u003e\n\u003cli data-section-id=\"8horqn\" data-start=\"1165\" data-end=\"1188\"\u003eRich, defined blacks.\u003c\/li\u003e\n\u003cli data-section-id=\"1sr50pc\" data-start=\"1189\" data-end=\"1219\"\u003eTargeted colour compression.\u003c\/li\u003e\n\u003cli data-section-id=\"miodyg\" data-start=\"1220\" data-end=\"1281\"\u003eA balanced combination of golden amber and turquoise tones.\u003c\/li\u003e\n\u003cli data-section-id=\"1ube8an\" data-start=\"1282\" data-end=\"1316\"\u003eA cohesive, warm colour palette.\u003c\/li\u003e\n\u003cli data-section-id=\"z1vyky\" data-start=\"1317\" data-end=\"1383\"\u003eA consistent creative look across the supported camera profiles.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 data-section-id=\"lglq8t\" data-start=\"1385\" data-end=\"1408\"\u003eHow it was designed\u003c\/h3\u003e\n\u003cp data-start=\"1410\" data-end=\"1578\"\u003eNostalgic Film is a creative interpretation of the colour character associated with classic Kodak imagery. It is not a measured reproduction of one specific film stock.\u003c\/p\u003e\n\u003cp data-start=\"1580\" data-end=\"1815\"\u003eThe look is built around warm highlights, rich blacks and controlled colour relationships. Each camera-specific version is designed for its stated log profile, allowing the same creative look to be used across different camera systems.\u003c\/p\u003e\n\u003cp data-start=\"1817\" data-end=\"1937\"\u003eNostalgic Film is independently developed by Offwhitecolor and is not affiliated with, licensed by or endorsed by Kodak.\u003c\/p\u003e\n\u003ch3 data-section-id=\"1tlfnfr\" data-start=\"1939\" data-end=\"1958\"\u003eBest suited for\u003c\/h3\u003e\n\u003cul data-start=\"1960\" data-end=\"2196\"\u003e\n\u003cli data-section-id=\"1rjjctn\" data-start=\"1960\" data-end=\"2006\"\u003eNarrative films and short-form storytelling.\u003c\/li\u003e\n\u003cli data-section-id=\"118qecj\" data-start=\"2007\" data-end=\"2045\"\u003eBranded content and commercial work.\u003c\/li\u003e\n\u003cli data-section-id=\"u5nkgg\" data-start=\"2046\" data-end=\"2083\"\u003eTravel films and lifestyle content.\u003c\/li\u003e\n\u003cli data-section-id=\"1iwwszl\" data-start=\"2084\" data-end=\"2127\"\u003ePortrait, fashion and editorial projects.\u003c\/li\u003e\n\u003cli data-section-id=\"inkd2q\" data-start=\"2128\" data-end=\"2196\"\u003eCreative work that benefits from a warm, nostalgic film character.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"offwhitecolor","offers":[{"title":"All cameras (bundle)","offer_id":50473394995538,"sku":"","price":19.99,"currency_code":"EUR","in_stock":true},{"title":"Sony","offer_id":50473395028306,"sku":"","price":9.99,"currency_code":"EUR","in_stock":true},{"title":"Apple iPhone","offer_id":50473395061074,"sku":"","price":9.99,"currency_code":"EUR","in_stock":true},{"title":"DJI Pocket 3","offer_id":50473395093842,"sku":"","price":9.99,"currency_code":"EUR","in_stock":true},{"title":"Blackmagic","offer_id":50473395126610,"sku":"","price":9.99,"currency_code":"EUR","in_stock":true},{"title":"RED","offer_id":50473395159378,"sku":"","price":9.99,"currency_code":"EUR","in_stock":true},{"title":"Fujifilm","offer_id":50473395192146,"sku":"","price":9.99,"currency_code":"EUR","in_stock":true},{"title":"ARRI","offer_id":50473395224914,"sku":"","price":9.99,"currency_code":"EUR","in_stock":true},{"title":"Panasonic","offer_id":50473395257682,"sku":"","price":9.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0819\/7344\/4946\/files\/Still_2025-03-14_100627_1.10.3.T.png?v=1741943376"},{"product_id":"pluribus-look-lut","title":"OW Cinema Looks No.06 — Collective Neutral LUT","description":"\u003ch2\u003e\u003cspan\u003eA Pluribus-inspired balance of film colour and modern clarity\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eCollective Neutral translates the distinctive colour world associated with the Apple TV series \u003c\/span\u003e\u003cem\u003e\u003cspan\u003ePluribus\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e into a complete authored grade. Softened blues and greens sit against natural skin, pale sunlit neutrals and concentrated red accents, while controlled contrast gives the image a finished sense of density without making it feel heavy or aggressively stylised.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eIts character lies in the balance between two visual qualities. The colour has the compactness and gentle softness associated with transparency film, while whites, skin tones and fine colour separation retain the clarity of contemporary high-end television. The result feels filmic without becoming faded, grainy or overtly nostalgic.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eCollective Neutral is designed as a finished creative look rather than a neutral technical foundation. The matching input version establishes the intended palette, saturation and contrast in one transformation, while still leaving room for normal exposure balancing, white-balance correction and shot matching.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan\u003eWhat you will notice\u003c\/span\u003e\u003c\/h3\u003e\n\u003cul data-spread=\"false\"\u003e\n\u003cli\u003e\u003cspan\u003eNatural to softly peach skin without an exaggerated orange bias.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eSoftened blue and green hues with a subtle transparency-film character.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eConcentrated reds and rust tones that remain distinct without becoming neon.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eClean pale neutrals and whites with restrained digital harshness.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eControlled highlight transitions and greater density through the midtones.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eFirm, defined contrast that retains separation in darker environments.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eA complete colour finish that remains clean rather than heavily filtered.\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003e\u003cspan\u003eHow it was designed\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eCollective Neutral was developed by studying the recurring palette and tonal relationships associated with \u003c\/span\u003e\u003cem\u003e\u003cspan\u003ePluribus\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e, the Apple TV series created by Vince Gilligan and starring Rhea Seehorn.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eThe visual reference combines faded blue-green colour, stronger red accents, natural faces and pale sunlit surfaces with the clean image structure of contemporary digital cinematography. Instead of matching one individual frame, these relationships were translated into a repeatable colour design that can respond across daylight, interiors and lower-light material.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eThe result is an independently developed Cinema Look with its own controlled balance of film colour and modern clarity. Collective Neutral does not reproduce or claim to contain the original production LUT, colour grade or post-production pipeline used for \u003c\/span\u003e\u003cem\u003e\u003cspan\u003ePluribus\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan\u003eBest suited for\u003c\/span\u003e\u003c\/h3\u003e\n\u003cul data-spread=\"false\"\u003e\n\u003cli\u003e\u003cspan\u003eCharacter-led drama, science fiction and psychologically restrained narrative work.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eDry daylight, suburban environments and wide exterior cinematography.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eContemporary interiors that benefit from cleaner neutral separation.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eFootage containing blue, green, white, red or rust-coloured production design.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003ePortraits and close-ups requiring natural skin within a clearly authored palette.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eCommercial, fashion and music work that needs film character without a visibly retro finish.\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"offwhitecolor","offers":[{"title":"ARRI LogC3","offer_id":52526294008146,"sku":null,"price":19.99,"currency_code":"EUR","in_stock":true},{"title":"Sony S-Log3","offer_id":52526293942610,"sku":null,"price":19.99,"currency_code":"EUR","in_stock":true},{"title":"DJI D-Log M","offer_id":52526294040914,"sku":null,"price":19.99,"currency_code":"EUR","in_stock":true},{"title":"Apple Log \u0026 Log 2","offer_id":52526561001810,"sku":null,"price":19.99,"currency_code":"EUR","in_stock":true},{"title":"Blackmagic Gen 5","offer_id":52526293975378,"sku":null,"price":19.99,"currency_code":"EUR","in_stock":true},{"title":"RED IPP2","offer_id":52526294073682,"sku":null,"price":19.99,"currency_code":"EUR","in_stock":true},{"title":"Panasonic V-Log","offer_id":52526560969042,"sku":null,"price":19.99,"currency_code":"EUR","in_stock":true},{"title":"Canon Log 2","offer_id":52527364997458,"sku":null,"price":19.99,"currency_code":"EUR","in_stock":true},{"title":"sRGB","offer_id":52526561034578,"sku":null,"price":19.99,"currency_code":"EUR","in_stock":true},{"title":"All cameras (bundle)","offer_id":52526561067346,"sku":null,"price":34.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0819\/7344\/4946\/files\/ChatGPT_Image_Jul_27_2026_12_55_13_PM_1.jpg?v=1785150193"},{"product_id":"odyssey-65-the-odyssey-inspired-film-emulation-lut","title":"OW Cinema Looks No.07 — Odyssey 65 LUT","description":"\u003cp\u003eAn original digital film stock inspired by the large-format film language of Christopher Nolan’s \u003cem\u003eThe Odyssey\u003c\/em\u003e. Dense midtones, pale earth and stone, steel-blue water and sky, and warm skin held apart from it all. Built on a Cineon film-emulation foundation, then designed as a finished look for your own log footage.\u003c\/p\u003e\n\u003ch2\u003eWhat you will notice\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eDenser, more substantial midtones.\u003c\/li\u003e\n\u003cli\u003eControlled highlights in hard daylight and reflective environments.\u003c\/li\u003e\n\u003cli\u003ePale sand, stone and earth without a heavy sepia wash.\u003c\/li\u003e\n\u003cli\u003eSteel-blue separation in water, skies and cooler shadows.\u003c\/li\u003e\n\u003cli\u003eWarm skin, firelight and bronze held apart from the surrounding palette.\u003c\/li\u003e\n\u003cli\u003eRestrained saturation with clear colour separation.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eHow to use it\u003c\/h2\u003e\n\u003col\u003e\n\u003cli\u003e\n\u003cstrong\u003eChoose the version for your camera.\u003c\/strong\u003e Sony S-Log3, ARRI LogC3 or LogC4, Canon Log 2, RED IPP2, DJI D-Log M (Osmo Pocket 3) or Blackmagic Gen 5.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eBalance first.\u003c\/strong\u003e Set exposure and white balance on the log footage.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eApply Odyssey 65\u003c\/strong\u003e as the look stage, then refine its strength and the final contrast for the scene with your software's LUT intensity or node opacity.\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch2\u003eLUT or DCTL?\u003c\/h2\u003e\n\u003cp\u003eThe LUT works in DaVinci Resolve, Premiere Pro, Final Cut Pro, CapCut Desktop and any software that reads .cube files. Grading in DaVinci Resolve Studio? The \u003ca href=\"\/products\/odyssey-65-dctl\"\u003eOdyssey 65 DCTL\u003c\/a\u003e puts the input transform and the look in one node, with a Look Strength slider.\u003c\/p\u003e\n\u003ch2\u003eHow it was developed\u003c\/h2\u003e\n\u003cp\u003eOdyssey 65 is built on custom Offwhitecolor film-stock profiles and a Cineon-based negative emulation, informed by photographed colour-chart references and published technical film data. Original colour decisions on top of that create the Odyssey 65 palette: bleached earth, cooler environments, protected skin and selective warmth.\u003c\/p\u003e\n\u003cp\u003eIt is an independently developed look inspired by the film's large-format colour language, not the film's own negative, laboratory or grading pipeline.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRead more:\u003c\/strong\u003e \u003ca href=\"\/blogs\/insights\/the-odyssey-cinematography-imax-65mm\"\u003eThe Cinematography of The Odyssey: IMAX 65mm Explained →\u003c\/a\u003e\u003c\/p\u003e\n\u003ch2\u003eBest suited for\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eNarrative, historical and myth-inspired filmmaking.\u003c\/li\u003e\n\u003cli\u003eCoastal landscapes, beaches, mountains and stone architecture.\u003c\/li\u003e\n\u003cli\u003eImages combining warm skin with cooler water, skies or shadow.\u003c\/li\u003e\n\u003cli\u003eTravel, documentary, fashion and editorial work in daylight, overcast or firelight.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"offwhitecolor","offers":[{"title":"Sony S-Log3","offer_id":54056513929554,"sku":null,"price":19.99,"currency_code":"EUR","in_stock":true},{"title":"ARRI LogC3","offer_id":54056743076178,"sku":null,"price":19.99,"currency_code":"EUR","in_stock":true},{"title":"ARRI LogC4","offer_id":54056869724498,"sku":null,"price":19.99,"currency_code":"EUR","in_stock":true},{"title":"Canon Log 2","offer_id":54056869757266,"sku":null,"price":19.99,"currency_code":"EUR","in_stock":true},{"title":"RED IPP2","offer_id":54056743108946,"sku":null,"price":19.99,"currency_code":"EUR","in_stock":true},{"title":"DJI D-Log M","offer_id":54056743141714,"sku":null,"price":19.99,"currency_code":"EUR","in_stock":true},{"title":"Blackmagic Gen 5","offer_id":54063571665234,"sku":null,"price":19.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0819\/7344\/4946\/files\/ChatGPTImageJul21_2026_04_49_21PM.jpg?v=1784645422"},{"product_id":"modern-editorial-lut","title":"OW Essentials No.11 — Modern Editorial LUT","description":"\u003ch2 class=\"PDq2pG_selectionAnchorContainer\"\u003eContemporary colour for commercial and everyday footage\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\n\u003c\/h2\u003e\n\u003cp\u003eModern Editorial brings the controlled palette and denser tonal structure of contemporary fashion, lifestyle and brand imagery to a wide range of footage. It cools environmental colour towards steel blue, controls yellow-green foliage and keeps skin in a calmer, warmer-neutral range.\u003c\/p\u003e\n\u003cp\u003eThe result is clearly graded without becoming a one-scene effect. Primary colours remain separated, warm practicals retain their presence and added density gives daylight, interiors and city footage a consistent editorial finish.\u003c\/p\u003e\n\u003ch3\u003eWhat you will notice\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eWarm-neutral skin tones with less visible pink and magenta.\u003c\/li\u003e\n\u003cli\u003eDeeper blues with a controlled steel-blue and cyan direction.\u003c\/li\u003e\n\u003cli\u003eYellow-green foliage shifted towards darker, quieter olive tones.\u003c\/li\u003e\n\u003cli\u003eCooler separation in whites, greys, concrete and metallic surfaces.\u003c\/li\u003e\n\u003cli\u003eCrisp contrast and increased colour density without excessively closing the image.\u003c\/li\u003e\n\u003cli\u003eWarm interior light and coloured night practicals remain clearly separated.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eHow it was designed\u003c\/h3\u003e\n\u003cp\u003eModern Editorial was developed as a versatile finishing look rather than a film-stock reproduction or heavily stylised effect. Its character comes from the relationship between warmer skin, cooler environments, controlled greens and deeper blues.\u003c\/p\u003e\n\u003cp\u003eThe look was evaluated across skin tones, foliage, water, architecture, warm interiors and coloured night lighting. This helped keep its editorial identity consistent across different subjects without forcing every image into the same dominant colour cast.\u003c\/p\u003e\n\u003ch3\u003eBest suited for\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eFashion, lifestyle and beauty content.\u003c\/li\u003e\n\u003cli\u003eCommercial and branded films.\u003c\/li\u003e\n\u003cli\u003eContemporary social and creator content.\u003c\/li\u003e\n\u003cli\u003eUrban, architectural and travel footage.\u003c\/li\u003e\n\u003cli\u003eDaylight, overcast scenes, warm interiors and coloured night lighting.\u003c\/li\u003e\n\u003cli\u003eProjects that need a distinct finish without a heavy film-emulation character.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"offwhitecolor","offers":[{"title":"Sony S-Log3","offer_id":54130479464786,"sku":null,"price":19.99,"currency_code":"EUR","in_stock":true},{"title":"Blackmagic Gen 5","offer_id":54130479497554,"sku":null,"price":19.99,"currency_code":"EUR","in_stock":true},{"title":"Panasonic V-Log","offer_id":54130479530322,"sku":null,"price":19.99,"currency_code":"EUR","in_stock":true},{"title":"ARRI LogC3","offer_id":54130479563090,"sku":null,"price":19.99,"currency_code":"EUR","in_stock":true},{"title":"Apple Log \u0026 Log 2","offer_id":54130479595858,"sku":null,"price":19.99,"currency_code":"EUR","in_stock":true},{"title":"DJI D-Log \/ D-Log M","offer_id":54130479628626,"sku":null,"price":19.99,"currency_code":"EUR","in_stock":true},{"title":"RED IPP2","offer_id":54130479661394,"sku":null,"price":19.99,"currency_code":"EUR","in_stock":true},{"title":"ARRI LogC4","offer_id":54130479694162,"sku":null,"price":19.99,"currency_code":"EUR","in_stock":true},{"title":"Rec.709","offer_id":54130479726930,"sku":null,"price":19.99,"currency_code":"EUR","in_stock":true},{"title":"All cameras (bundle)","offer_id":54130483265874,"sku":null,"price":30.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0819\/7344\/4946\/files\/ChatGPTImageJul29_2026_04_53_07PM.jpg?v=1785336876"}],"url":"https:\/\/offwhitecolor.com\/collections\/dji-osmo-pocket-3-luts.oembed","provider":"OFFWHITECOLOR","version":"1.0","type":"link"}