{"title":"Canon Log LUTs","description":"\u003cp\u003eLooks for Canon Log 2 footage from the EOS C50, C70 and C300 Mark III. The DCTLs also support Canon Log 3.\u003c\/p\u003e\u003cp\u003eCinema-inspired looks and DaVinci Resolve DCTLs with a dedicated Canon input. Choose the Canon version on each product page, or select it inside the DCTL.\u003c\/p\u003e\u003cp\u003eBuy 2 looks and save 15%, or 3+ looks and save 25%, applied automatically at checkout.\u003c\/p\u003e","products":[{"product_id":"ow-essentials-no-7-printlite-3513-lut","title":"OW Essentials No.07 — Printlite 3513 LUT","description":"\u003ch2\u003e\u003cspan\u003eThe character of 3513DI, rebuilt for commercial grading\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003ePrintLite 3513 began inside a real commercial grade that called for the recognisable look and feel associated with Fujifilm 3513DI D55. The standard film-print LUT supplied with DaVinci Resolve brought the image into the right general colour world, but its transformation was not clean or flexible enough for the finish the project required.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eTraditional film-print LUTs can introduce a strong tonal curve, colour shifts and other characteristics that form part of their identity. In commercial work, those same characteristics can become restrictive. Skin, products, brand colours and neutral surfaces often require precise control, leaving the colorist to correct or work against qualities introduced by the LUT itself.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eInstead of first imposing those limitations and then grading them back out, PrintLite 3513 rebuilds the most useful parts of the look in a cleaner form. It retains print-inspired colour cohesion, controlled saturation and satisfying tonal density while preserving more freedom for balancing, matching and creative adjustment.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eThe result is recognisably filmic and finished, but clean enough for commercials, branded content, narrative work and other projects where the grade still needs to remain controlled.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan\u003eWhat you will notice\u003c\/span\u003e\u003c\/h3\u003e\n\u003cul data-spread=\"false\"\u003e\n\u003cli\u003e\u003cspan\u003eFilm-print-inspired colour cohesion without an overpowering global cast.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eControlled saturation that creates colour density rather than a broad digital boost.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eGently weighted midtones and controlled blacks without unnecessarily crushing the image.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eWarm, cohesive skin rendering without a strong orange bias.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eCleaner neutral separation across whites, greys and production-design surfaces.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eSofter, less brittle highlight transitions.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eA finished filmic character that still leaves room for normal grading decisions.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eGreater flexibility across products, skin, interiors and mixed real-world colour.\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003e\u003cspan\u003eHow it was designed\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003ePrintLite 3513 was developed during a commercial project that required the familiar visual character of Fujifilm 3513DI D55, but demanded a cleaner and more controllable result than the standard DaVinci Resolve film-print LUT provided.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eRather than modifying or redistributing the original LUT, the look was rebuilt independently by identifying the qualities that made the reference useful: its colour organisation, compact saturation, tonal density, highlight behaviour and overall sense of cohesion. These qualities were then translated into a cleaner creative transform without retaining corrections that would immediately need to be counteracted during a commercial grade.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eThis approach avoids a workflow in which the image is first pushed too far by a conventional print transform and then corrected back towards the desired result. PrintLite 3513 starts closer to that intended endpoint, providing film-print character while keeping the underlying grade more adaptable.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eEach camera- and log-specific version is designed for direct use with its stated input profile. PrintLite 3513 is an independently developed Offwhitecolor look and does not contain or redistribute the original Fujifilm or DaVinci Resolve LUT.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan\u003eBest suited for\u003c\/span\u003e\u003c\/h3\u003e\n\u003cul data-spread=\"false\"\u003e\n\u003cli\u003e\u003cspan\u003eCommercials and branded content requiring film character with precise colour control.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eNarrative, documentary and lifestyle footage.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eProduct imagery in which brand colours and neutral surfaces need to remain manageable.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003ePortraits and close-ups that benefit from cohesive, controlled skin rendering.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eDaylight and interior footage requiring greater tonal density without a heavy vintage finish.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eProjects that need a consistent print-inspired foundation across varied scenes.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eColorists who enjoy the character of 3513DI D55 but regularly find themselves grading against a conventional film-print LUT.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eCreators who want a finished filmic result without building a separate Cineon print workflow.\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\n\n\n\n","brand":"offwhitecolor","offers":[{"title":"Default Title","offer_id":51288683184466,"sku":null,"price":19.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0819\/7344\/4946\/files\/pl2.jpg?v=1785153770"},{"product_id":"pluribus-look-lut","title":"OW Cinema Looks No.06 — Collective Neutral LUT","description":"\u003ch2\u003e\u003cspan\u003eA Pluribus-inspired balance of film colour and modern clarity\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eCollective Neutral translates the distinctive colour world associated with the Apple TV series \u003c\/span\u003e\u003cem\u003e\u003cspan\u003ePluribus\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e into a complete authored grade. Softened blues and greens sit against natural skin, pale sunlit neutrals and concentrated red accents, while controlled contrast gives the image a finished sense of density without making it feel heavy or aggressively stylised.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eIts character lies in the balance between two visual qualities. The colour has the compactness and gentle softness associated with transparency film, while whites, skin tones and fine colour separation retain the clarity of contemporary high-end television. The result feels filmic without becoming faded, grainy or overtly nostalgic.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eCollective Neutral is designed as a finished creative look rather than a neutral technical foundation. The matching input version establishes the intended palette, saturation and contrast in one transformation, while still leaving room for normal exposure balancing, white-balance correction and shot matching.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan\u003eWhat you will notice\u003c\/span\u003e\u003c\/h3\u003e\n\u003cul data-spread=\"false\"\u003e\n\u003cli\u003e\u003cspan\u003eNatural to softly peach skin without an exaggerated orange bias.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eSoftened blue and green hues with a subtle transparency-film character.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eConcentrated reds and rust tones that remain distinct without becoming neon.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eClean pale neutrals and whites with restrained digital harshness.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eControlled highlight transitions and greater density through the midtones.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eFirm, defined contrast that retains separation in darker environments.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eA complete colour finish that remains clean rather than heavily filtered.\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003e\u003cspan\u003eHow it was designed\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eCollective Neutral was developed by studying the recurring palette and tonal relationships associated with \u003c\/span\u003e\u003cem\u003e\u003cspan\u003ePluribus\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e, the Apple TV series created by Vince Gilligan and starring Rhea Seehorn.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eThe visual reference combines faded blue-green colour, stronger red accents, natural faces and pale sunlit surfaces with the clean image structure of contemporary digital cinematography. Instead of matching one individual frame, these relationships were translated into a repeatable colour design that can respond across daylight, interiors and lower-light material.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eThe result is an independently developed Cinema Look with its own controlled balance of film colour and modern clarity. Collective Neutral does not reproduce or claim to contain the original production LUT, colour grade or post-production pipeline used for \u003c\/span\u003e\u003cem\u003e\u003cspan\u003ePluribus\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan\u003eBest suited for\u003c\/span\u003e\u003c\/h3\u003e\n\u003cul data-spread=\"false\"\u003e\n\u003cli\u003e\u003cspan\u003eCharacter-led drama, science fiction and psychologically restrained narrative work.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eDry daylight, suburban environments and wide exterior cinematography.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eContemporary interiors that benefit from cleaner neutral separation.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eFootage containing blue, green, white, red or rust-coloured production design.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003ePortraits and close-ups requiring natural skin within a clearly authored palette.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eCommercial, fashion and music work that needs film character without a visibly retro finish.\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"offwhitecolor","offers":[{"title":"ARRI LogC3","offer_id":52526294008146,"sku":null,"price":19.99,"currency_code":"EUR","in_stock":true},{"title":"Sony S-Log3","offer_id":52526293942610,"sku":null,"price":19.99,"currency_code":"EUR","in_stock":true},{"title":"DJI D-Log M","offer_id":52526294040914,"sku":null,"price":19.99,"currency_code":"EUR","in_stock":true},{"title":"Apple Log \u0026 Log 2","offer_id":52526561001810,"sku":null,"price":19.99,"currency_code":"EUR","in_stock":true},{"title":"Blackmagic Gen 5","offer_id":52526293975378,"sku":null,"price":19.99,"currency_code":"EUR","in_stock":true},{"title":"RED IPP2","offer_id":52526294073682,"sku":null,"price":19.99,"currency_code":"EUR","in_stock":true},{"title":"Panasonic V-Log","offer_id":52526560969042,"sku":null,"price":19.99,"currency_code":"EUR","in_stock":true},{"title":"Canon Log 2","offer_id":52527364997458,"sku":null,"price":19.99,"currency_code":"EUR","in_stock":true},{"title":"sRGB","offer_id":52526561034578,"sku":null,"price":19.99,"currency_code":"EUR","in_stock":true},{"title":"All cameras (bundle)","offer_id":52526561067346,"sku":null,"price":34.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0819\/7344\/4946\/files\/ChatGPT_Image_Jul_27_2026_12_55_13_PM_1.jpg?v=1785150193"},{"product_id":"odyssey-65-the-odyssey-inspired-film-emulation-lut","title":"OW Cinema Looks No.07 — Odyssey 65 LUT","description":"\u003ch2\u003e\u003cspan\u003eThe Odyssey Inspired Film Emulation LUT\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eAn original digital film stock inspired by the large-format film pipeline and elemental colour world of Christopher Nolan’s \u003c\/span\u003e\u003cem\u003e\u003cspan\u003eThe Odyssey\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2\u003e\u003cspan\u003eBuilt from a film response, not only a colour palette\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eThe visual character associated with Christopher Nolan’s work is shaped by more than a finished colour grade. Film capture, negative response and the wider photochemical pipeline all contribute to the density, separation and physical presence of the image.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eOdyssey 65 was developed from that principle. Instead of copying only the most recognisable colours from \u003c\/span\u003e\u003cem\u003e\u003cspan\u003eThe Odyssey\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e, the look begins with a custom Cineon film-emulation foundation. That negative-style response is combined with original colour decisions designed around pale landscapes, steel-blue environments, weathered earth tones and controlled human warmth.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eThe result is a distinctive film-derived starting point for modern digital footage, rather than a simple ancient-world colour filter.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2\u003e\u003cspan\u003eWhat you will notice\u003c\/span\u003e\u003c\/h2\u003e\n\u003cul data-spread=\"false\"\u003e\n\u003cli\u003e\u003cspan\u003eDenser, more substantial midtones.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eControlled highlights in hard daylight and reflective environments.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003ePale sand, stone and earth tones without a heavy sepia wash.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eSteel-blue separation in water, skies and cooler shadows.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eWarm skin, firelight and bronze held apart from the surrounding palette.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eRestrained saturation with clear colour separation.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eA grounded image that works across both wide landscapes and close human detail.\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003e\u003cspan\u003eHow it was developed\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eOdyssey 65 was built using custom Offwhitecolor film-stock profiles and a Cineon-based negative emulation.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eThe underlying film response was informed partly by photographed colour-chart references and partly by published technical film data. These sources were used to shape the tonal response and colour relationships beneath the finished look.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eOriginal colour decisions were then added to create the specific Odyssey 65 palette. This second stage controls the relationship between bleached earth, cooler environments, protected skin tones and selective warmth.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eIt is not an exact reproduction of the film’s private negative, laboratory or final grading pipeline. It is an independently developed digital film stock inspired by its large-format film language.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2\u003e\u003cspan\u003eBest suited for\u003c\/span\u003e\u003c\/h2\u003e\n\u003cul data-spread=\"false\"\u003e\n\u003cli\u003e\u003cspan\u003eNarrative, historical and myth-inspired filmmaking.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eCoastal landscapes, beaches, mountains and exposed natural environments.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eStone architecture, weathered locations and practical sets.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eImages combining warm skin with cooler water, skies or shadow.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eTravel, documentary, fashion and editorial work.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eNatural daylight, overcast exteriors and firelit scenes.\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"offwhitecolor","offers":[{"title":"Sony S-Log3","offer_id":54056513929554,"sku":null,"price":19.99,"currency_code":"EUR","in_stock":true},{"title":"ARRI LogC3","offer_id":54056743076178,"sku":null,"price":19.99,"currency_code":"EUR","in_stock":true},{"title":"ARRI LogC4","offer_id":54056869724498,"sku":null,"price":19.99,"currency_code":"EUR","in_stock":true},{"title":"Canon Log 2","offer_id":54056869757266,"sku":null,"price":19.99,"currency_code":"EUR","in_stock":true},{"title":"RED IPP2","offer_id":54056743108946,"sku":null,"price":19.99,"currency_code":"EUR","in_stock":true},{"title":"DJI D-Log M","offer_id":54056743141714,"sku":null,"price":19.99,"currency_code":"EUR","in_stock":true},{"title":"Blackmagic Gen 5","offer_id":54063571665234,"sku":null,"price":19.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0819\/7344\/4946\/files\/ChatGPTImageJul21_2026_04_49_21PM.jpg?v=1784645422"},{"product_id":"moody-teal-dust-dctl","title":"OW Essentials No.04 — Moody Teal \u0026 Dust DCTL","description":"\u003ch2\u003e\u003cspan\u003eOne look. Multiple camera pipelines. One simple workflow.\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eMoody Teal \u0026amp; Dust builds a cool teal-cyan environment around dusty warm neutrals, separated skin tones, and dense but readable shadows. Inspired by overcast skies, worn denim, and faded urban textures, it brings a quiet, lived-in atmosphere to documentary work, urban portraits, ambient b-roll, and understated narrative scenes.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eThe DCTL brings the complete look family into one Resolve effect. Select your camera profile or working color space, choose one of three curated variations, and adjust the Look Strength—all inside a single node.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eInstead of manually combining technical transforms with separate camera-specific LUTs, the DCTL normalizes the selected input before applying the creative look. This creates a faster and more consistent workflow across supported cameras.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2\u003e\n\u003cmeta charset=\"utf-8\"\u003eThree curated variations\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eStandard\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe defining Moody Teal \u0026amp; Dust grade: cool teal shadows, dusty neutrals, controlled saturation, and natural contrast.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWarm\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eIntroduces a gentle warmth into the midtones and highlights while preserving the cooler environmental palette.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFaded\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eReduces contrast, softens saturation, and lifts the shadows for a quieter, more nostalgic finish.\u003c\/p\u003e\n\u003ch2\u003eAdjustable \u003cmeta charset=\"utf-8\"\u003eLook Strength\u003c\/h2\u003e\n\u003cp\u003eThe LUT Strength control blends between a neutral Rec.709 conversion and the selected creative grade.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003e0% — neutral Rec.709 Gamma 2.4 output\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e100% — the complete selected look\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eAny value in between — a controlled, predictable balance\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eThe creative character and tonal response remain connected, preserving the original intent of the grade at full strength.\u003c\/p\u003e\n\u003ch2\u003eBuilt for a practical grading workflow\u003c\/h2\u003e\n\u003col\u003e\n\u003cli\u003e\n\u003cp\u003eBalance exposure and white balance before the DCTL.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eSelect the correct Input Color Space.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eChoose Standard, Warm, or Faded.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eSet the \u003cmeta charset=\"utf-8\"\u003eLook Strength.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eContinue with any final adjustments after the look.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eThe DCTL produces a finished SDR Rec.709 Gamma 2.4 output. No additional Rec.709 output transform should be placed after it.\u003c\/p\u003e","brand":"offwhitecolor","offers":[{"title":"Default Title","offer_id":54175048008018,"sku":null,"price":29.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0819\/7344\/4946\/files\/Still_2025-03-28_154954_1.36.1.POST.jpg?v=1754315565"},{"product_id":"odyssey-65-dctl","title":"OW Cinema Looks No.07 — Odyssey 65 DCTL","description":"\u003ch2\u003e\u003cspan\u003eA film-derived look. Multiple camera pipelines. One simple workflow.\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eOdyssey 65 is an original digital film look inspired by the large-format film pipeline and elemental colour world of Christopher Nolan’s \u003c\/span\u003e\u003cem\u003e\u003cspan\u003eThe Odyssey\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eThe look begins with a custom Cineon film-emulation foundation, then introduces original colour decisions built around pale landscapes, steel-blue environments, weathered earth tones, controlled highlights, and warm human detail.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eThe result is a distinctive film-derived starting point for modern digital footage, rather than a simple ancient-world colour filter.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eThe DCTL brings the input transform and complete Odyssey 65 look together in one Resolve effect. Select the profile entering the node, then adjust Look Strength to suit the footage.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eInstead of selecting separate camera-specific LUT files or manually combining a technical transform with a creative LUT, the DCTL normalizes the selected input before applying the finished look—all inside a single node.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2\u003e\u003cspan\u003eBuilt from a film response, not only a colour palette\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eOdyssey 65 was developed using custom Offwhitecolor film-stock profiles and a Cineon-based negative emulation.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eThe underlying film response was informed partly by photographed colour-chart references and partly by published technical film data. These sources were used to shape the tonal response and colour relationships beneath the finished look.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eOriginal colour decisions were then added to control the relationship between bleached earth, cooler environments, protected skin tones, and selective warmth.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eIt is not an exact reproduction of the film’s private negative, laboratory, or final grading pipeline. It is an independently developed digital film look inspired by its large-format film language.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2\u003e\u003cspan\u003eWhat you will notice\u003c\/span\u003e\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003eDenser, more substantial midtones\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eControlled highlights in hard daylight and reflective environments\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003ePale sand, stone, and earth tones without a heavy sepia wash\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eSteel-blue separation through water, skies, and cooler shadows\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eWarm skin, firelight, and bronze held apart from the surrounding palette\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eRestrained saturation with clear colour separation\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eA grounded image that works across wide landscapes and close human detail\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003e\u003cspan\u003eAdjustable Look Strength\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eLook Strength blends between a neutral Rec.709 conversion and the complete Odyssey 65 look.\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003e\u003cspan\u003e0%\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e — Neutral Rec.709 Gamma 2.4 output\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e\u003cspan\u003e100%\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e — The complete Odyssey 65 look\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e\u003cspan\u003eAnything in between\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e — A controlled balance tailored to your footage\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003e\u003cspan\u003eSimple one-node workflow\u003c\/span\u003e\u003c\/h2\u003e\n\u003col start=\"1\"\u003e\n\u003cli\u003e\u003cspan\u003eBalance exposure and white balance before the DCTL.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eSelect the correct input profile.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eAdjust Look Strength.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eApply any final shot matching or finishing adjustments after the look.\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eThe DCTL produces a finished SDR Rec.709 Gamma 2.4 image. No additional Rec.709 output transform should be placed after it.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2\u003e\u003cspan\u003eBest suited for\u003c\/span\u003e\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003eNarrative, historical, and myth-inspired filmmaking\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eCoastal landscapes, beaches, mountains, and exposed natural environments\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eStone architecture, weathered locations, and practical sets\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eImages combining warm skin with cooler water, skies, or shadows\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eTravel, documentary, fashion, and editorial work\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eNatural daylight, overcast exteriors, and firelit scenes\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"offwhitecolor","offers":[{"title":"Default Title","offer_id":54176360169810,"sku":null,"price":29.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0819\/7344\/4946\/files\/ChatGPTImageJul21_2026_04_49_21PM.jpg?v=1784645422"},{"product_id":"products-late-summer-patina-dctl","title":"OW Essentials No.12 — Late Summer Patina DCTL","description":"\u003ch2\u003e\u003cspan\u003eA warm, lived-in look. Multiple camera pipelines. One simple workflow.\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cspan\u003eLate Summer Patina gives clean digital footage the warmth and colour separation of a summer remembered through time. Copper-toned skin sits against sun-aged olive greens, cream highlights, tarnished gold, brick reds and quiet verdigris blues.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIts visual world moves between late-August Europe and early-1990s New York: sun-warmed stone, Brooklyn brownstones, faded storefronts, rooftop evenings and the oxidized copper of the Statue of Liberty. The result feels nostalgic and lived-in, but still open, youthful and sunlit—never gloomy or distressed.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe DCTL brings the input transform and complete Late Summer Patina look together in one Resolve effect. Select the profile entering the node, then adjust Look Strength to suit the footage.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eInstead of selecting separate camera-specific LUT files or manually combining a technical transform with a creative LUT, the DCTL normalizes the selected input before applying the finished look—all inside a single node.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2\u003e\u003cspan\u003eColour shaped by memory and patina\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cspan\u003eLate Summer Patina is built around the relationship between copper before and after oxidation. Warm skin, brick and tarnished gold are held apart from Liberty green, olive and quiet cyan, creating a distinctive warm-cool palette without becoming a conventional orange-and-teal look.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eDense photographic midtones give the image weight, while controlled highlights and readable dark detail keep the grade open and inviting. It feels aged by warmth and memory rather than damaged by time: no washed black floor, artificial distress or heavy retro effect.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThis is an original Offwhitecolor colour design. Early-1990s photography is part of its visual memory, but Late Summer Patina is not an exact emulation of one specific film stock, print process or laboratory pipeline.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2\u003e\u003cspan\u003eWhat you will notice\u003c\/span\u003e\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan\u003eWarm, copper-toned skin held apart from cooler surroundings\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan\u003eFresh greens reshaped into sun-aged olive and herbaceous yellow-green\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan\u003eBlue skies, water and fabrics shifted towards seafoam, petrol and verdigris\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan\u003eCream highlights and warm stone neutrals instead of cold digital white\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan\u003eTarnished gold, mustard, brick red and rust through warmer colours\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan\u003eDense, substantial midtones with readable dark detail\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan\u003eControlled highlights without a washed, matte or faded finish\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003e\u003cspan\u003eAdjustable Look Strength\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cspan\u003eLook Strength blends between a neutral Rec.709 conversion and the complete Late Summer Patina look.\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003e0%\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e — Neutral Rec.709 Gamma 2.4 output\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003e100%\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e — The complete Late Summer Patina look\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eAnything in between\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e — A controlled balance tailored to your footage\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003e\u003cspan\u003eSimple one-node workflow\u003c\/span\u003e\u003c\/h2\u003e\n\u003col start=\"1\"\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan\u003eBalance exposure and white balance before the DCTL.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan\u003eSelect the correct input profile.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan\u003eAdjust Look Strength.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan\u003eApply any final shot matching or finishing adjustments after the look.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cspan\u003eThe DCTL produces a finished SDR Rec.709 Gamma 2.4 image. No additional Rec.709 output transform should be placed after it.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2\u003e\u003cspan\u003eBest suited for\u003c\/span\u003e\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan\u003eTravel, lifestyle and character-led documentary\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan\u003eEditorial fashion, portraiture and coming-of-age stories\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan\u003eLate-summer daylight, golden-hour exteriors and warm interiors\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan\u003eEuropean streets, Brooklyn brownstones and sun-warmed architecture\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan\u003eImages combining skin, foliage, stone, sky or water\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan\u003eNight scenes with red practicals and cyan-green reflections\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"offwhitecolor","offers":[{"title":"Default Title","offer_id":54197613363538,"sku":null,"price":29.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0819\/7344\/4946\/files\/PhotoAlbum1-00000004.jpg?v=1786028580"}],"url":"https:\/\/offwhitecolor.com\/collections\/canon-log-luts.oembed","provider":"OFFWHITECOLOR","version":"1.0","type":"link"}