{"title":"All LUTs","description":null,"products":[{"product_id":"lut-package-for-bmpcc6k-to-fx30-color-conversion","title":"OW Technical — BMPCC6K → FX30 Transform","description":"\u003cp data-start=\"187\" data-end=\"240\"\u003e\u003cstrong\u003eSeamless Blackmagic to Sony Color Matching\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"242\" data-end=\"600\"\u003eMatching Blackmagic Pocket Cinema Camera 6K footage with Sony FX30 can be a challenge due to differences in color science. This LUT package provides a precise transformation, ensuring cohesive color integration between the two cameras—whether you're using BMPCC6K as a secondary camera or need to match its look to an FX30 workflow.\u003c\/p\u003e\n\u003cp data-start=\"602\" data-end=\"901\"\u003eUnlike generic color conversion LUTs, this package is based on real-world testing and data-driven color profiling. Using over 2000+ color samples captured in controlled lighting environments, these LUTs deliver high-accuracy color transformation without compromising image quality.\u003c\/p\u003e\n\u003cp data-start=\"908\" data-end=\"930\"\u003e\u003cstrong\u003eKey Features\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul data-start=\"931\" data-end=\"1181\"\u003e\n\u003cli data-start=\"931\" data-end=\"1016\"\u003e\n\u003cp\u003eAccurate BMPCC6K to FX30 color conversion for seamless multi-camera workflows\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"1017\" data-end=\"1108\"\u003e\n\u003cp\u003eBuilt from 2000+ color samples, ensuring superior accuracy compared to alternatives\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"1109\" data-end=\"1181\"\u003e\n\u003cp\u003eDesigned for real production needs, preserving natural image quality\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp data-start=\"1188\" data-end=\"1211\"\u003e\u003cstrong\u003eIncluded LUTs\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"1213\" data-end=\"1410\"\u003eBMPCC6K to FX30 – Curve + Matrix\u003cbr data-start=\"1249\" data-end=\"1252\"\u003eA balanced LUT that integrates BMPCC6K footage with an optimized curve and matrix, preserving its natural look while aligning with FX30’s color science.\u003c\/p\u003e\n\u003cp data-start=\"1412\" data-end=\"1609\"\u003eBMPCC6K to FX30 – Full Conversion\u003cbr data-start=\"1449\" data-end=\"1452\"\u003eBuilt from over 1000 precise color points, this LUT provides the most accurate color transformation, delivering a near-identical match to the FX30.\u003c\/p\u003e\n\u003cp data-start=\"1616\" data-end=\"1639\"\u003e\u003cstrong\u003eCompatibility\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul data-start=\"1640\" data-end=\"1834\"\u003e\n\u003cli data-start=\"1640\" data-end=\"1749\"\u003e\n\u003cp\u003eWorks in DaVinci Resolve, Adobe Premiere Pro, Final Cut Pro X, and any software supporting .cube LUTs\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"1750\" data-end=\"1834\"\u003e\n\u003cp\u003eOptimized for Blackmagic Film Gen5 (BMPCC6K) to Sony S-Log3 (FX30) workflows\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp data-start=\"1841\" data-end=\"1877\"\u003e\u003cstrong\u003eLifetime Updates \u0026amp; Support\u003c\/strong\u003e\u003cbr\u003eThis package comes with lifetime digital updates, ensuring compatibility with future improvements and refinements.\u003c\/p\u003e","brand":"offwhitecolor","offers":[{"title":"Default Title","offer_id":47854804500818,"sku":"","price":15.0,"currency_code":"EUR","in_stock":true}]},{"product_id":"lut-package-for-fx30-to-bmpcc6k-color-conversion","title":"OW Technical — FX30 → BMPCC6K Transform","description":"\u003cp data-start=\"236\" data-end=\"289\"\u003e\u003cstrong\u003eSeamless Sony to Blackmagic Color Matching\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"291\" data-end=\"675\"\u003eMatching Sony FX30 footage with the Blackmagic Pocket Cinema Camera 6K can be challenging due to their different color sciences. This LUT package provides an accurate color transformation, ensuring a cohesive look between the two cameras—whether you're using the FX30 for its autofocus and IBIS advantages or integrating it into a BMPCC6K-based workflow.\u003c\/p\u003e\n\u003cp data-start=\"677\" data-end=\"973\"\u003eUnlike generic color conversion LUTs, this package is built on real-world testing and data-driven color profiling. Using over 2000+ color samples captured in controlled lighting environments, these LUTs provide a precise color transformation without introducing unwanted shifts.\u003c\/p\u003e\n\u003cp data-start=\"980\" data-end=\"1002\"\u003e\u003cstrong\u003eKey Features\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul data-start=\"1003\" data-end=\"1262\"\u003e\n\u003cli data-start=\"1003\" data-end=\"1093\"\u003e\n\u003cp\u003eAccurate FX30 to BMPCC6K Gen5 color conversion for seamless multi-camera workflows\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"1094\" data-end=\"1185\"\u003e\n\u003cp\u003eBuilt from 2000+ color samples, ensuring superior accuracy compared to alternatives\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"1186\" data-end=\"1262\"\u003e\n\u003cp\u003eDesigned for real production needs, preserving natural image quality\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp data-start=\"1269\" data-end=\"1292\"\u003e\u003cstrong\u003eIncluded LUTs\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"1294\" data-end=\"1496\"\u003e\u003cstrong\u003eFX30 to BMPCC6K – Curve + Matrix\u003c\/strong\u003e\u003cbr data-start=\"1330\" data-end=\"1333\"\u003eA balanced LUT that integrates FX30 footage with an optimized curve and matrix, aligning it with BMPCC6K’s color response while maintaining its natural look.\u003c\/p\u003e\n\u003cp data-start=\"1498\" data-end=\"1698\"\u003e\u003cstrong\u003eFX30 to BMPCC6K – Full Conversion\u003c\/strong\u003e\u003cbr data-start=\"1535\" data-end=\"1538\"\u003eBuilt from over 1000 precise color points, this LUT provides the most accurate color transformation, delivering a near-identical match to the BMPCC6K.\u003c\/p\u003e\n\u003cp data-start=\"1705\" data-end=\"1728\"\u003e\u003cstrong\u003eCompatibility\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul data-start=\"1729\" data-end=\"1923\"\u003e\n\u003cli data-start=\"1729\" data-end=\"1838\"\u003e\n\u003cp\u003eWorks in DaVinci Resolve, Adobe Premiere Pro, Final Cut Pro X, and any software supporting .cube LUTs\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"1839\" data-end=\"1923\"\u003e\n\u003cp\u003eOptimized for Sony S-Log3 (FX30) to Blackmagic Film Gen5 (BMPCC6K) workflows\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp data-start=\"1930\" data-end=\"1966\"\u003e\u003cstrong\u003eLifetime Updates \u0026amp; Support\u003c\/strong\u003e\u003cbr\u003eThis package comes with lifetime digital updates, ensuring compatibility with future improvements and refinements.\u003c\/p\u003e","brand":"offwhitecolor","offers":[{"title":"Default Title","offer_id":47854831731026,"sku":"","price":15.0,"currency_code":"EUR","in_stock":true}]},{"product_id":"the-oppenheimer-look-lut","title":"OW Cinema Looks No. 1 - Atomic 65 LUT","description":"\u003ch2\u003e\u003cspan\u003eA classical negative-to-print colour world\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eAtomic 65 draws from the photochemical image-making philosophy associated with Christopher Nolan’s large-format work: capturing the image on film negative, using conventional laboratory processing, making restrained colour adjustments and allowing the final character to emerge through the relationship between negative and print.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eRather than imposing a strongly stylised orange-and-teal treatment, Atomic 65 creates a more integrated and fundamentally photographic colour world. Skin takes on a soft peach tone with a subtle silvery quality, while cooler blues, dry earth tones and muted greens remain naturally separated without appearing artificially pushed apart.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eDense lower midtones and controlled highlights give the image a tactile, print-like presence. The result feels cinematic without looking as though a heavy colour effect has simply been placed over the footage.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan\u003eWhat you will notice\u003c\/span\u003e\u003c\/h3\u003e\n\u003cul data-spread=\"false\"\u003e\n\u003cli\u003e\u003cspan\u003eSoft peach skin with a subtle silvery quality.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eGentle colour softness without faded or washed-out colour.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eNatural separation between skin and cooler surroundings.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003ePale warmth across sunlight and illuminated neutral tones.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eRestrained cyan-blue character in skies and environmental colour.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eDry, muted rendering of earth, stone and foliage.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eDense, print-like blacks and lower midtones.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eControlled highlights with a softer large-format presence.\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003e\u003cspan\u003eHow it was designed\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eAtomic 65 was designed around the visual logic of a traditional photochemical pipeline: a photographed negative, conventional laboratory development, restrained colour timing and the tonal and colour behaviour associated with a film print.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eRather than matching the colour of one individual frame, the look translates a broader set of relationships into a practical digital workflow. These include soft peach-silver skin, subtle separation between warm and cool colour, dry natural tones, denser lower midtones and highlights that retain a gentler photographic quality.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eAtomic 65 does not attempt to reproduce the exact film stocks, laboratory methods or release-print process used for \u003c\/span\u003e\u003cem\u003e\u003cspan\u003eOppenheimer\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e. It is an independently developed Cinema Look that uses this restrained negative-to-print philosophy as its creative foundation.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan\u003eBest suited for\u003c\/span\u003e\u003c\/h3\u003e\n\u003cul data-spread=\"false\"\u003e\n\u003cli\u003e\u003cspan\u003eNarrative films, short films and cinematic branded work.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eHistorical, scientific and period-influenced visual worlds.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eDaylight exteriors containing sky, foliage, stone, dust or dry landscapes.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eInteriors combining warm practical light with cooler ambient colour.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003ePortraits and close-ups that benefit from softer peach-silver skin.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eMusic, fashion and commercial work requiring a tactile large-format atmosphere.\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"offwhitecolor","offers":[{"title":"Default Title","offer_id":48384725483858,"sku":"","price":10.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0819\/7344\/4946\/files\/ChatGPT_Image_Jul_21_2026_05_18_09_PM.png?v=1784647113"},{"product_id":"the-severance-look-professional-lut-for-filmmakers","title":"OW Cinema Looks No. 3  - Corporate Divide LUT","description":"\u003ch2 class=\"p1\"\u003eA cool, controlled cinematic look inspired by the visual world of Severance\u003c\/h2\u003e\n\u003cp class=\"p2\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003eCorporate Divide is an original cinematic look inspired by the restrained, clinical colour world associated with \u003cem data-end=\"1022\" data-start=\"1011\"\u003eSeverance\u003c\/em\u003e. Cool environmental tones, controlled saturation and clean skin-tone separation create an image that feels precise, architectural and subtly detached.\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"p3\"\u003eIts character comes from separation. Skin and warm practicals remain present inside cooler environments, whites retain enough neutrality to keep modern interiors believable, and the shadows carry more of the palette than the highlights. This makes the look distinctive while leaving the image readable across narrative, commercial and editorial work.\u003c\/p\u003e\n\u003ch3 class=\"p1\"\u003eWhat you will notice\u003c\/h3\u003e\n\u003cp class=\"p4\"\u003e•\u003cspan class=\"Apple-converted-space\"\u003e  \u003c\/span\u003eCooler architectural and environmental colour with clean, controlled neutrals.\u003c\/p\u003e\n\u003cp class=\"p4\"\u003e•\u003cspan class=\"Apple-converted-space\"\u003e  \u003c\/span\u003eRestrained warm tones that remain separated from the surrounding palette.\u003c\/p\u003e\n\u003cp class=\"p4\"\u003e•\u003cspan class=\"Apple-converted-space\"\u003e  \u003c\/span\u003eDenser shadows that add structure without forcing the whole image into heavy contrast.\u003c\/p\u003e\n\u003cp class=\"p4\"\u003e•\u003cspan class=\"Apple-converted-space\"\u003e  A quieter, more deliberate relationship between blue, green and neutral surfaces.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p5\"\u003e•\u003cspan class=\"Apple-converted-space\"\u003e  \u003c\/span\u003eA precise, slightly detached atmosphere that can remain subtle or become more pronounced through the Extra Blue variant.\u003c\/p\u003e\n\u003ch3 class=\"p1\"\u003eHow it was designed\u003c\/h3\u003e\n\u003cp class=\"p2\"\u003eCorporate Divide is an authored colour design rather than a film-stock reproduction. The look is built around the contrast between institutional coolness and protected warmth: environments become more controlled, while faces and selected practical sources retain enough separation to keep the image human. The palette is intentionally architectural, but it is not limited to office interiors or one genre.\u003c\/p\u003e\n\u003cp class=\"p3\"\u003eThe standard and Extra Blue versions provide two levels of environmental emphasis. The standard version is the more adaptable starting point. Extra Blue pushes the cooler side of the design further when the production, lighting or art direction can support a stronger statement.\u003c\/p\u003e\n\u003ch3 class=\"p1\"\u003eBest suited for\u003c\/h3\u003e\n\u003cp class=\"p4\"\u003e•\u003cspan class=\"Apple-converted-space\"\u003e  \u003c\/span\u003eNarrative work with controlled interiors, modern architecture or emotionally detached spaces.\u003c\/p\u003e\n\u003cp class=\"p4\"\u003e•\u003cspan class=\"Apple-converted-space\"\u003e  \u003c\/span\u003eCommercial, fashion and editorial imagery that benefits from clean cool colour and restrained warmth.\u003c\/p\u003e\n\u003cp class=\"p4\"\u003e•\u003cspan class=\"Apple-converted-space\"\u003e  \u003c\/span\u003eOffice, healthcare, technology and institutional environments where neutral surfaces are part of the visual design.\u003c\/p\u003e\n\u003cp class=\"p4\"\u003e•\u003cspan class=\"Apple-converted-space\"\u003e  \u003c\/span\u003eProjects that need a recognisable authored palette without an aggressively baked contrast curve\u003c\/p\u003e","brand":"offwhitecolor","offers":[{"title":"Default Title","offer_id":49432156537170,"sku":"","price":10.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0819\/7344\/4946\/files\/ChatGPTImageJul20_2026_01_25_52PM.jpg?v=1784546925"},{"product_id":"it-ends-with-us-lut-inspired-by-colleen-hoover-s-novel-blake-lively-s-film","title":"OW Cinema Looks No. 4 - Pressed Flowers LUT","description":"\u003ch2\u003e\u003cspan\u003eA romantic palette with emotional tension\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003ePressed Flowers translates the heightened beauty associated with \u003c\/span\u003e\u003cem\u003e\u003cspan\u003eIt Ends With Us\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e into a distinctive authored Cinema Look. Soft peach skin, muted gold and warm natural surfaces sit against deeper organic greens and cooler environmental colour. Violet, red, pink and yellow remain expressive, allowing flowers, fabrics and production-design details to become part of the image without turning the entire palette overly saturated.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eThe look feels warm and inviting, but never weightless. Highlights retain a gentle softness while denser lower midtones introduce depth beneath the romantic surface. Cooler shadows and urban neutrals remain present, creating a subtle tension between intimacy and restraint.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eRather than reducing romance to pale pastels or a faded beige wash, Pressed Flowers preserves colour, texture and contrast. The result is tactile, emotionally charged and fundamentally photographic.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan\u003eWhat you will notice\u003c\/span\u003e\u003c\/h3\u003e\n\u003cul data-spread=\"false\"\u003e\n\u003cli\u003e\u003cspan\u003eSoft peach skin with restrained pink and orange warmth.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eMuted gold across sunlight, practical light and warmer neutral surfaces.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eEarthy olive-to-deep-green rendering across foliage and organic environments.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eExpressive violet, pink, red and yellow floral colour.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eCooler separation through shadows and urban neutral tones.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eGently controlled highlights with greater density through the lower midtones.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eA romantic finish that retains texture and emotional weight.\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003e\u003cspan\u003eHow it was designed\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003ePressed Flowers was developed by studying the recurring colour and tonal relationships associated with \u003c\/span\u003e\u003cem\u003e\u003cspan\u003eIt Ends With Us\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e, the film adaptation of Colleen Hoover’s novel starring Blake Lively. Lily’s warmer, creative world uses inviting natural colour and vivid floral accents, while more controlled or emotionally difficult environments introduce cooler colour, muted surfaces and greater tonal weight.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eThese relationships were translated into one repeatable colour design rather than an imitation of a single frame. Warmth remains concentrated in skin, light and organic materials, while cooler environmental colour and denser shadows prevent the image from becoming uniformly golden or sentimental.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003ePressed Flowers is an independently developed Cinema Look. It does not reproduce or claim to contain the original production LUT, colour grade or post-production pipeline used for \u003c\/span\u003e\u003cem\u003e\u003cspan\u003eIt Ends With Us\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan\u003eBest suited for\u003c\/span\u003e\u003c\/h3\u003e\n\u003cul data-spread=\"false\"\u003e\n\u003cli\u003e\u003cspan\u003eRomantic dramas, character-led films and emotionally intimate narratives.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eFlower shops, gardens, weddings and interiors containing organic textures.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003ePortraits and close-ups that benefit from softly warm skin rendering.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eDaylight, golden-hour and softly lit interior scenes.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eFootage containing florals, foliage, vintage furnishings or patterned fabrics.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eFashion, music and branded work requiring romance with greater tonal depth.\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"offwhitecolor","offers":[{"title":"Default Title","offer_id":49432161681746,"sku":"","price":4.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0819\/7344\/4946\/files\/ChatGPT_Image_Jul_21_2026_05_00_41_PM.png?v=1784646069"},{"product_id":"the-modern-wedding-look-lut-package","title":"OW Essentials No.10 - Modern Wedding LUT","description":"\u003cp\u003e- Elevate your color grading game with The Modern Wedding Look LUT Package\u003cbr\u003e- Make your wedding videos and photography look modern and cohesive \u003cbr\u003e- Contemporary film look\u003cbr\u003e- Urban wedding aesthetics \u003cbr\u003e- Video filters crafted for Adobe Premiere Pro, Final Cut Pro, and more\u003cbr\u003e- Unlock the power of professional color grading \u0026amp; film emulation\u003cbr\u003e- Bring your creative vision to life in just a few clicks\u003cbr\u003e- Compatible with a wide array of editing software\u003c\/p\u003e\n\u003cp\u003eDesigned for Professionals and Enthusiasts\u003c\/p\u003e\n\u003cp\u003eWhat’s Included:\u003c\/p\u003e\n\u003cp\u003e- The Modern Wedding Look LUT for use with Arri LogC3 footage (.CUBE File Format)\u003cbr\u003e- The Modern Wedding Look LUT for use with Sony S-Log3 footage (.CUBE File Format)\u003cbr\u003e- The Modern Wedding Look LUT for use with Blackmagic Design Gen 5 footage (.CUBE File Format)\u003cbr\u003e- The Modern Wedding Look LUT for use with Apple Log footage (.CUBE File Format)\u003cbr\u003e- The Modern Wedding Look LUT for use with RED IPP2 footage (.CUBE File Format)\u003cbr\u003e- The Modern Wedding Look LUT for use with Rec709 or sRGB footage (.CUBE File Format)\u003c\/p\u003e\n\u003cp\u003e- 24\/7 Support \u0026amp; Life-time updates\u003c\/p\u003e\n\u003cp\u003eSoftware Compatibility:\u003c\/p\u003e\n\u003cp\u003e- Adobe Premiere Pro\u003cbr\u003e- Adobe After Effects\u003cbr\u003e- Adobe Photoshop\u003cbr\u003e- DaVinci Resolve\u003cbr\u003e- Final Cut Pro X\u003c\/p\u003e\n\u003cp\u003eAny questions, don't hesitate to contact me.\u003c\/p\u003e","brand":"offwhitecolor","offers":[{"title":"Default Title","offer_id":49614895022418,"sku":"","price":4.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0819\/7344\/4946\/files\/modern_weding.jpg?v=1784561153"},{"product_id":"the-minimalist-warm-film-look-lut-package","title":"OW Essentials No.09 - Minimalist Film LUT","description":"\u003cp\u003eA soft, modern filmic look designed for contemporary cinematic work. This LUT delivers warm, muted colors, soft highlights, and balanced contrast—ideal for editorial, lifestyle, fashion, and narrative content with a minimalist aesthetic. The Warm Minimalist LUT enhances natural skin tones, reduces harsh digital edges, and creates a painterly tone without the overdone vintage stylization.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCompatible with all editing software that supports LUTs — including DaVinci Resolve, Premiere Pro, Final Cut Pro, and more. Includes .CUBE x65 (grading) and .CUBE x33 (monitoring) versions. Optimized for Sony S-Log3, Blackmagic Gen 5, ARRI LogC3, DJI D-Log M, and more.\u003c\/strong\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e","brand":"offwhitecolor","offers":[{"title":"Default Title","offer_id":49614909407570,"sku":"","price":10.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0819\/7344\/4946\/files\/minimalist_2.jpg?v=1784727342"},{"product_id":"joker-blockbuster-film-look-lut-package","title":"OW Cinema Looks No. 5 - Painted Smile LUT","description":"\u003ch2\u003e\u003cspan\u003eA Joker-inspired study in urban unease\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003ePainted Smile translates the unsettling colour world associated with Todd Phillips’ \u003c\/span\u003e\u003cem\u003e\u003cspan\u003eJoker\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e, starring Joaquin Phoenix, into a distinctive authored Cinema Look. Faded neutrals and warm light move towards tobacco yellow, while shadows, blues and cooler environments develop a dense cyan-green character. Deep reds and burgundy tones remain as controlled accents against the dirtier surrounding palette.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eThis is a deliberately pronounced look. Blacks gain density, lower midtones feel heavier and clean digital whites take on an aged yellow-green bias. Skin loses some of its rosy warmth and becomes more muted and slightly olive, integrating faces into the environment without removing their separation completely.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eThe result is tense, weathered and unmistakably urban—designed for stories that need psychological pressure, isolation and period-inflected decay rather than a clean, contemporary finish.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan\u003eWhat you will notice\u003c\/span\u003e\u003c\/h3\u003e\n\u003cul data-spread=\"false\"\u003e\n\u003cli\u003e\u003cspan\u003ePale yellow to tobacco warmth across highlights, practical light and faded neutral surfaces.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eCyan-teal and green colour through shadows, blues and cooler architectural environments.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eDense blacks and firmer contrast with greater weight in the lower midtones.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eMuted, slightly olive skin rendering with less pink and orange warmth.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eDeepened reds and burgundies that remain powerful accents within the palette.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eStrong separation between dirty warmth and cooler urban colour.\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003e\u003cspan\u003eHow it was designed\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003ePainted Smile was developed by studying the recurring colour and tonal relationships visible throughout \u003c\/span\u003e\u003cem\u003e\u003cspan\u003eJoker\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e: stained yellow warmth against cyan-green environments, muted skin against deep red accents, and dense contrast across weathered interiors and urban textures.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eRather than matching one individual frame, these relationships were translated into a repeatable colour design that can respond across daylight, tungsten, fluorescent and mixed-light footage. The look remains intentionally strong, but its character comes from the interaction between colours rather than a single green cast applied uniformly across the image.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003ePainted Smile is an independently developed Cinema Look, not a film-stock emulation or a reproduction of the exact colour pipeline used for \u003c\/span\u003e\u003cem\u003e\u003cspan\u003eJoker\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan\u003eBest suited for\u003c\/span\u003e\u003c\/h3\u003e\n\u003cul data-spread=\"false\"\u003e\n\u003cli\u003e\u003cspan\u003ePsychological dramas, thrillers and character-led narrative work.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eUrban exteriors, public transport, institutional spaces and weathered interiors.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eScenes combining fluorescent, tungsten or mixed practical lighting.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003ePeriod-influenced stories requiring a worn, uneasy colour world.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eMusic, fashion and editorial work that benefits from pronounced green-yellow colour separation.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eFootage containing red, burgundy, yellow, green or faded neutral production design.\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"offwhitecolor","offers":[{"title":"Default Title","offer_id":49651714294098,"sku":"","price":10.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0819\/7344\/4946\/files\/ChatGPT_Image_Jul_21_2026_05_03_51_PM.png?v=1784646269"},{"product_id":"kodak-vision3-250d-cineon-film-emulation-lut","title":"OW Digital Film Stocks No.03 — Kodak Vision3 250D \/ Cineon","description":"\u003ch2 class=\"p1\"\u003eA daylight negative response, not a baked film filter\u003c\/h2\u003e\n\u003cp class=\"p2\"\u003eKodak Vision3 250D is valued for daylight colour that feels clean without becoming clinical: natural skin-tone relationships, measured saturation and a negative response that holds brightness and colour together. Reproducing that character requires more than warming the image or softening contrast. Many film-look LUTs compress the image into a stylised finish. This emulation was developed from scanned 250D negative data to recreate the stock’s underlying Cineon response as a practical grading starting point.\u003c\/p\u003e\n\u003cp class=\"p3\"\u003eThe selected camera-log version maps your footage into the 250D-derived Cineon representation. From there, it can feed a print-film emulation such as Kodak 2383 or another Cineon-to-display stage. The result is not intended to lock the image into one finished aesthetic. It gives you a film-derived negative response that still leaves room for exposure, balance, print choice and creative grading.\u003c\/p\u003e\n\u003ch3 class=\"p1\"\u003eWhat you will notice\u003c\/h3\u003e\n\u003cp class=\"p4\"\u003e•\u003cspan class=\"Apple-converted-space\"\u003e  \u003c\/span\u003eClean daylight colour with measured saturation rather than a global colour boost.\u003c\/p\u003e\n\u003cp class=\"p4\"\u003e•\u003cspan class=\"Apple-converted-space\"\u003e  \u003c\/span\u003eNatural separation between skin tones, foliage, skies and warmer environmental colour.\u003c\/p\u003e\n\u003cp class=\"p4\"\u003e•\u003cspan class=\"Apple-converted-space\"\u003e  \u003c\/span\u003eA denser negative-style tonal structure that remains open to further grading.\u003c\/p\u003e\n\u003cp class=\"p4\"\u003e•\u003cspan class=\"Apple-converted-space\"\u003e  \u003c\/span\u003eControlled highlight transitions designed to work as part of a negative-to-print pipeline.\u003c\/p\u003e\n\u003cp class=\"p5\"\u003e•\u003cspan class=\"Apple-converted-space\"\u003e  \u003c\/span\u003eA film response that feels integrated with the image rather than applied as a surface effect.\u003c\/p\u003e\n\u003ch3 class=\"p1\"\u003eHow it was developed\u003c\/h3\u003e\n\u003cp class=\"p2\"\u003eThe emulation is based on direct data from scanned Kodak Vision3 250D negatives. The tonal curve and colour relationships were translated into a Cineon-based digital response, then adapted for the supported camera log profiles. The development priority was not to exaggerate recognisable “film” traits, but to preserve the relationships that make the stock useful: colour separation, density and a controlled response across the image.\u003c\/p\u003e\n\u003cp class=\"p3\"\u003eThis is a reference-led reproduction, not a claim to recreate every variable of a complete photochemical process. Exposure, processing, scanning, print stock and display all influence the final result. The LUT provides the negative-emulation stage so those later choices remain available within the workflow.\u003c\/p\u003e\n\u003ch3 class=\"p1\"\u003eBest suited for\u003c\/h3\u003e\n\u003cp class=\"p4\"\u003e•\u003cspan class=\"Apple-converted-space\"\u003e  \u003c\/span\u003eDaylight narrative, documentary, commercial and lifestyle footage.\u003c\/p\u003e\n\u003cp class=\"p4\"\u003e•\u003cspan class=\"Apple-converted-space\"\u003e  \u003c\/span\u003eImages that benefit from natural skin tones and clear environmental colour separation.\u003c\/p\u003e\n\u003cp class=\"p4\"\u003e•\u003cspan class=\"Apple-converted-space\"\u003e  \u003c\/span\u003eColorists using a Cineon negative-to-print workflow in DaVinci Resolve or another grading application.\u003c\/p\u003e\n\u003cp class=\"p5\"\u003e•\u003cspan class=\"Apple-converted-space\"\u003e  \u003c\/span\u003eCreators who want a film-derived starting point without a heavily baked final look.\u003c\/p\u003e","brand":"offwhitecolor","offers":[{"title":"SLOG-3","offer_id":50270999282002,"sku":"","price":30.0,"currency_code":"EUR","in_stock":true},{"title":"Blackmagic Design Generation 5 Color Science","offer_id":50281423176018,"sku":"","price":30.0,"currency_code":"EUR","in_stock":true},{"title":"Arri LogC3","offer_id":50281439658322,"sku":"","price":30.0,"currency_code":"EUR","in_stock":true},{"title":"DJI D-Log M","offer_id":50281439691090,"sku":"","price":30.0,"currency_code":"EUR","in_stock":true},{"title":"IPP2","offer_id":50281439723858,"sku":"","price":30.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0819\/7344\/4946\/files\/Photo_Album_1_-_00000001_f3be5cdd-46c4-4b8f-a017-9c67d1505065.jpg?v=1784215520"},{"product_id":"dji-osmo-pocket-3-d-log-m-to-s-log3-conversion-lut","title":"OW Technical — DJI Osmo Pocket 3 D-Log M → S-Log3 Conversion LUT","description":"\u003ch2 class=\"p1\"\u003eBring Pocket 3 D-Log M into an S-Log3-based workflow\u003c\/h2\u003e\n\u003cp class=\"p2\"\u003eDJI Pocket 3 D-Log M does not behave like Sony S-Log3. Treating the two as interchangeable can produce inconsistent contrast, saturation and highlight behaviour, while creative LUTs designed for S-Log3 may not respond as intended. This conversion maps Pocket 3 D-Log M into the S-Log3-based working space encoded by the LUT, creating a more predictable technical starting point for grading and mixed Sony \/ DJI timelines.\u003c\/p\u003e\n\u003cp class=\"p3\"\u003eThis is a technical conversion, not a finished creative look. Apply it before S-Log3 creative LUTs or look development, then continue with normal shot balancing, camera matching and output colour management. It streamlines the workflow; it does not claim to make the Pocket 3 sensor identical to a Sony camera.\u003c\/p\u003e\n\u003ch3 class=\"p1\"\u003eWhat the conversion enables\u003c\/h3\u003e\n\u003cp class=\"p4\"\u003e•\u003cspan class=\"Apple-converted-space\"\u003e  \u003c\/span\u003eMore predictable contrast and colour behaviour when Pocket 3 footage enters an S-Log3-based pipeline.\u003c\/p\u003e\n\u003cp class=\"p4\"\u003e•\u003cspan class=\"Apple-converted-space\"\u003e  \u003c\/span\u003eImproved compatibility with creative LUTs and monitoring tools designed for the specified S-Log3 output.\u003c\/p\u003e\n\u003cp class=\"p4\"\u003e•\u003cspan class=\"Apple-converted-space\"\u003e  \u003c\/span\u003eA clearer starting point for matching Pocket 3 material with Sony S-Log3 cameras in mixed-camera edits.\u003c\/p\u003e\n\u003cp class=\"p4\"\u003e•\u003cspan class=\"Apple-converted-space\"\u003e  \u003c\/span\u003eRetention of the usable highlight and shadow information present in correctly exposed D-Log M footage.\u003c\/p\u003e\n\u003cp class=\"p5\"\u003e•\u003cspan class=\"Apple-converted-space\"\u003e  \u003c\/span\u003eA repeatable technical first stage instead of rebuilding the same manual approximation on every project.\u003c\/p\u003e\n\u003ch3 class=\"p1\"\u003eHow it works\u003c\/h3\u003e\n\u003cp class=\"p2\"\u003eThe LUT performs a log-to-log transformation from DJI Osmo Pocket 3 D-Log M into the defined Sony S-Log3-based output. Gamma and colour-gamut relationships are mapped together so the converted image can enter the intended Sony workflow before the creative grade. Because this is a technical step, correct input footage is essential: the LUT should only be used on Pocket 3 material recorded in D-Log M.\u003c\/p\u003e\n\u003cp class=\"p3\"\u003eThe conversion cannot remove differences caused by sensor response, lens transmission, exposure, white balance, lighting or in-camera processing. Those variables still need to be matched shot by shot. Its purpose is to remove one predictable colour-space mismatch so the remaining grading work begins from a more consistent base.\u003c\/p\u003e\n\u003ch3 class=\"p1\"\u003eBest suited for\u003c\/h3\u003e\n\u003cp class=\"p4\"\u003e•\u003cspan class=\"Apple-converted-space\"\u003e  \u003c\/span\u003eFilmmakers combining DJI Osmo Pocket 3 footage with Sony S-Log3 cameras.\u003c\/p\u003e\n\u003cp class=\"p4\"\u003e•\u003cspan class=\"Apple-converted-space\"\u003e  \u003c\/span\u003eEditors and colorists who already use S-Log3 creative LUTs or monitoring workflows.\u003c\/p\u003e\n\u003cp class=\"p4\"\u003e•\u003cspan class=\"Apple-converted-space\"\u003e  \u003c\/span\u003eDaVinci Resolve, Premiere Pro and Final Cut Pro timelines that need a repeatable Pocket 3 input stage.\u003c\/p\u003e\n\u003cp class=\"p5\"\u003e•\u003cspan class=\"Apple-converted-space\"\u003e  \u003c\/span\u003eTravel, documentary, commercial and creator productions where the Pocket 3 functions as a compact second camera.\u003c\/p\u003e","brand":"offwhitecolor","offers":[{"title":"D-Log M","offer_id":50521174475090,"sku":"","price":10.0,"currency_code":"EUR","in_stock":true}]},{"product_id":"polaroid-romantic-lut","title":"OW Essentials No.02 – Romantic Instant LUT","description":"\u003ch3 data-section-id=\"1v85slj\" data-start=\"1275\" data-end=\"1339\" class=\"PDq2pG_selectionAnchorContainer\"\u003ePersonal colour with the softness of an ageing instant print\u003cspan aria-hidden=\"true\" class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cp data-start=\"1341\" data-end=\"1600\"\u003eRomantic Instant is designed for footage that should feel personal, warm and slightly timeworn without losing its structure. Instead of placing one heavy vintage cast over the entire image, the look creates character through a more controlled colour response.\u003c\/p\u003e\n\u003cp data-start=\"1602\" data-end=\"1912\"\u003eDusty pink-red tones settle into the shadows and darker midtones, greens become warmer and more subdued, and brighter areas take on a softened, lightly green-tinted warmth. Saturation is reduced without removing colour completely, giving daylight, skin and natural surroundings a quieter, more tactile quality.\u003c\/p\u003e\n\u003cp data-start=\"1914\" data-end=\"2192\"\u003eThe result feels nostalgic but remains practical. Skin takes on a warm, softened rendering without becoming heavily orange. Foliage, stone, wood, flowers and faded fabrics move into a restrained palette, while enough tonal separation remains to keep people and details readable.\u003c\/p\u003e\n\u003cp data-start=\"2194\" data-end=\"2489\"\u003eRomantic Instant works especially well when the footage already contains human connection, natural texture and available light. Use it for travel films, couple sessions, weddings, lifestyle work or narrative sequences that should feel closer to a remembered moment than a polished digital image.\u003c\/p\u003e\n\u003ch3 data-section-id=\"11p0xgo\" data-start=\"2491\" data-end=\"2514\"\u003eWhat you will notice\u003c\/h3\u003e\n\u003cul data-start=\"2516\" data-end=\"2982\"\u003e\n\u003cli data-section-id=\"1gufxra\" data-start=\"2516\" data-end=\"2581\"\u003eDusty pink and red colour through shadows and darker midtones\u003c\/li\u003e\n\u003cli data-section-id=\"zfun8q\" data-start=\"2582\" data-end=\"2642\"\u003eWarm, muted greens with less dominant foliage saturation\u003c\/li\u003e\n\u003cli data-section-id=\"19eb6h8\" data-start=\"2643\" data-end=\"2700\"\u003eSoftened blue and cyan tones in daylight environments\u003c\/li\u003e\n\u003cli data-section-id=\"1vgjisx\" data-start=\"2701\" data-end=\"2761\"\u003eWarm highlights with a restrained green-tinted direction\u003c\/li\u003e\n\u003cli data-section-id=\"13qvm8o\" data-start=\"2762\" data-end=\"2826\"\u003eGently reduced saturation and a less clinical digital finish\u003c\/li\u003e\n\u003cli data-section-id=\"1hcqfjr\" data-start=\"2827\" data-end=\"2902\"\u003eWarm skin rendering that remains separated from the surrounding palette\u003c\/li\u003e\n\u003cli data-section-id=\"u49mvz\" data-start=\"2903\" data-end=\"2982\"\u003eA choice between a fuller Standard version and a more subdued Faded version\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 data-section-id=\"1y01iik\" data-start=\"2984\" data-end=\"3013\"\u003eTwo variations of the look\u003c\/h3\u003e\n\u003cp data-section-id=\"1n33c3h\" data-start=\"3015\" data-end=\"3027\"\u003e\u003cstrong\u003eStandard\u003c\/strong\u003e The main Romantic Instant treatment, with the clearest colour separation and a fuller expression of the dusty red, muted green and warm highlight palette.\u003c\/p\u003e\n\u003cp data-section-id=\"6uavr8\" data-start=\"3185\" data-end=\"3194\"\u003e\u003cstrong\u003eFaded\u003c\/strong\u003e A quieter interpretation with a more subdued, timeworn finish. Use it when the Standard version feels too present or when the footage should resemble an older, softly faded print.\u003c\/p\u003e\n\u003ch3 data-section-id=\"68h71a\" data-start=\"3377\" data-end=\"3399\"\u003eHow it was designed\u003c\/h3\u003e\n\u003cp data-start=\"3401\" data-end=\"3533\"\u003eRomantic Instant is an authored, film-inspired colour design rather than a measured reproduction of one specific instant-film stock.\u003c\/p\u003e\n\u003cp data-start=\"3535\" data-end=\"3853\" class=\"\"\u003eThe look takes cues from the way ageing instant prints can shift over time: softened saturation, warmer paper-like highlights, dusty red colour and greens that move away from clean digital reproduction. These characteristics were balanced to create a repeatable creative treatment rather than a novelty vintage effect.\u003c\/p\u003e\n\u003ch3 data-section-id=\"1hx3z6s\" data-start=\"3855\" data-end=\"3873\"\u003eBest suited for\u003c\/h3\u003e\n\u003cul data-start=\"3875\" data-end=\"4202\"\u003e\n\u003cli data-section-id=\"16yzbmf\" data-start=\"3875\" data-end=\"3905\"\u003eTravel and lifestyle films\u003c\/li\u003e\n\u003cli data-section-id=\"z705wh\" data-start=\"3906\" data-end=\"3957\"\u003eCouples, weddings and personal documentary work\u003c\/li\u003e\n\u003cli data-section-id=\"c6ygl9\" data-start=\"3958\" data-end=\"4011\"\u003ePortraits and people-led footage in natural light\u003c\/li\u003e\n\u003cli data-section-id=\"1t036ic\" data-start=\"4012\" data-end=\"4075\"\u003eFlowers, foliage, summer daylight and textured environments\u003c\/li\u003e\n\u003cli data-section-id=\"11jjv8t\" data-start=\"4076\" data-end=\"4123\"\u003eMusic videos and narrative memory sequences\u003c\/li\u003e\n\u003cli data-section-id=\"1wf09g1\" data-start=\"4124\" data-end=\"4202\"\u003eProjects that need warmth and nostalgia without an aggressive retro effect\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2 data-section-id=\"1n3obi1\" data-start=\"4204\" data-end=\"4228\"\u003e\u003cbr\u003e\u003c\/h2\u003e","brand":"offwhitecolor","offers":[{"title":"Default Title","offer_id":50466700493138,"sku":"","price":19.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0819\/7344\/4946\/files\/ri1_e78e8c47-48e1-45e3-ab89-d7df0e4acf75.jpg?v=1785152400"},{"product_id":"content-creator-cine-lut","title":"OW Essentials No.03 - Creator Cine LUT","description":"\u003cdiv class=\"rich-text__text rte variant-dynamic-text-4\"\u003e\n\u003ch2 class=\"PDq2pG_selectionAnchorContainer\" data-end=\"1308\" data-start=\"1254\" data-section-id=\"1pgrnjg\"\u003eA considered finish without a heavy stylised grade\u003cspan class=\"PDq2pG_selectionAnchor\" aria-hidden=\"true\"\u003e\u003c\/span\u003e\n\u003c\/h2\u003e\n\u003cp data-end=\"1638\" data-start=\"1310\"\u003eCreator Cine is designed for footage that needs to feel more deliberate and complete without being pushed into an obvious colour effect. It introduces a restrained silver quality through neutral surfaces, controls digital-looking saturation and adds enough tonal density to give everyday images a more finished visual structure.\u003c\/p\u003e\n\u003cp data-end=\"1895\" data-start=\"1640\"\u003eSkin remains clean and gently warm against cooler non-skin neutrals. Whites, greys, concrete, metal and subdued natural colours take on a quieter, more unified rendering, while contrast is shaped to create focus without making shadows unnecessarily heavy.\u003c\/p\u003e\n\u003cp data-end=\"2135\" data-start=\"1897\"\u003eThe result is modern, polished and repeatable. It works across talking-head footage, interviews, branded content, lifestyle films, product details and narrative material where the colour should support the subject rather than dominate it.\u003c\/p\u003e\n\u003cp data-end=\"2420\" data-start=\"2137\"\u003eCreator Cine is especially useful when standard camera colour feels technically correct but visually unfinished. The look adds separation, density and a consistent tonal direction while leaving enough room for the lighting, location and personality of each project to remain visible.\u003c\/p\u003e\n\u003ch3 data-end=\"2445\" data-start=\"2422\" data-section-id=\"11p0xgo\"\u003eWhat you will notice\u003c\/h3\u003e\n\u003cul data-end=\"2976\" data-start=\"2447\"\u003e\n\u003cli data-end=\"2499\" data-start=\"2447\" data-section-id=\"175w74n\"\u003eClean skin-tone rendering with restrained warmth\u003c\/li\u003e\n\u003cli data-end=\"2584\" data-start=\"2500\" data-section-id=\"v549kq\"\u003eSubtle silver-toned separation through whites, greys and other non-skin neutrals\u003c\/li\u003e\n\u003cli data-end=\"2655\" data-start=\"2585\" data-section-id=\"1oy6hk3\"\u003eModerated saturation without reducing the image to a faded palette\u003c\/li\u003e\n\u003cli data-end=\"2712\" data-start=\"2656\" data-section-id=\"d72ym7\"\u003eGreens that feel quieter and less digitally dominant\u003c\/li\u003e\n\u003cli data-end=\"2777\" data-start=\"2713\" data-section-id=\"vucg25\"\u003eAdded midtone and shadow density with readable darker detail\u003c\/li\u003e\n\u003cli data-end=\"2845\" data-start=\"2778\" data-section-id=\"amgsek\"\u003eControlled highlights that retain a polished, neutral character\u003c\/li\u003e\n\u003cli data-end=\"2904\" data-start=\"2846\" data-section-id=\"1ptxtss\"\u003eClearer visual focus without an aggressive colour cast\u003c\/li\u003e\n\u003cli data-end=\"2976\" data-start=\"2905\" data-section-id=\"ttcezk\"\u003eA consistent modern finish across people, products and environments\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 data-end=\"3006\" data-start=\"2978\" data-section-id=\"189ycdt\"\u003eA practical everyday look\u003c\/h3\u003e\n\u003cp data-end=\"3209\" data-start=\"3008\"\u003eCreator Cine is not designed to imitate one specific film stock or reproduce a recognisable historical process. It is an original colour design built for repeat use across contemporary digital footage.\u003c\/p\u003e\n\u003cp data-end=\"3525\" data-start=\"3211\"\u003eIts character comes from the relationship between skin, neutrals, saturation and contrast rather than from an exaggerated teal-and-orange split, faded blacks or a strong vintage tint. This makes the look distinctive enough to establish a visual identity, but restrained enough to use throughout a complete project.\u003c\/p\u003e\n\u003ch3 data-end=\"3550\" data-start=\"3527\" data-section-id=\"9rp2ul\"\u003eHow it was developed\u003c\/h3\u003e\n\u003cp data-end=\"3680\" data-start=\"3552\"\u003eCreator Cine was developed around controlled colour relationships and tonal behaviour rather than a single dominant colour cast.\u003c\/p\u003e\n\u003cp data-end=\"4046\" data-start=\"3682\"\u003eThe look uses Offwhitecolor’s Pure Color Hue™ and ToneSafe™ approach, with the practical aim of maintaining cleaner colour separation and a controlled tonal range across the supported source profiles. The visible priorities remain simple: natural skin relationships, silver-toned neutrals, modest colour density and highlights that feel polished rather than harsh.\u003c\/p\u003e\n\u003ch3 data-end=\"4066\" data-start=\"4048\" data-section-id=\"1hx3z6s\"\u003eBest suited for\u003c\/h3\u003e\n\u003cul data-end=\"4472\" data-start=\"4068\"\u003e\n\u003cli data-end=\"4104\" data-start=\"4068\" data-section-id=\"1jcqj6g\"\u003eYouTube and talking-head content\u003c\/li\u003e\n\u003cli data-end=\"4140\" data-start=\"4105\" data-section-id=\"xqj2zh\"\u003eInterviews and documentary work\u003c\/li\u003e\n\u003cli data-end=\"4181\" data-start=\"4141\" data-section-id=\"1ak5a29\"\u003eBranded films and commercial content\u003c\/li\u003e\n\u003cli data-end=\"4232\" data-start=\"4182\" data-section-id=\"wy4szb\"\u003eProduct, food and detail photography in motion\u003c\/li\u003e\n\u003cli data-end=\"4279\" data-start=\"4233\" data-section-id=\"1ktejfg\"\u003eLifestyle, travel and creator-led projects\u003c\/li\u003e\n\u003cli data-end=\"4338\" data-start=\"4280\" data-section-id=\"1t2bu09\"\u003eSocial content that needs a consistent visual identity\u003c\/li\u003e\n\u003cli data-end=\"4398\" data-start=\"4339\" data-section-id=\"1ibd5rz\"\u003eNarrative footage requiring a clean contemporary finish\u003c\/li\u003e\n\u003cli data-end=\"4472\" data-start=\"4399\" data-section-id=\"6tfkr3\"\u003eProjects combining people, neutral interiors and natural environments\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"offwhitecolor","offers":[{"title":"Default Title","offer_id":50472170750290,"sku":"","price":19.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0819\/7344\/4946\/files\/Still_2025-03-09_122919_1.126.1.T.png?v=1742034367"},{"product_id":"kodak-nostalgic-look-lut","title":"OW Essentials No.01 — Nostalgic Film LUT","description":"\u003cp\u003eThe Kodak Nostalgic Filmlook LUT adds warm highlights, rich blacks, and targeted color compression, inspired by classic Kodak film stocks. It creates a nostalgic, filmic look suited for narrative films, branded content, travel vlogs, and creative projects.\u003c\/p\u003e\n\u003cp\u003eThis technically robust LUT delivers a cohesive, warm color palette with balanced golden amber and turquoise tones—ideal for filmmakers who want a timeless aesthetic without complex grading.\u003c\/p\u003e","brand":"offwhitecolor","offers":[{"title":"Bundle","offer_id":50473394995538,"sku":"","price":19.99,"currency_code":"EUR","in_stock":true},{"title":"Sony","offer_id":50473395028306,"sku":"","price":9.99,"currency_code":"EUR","in_stock":true},{"title":"Apple IPhone","offer_id":50473395061074,"sku":"","price":9.99,"currency_code":"EUR","in_stock":true},{"title":"DJI Osmo Pocket 3","offer_id":50473395093842,"sku":"","price":9.99,"currency_code":"EUR","in_stock":true},{"title":"Blackmagic","offer_id":50473395126610,"sku":"","price":9.99,"currency_code":"EUR","in_stock":true},{"title":"RED","offer_id":50473395159378,"sku":"","price":9.99,"currency_code":"EUR","in_stock":true},{"title":"Fujifilm","offer_id":50473395192146,"sku":"","price":9.99,"currency_code":"EUR","in_stock":true},{"title":"ARRI","offer_id":50473395224914,"sku":"","price":9.99,"currency_code":"EUR","in_stock":true},{"title":"Panasonic","offer_id":50473395257682,"sku":"","price":9.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0819\/7344\/4946\/files\/Still_2025-03-14_100627_1.10.3.T.png?v=1741943376"},{"product_id":"fuji-vivid-500t-cineon-film-emulation-lut","title":"OW Digital Film Stocks No.04 — Fujifilm Vivid 500T \/ Cineon","description":"\u003ch2 data-section-id=\"u36ipy\" data-start=\"1405\" data-end=\"1444\" class=\"PDq2pG_selectionAnchorContainer\"\u003eEarthy colour, dense tonal structure\u003cspan aria-hidden=\"true\" class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\n\u003c\/h2\u003e\n\u003cp data-start=\"1446\" data-end=\"1857\"\u003eFujifilm Vivid 500T has a rich and concentrated colour response, with earthy warmth, dense tonal separation and a distinct relationship between greens, yellows, reds and skin. Although the original stock was balanced for tungsten exposure, the scanned references used for this emulation were colour-balanced during scanning. The resulting response is therefore not defined by a fixed cool or warm white balance.\u003c\/p\u003e\n\u003cp data-start=\"1859\" data-end=\"2076\"\u003eInstead, its character comes through in the way colour is distributed through the image: fuller midtones, grounded shadow colour and an earthier, more organic relationship between neutral surfaces and saturated elements. Because the film references were balanced during scanning, the emulation does not impose the original tungsten white balance as a fixed creative cast. It reproduces the scanned stock response: denser and earthier in character, while remaining responsive to the white balance and lighting of the source image.\u003c\/p\u003e\n\u003cp data-start=\"2078\" data-end=\"2378\"\u003eThis emulation was developed from real Cineon scans and colour-chart references photographed on the stock, paired with ARRI Alexa reference footage. The aim was to translate those colour relationships into a controlled digital workflow without reducing Vivid 500T to a generic blue-shadow night look.\u003c\/p\u003e\n\u003cp data-start=\"2380\" data-end=\"2643\"\u003eThe package provides two routes. The Cineon-to-Print version is designed to feed a separate print-film emulation, keeping the negative and print stages independent. The Cineon-to-Display version adds a custom display transform for a more direct standalone result.\u003c\/p\u003e\n\u003ch3 data-section-id=\"11p0xgo\" data-start=\"2645\" data-end=\"2668\"\u003eWhat you will notice\u003c\/h3\u003e\n\u003cul data-start=\"2670\" data-end=\"3124\"\u003e\n\u003cli data-section-id=\"1fs9n7c\" data-start=\"2670\" data-end=\"2750\"\u003eEarthier, more concentrated colour than the cleaner daylight response of 250D.\u003c\/li\u003e\n\u003cli data-section-id=\"1td8p9q\" data-start=\"2751\" data-end=\"2847\"\u003eDense midtones and shadow colour without forcing the image toward a single blue or green cast.\u003c\/li\u003e\n\u003cli data-section-id=\"1f8rckq\" data-start=\"2848\" data-end=\"2941\"\u003eWarm, grounded neutrals with distinctive separation between greens, yellows, reds and skin.\u003c\/li\u003e\n\u003cli data-section-id=\"my87bq\" data-start=\"2942\" data-end=\"3032\"\u003eRich saturation that remains integrated into the image rather than sitting on top of it.\u003c\/li\u003e\n\u003cli data-section-id=\"liiz58\" data-start=\"3033\" data-end=\"3124\"\u003eTwo workflow options: a modular negative-to-print route and a direct display-ready route.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 data-section-id=\"9rp2ul\" data-start=\"3126\" data-end=\"3149\"\u003eHow it was developed\u003c\/h3\u003e\n\u003cp data-start=\"3151\" data-end=\"3336\"\u003eThe emulation was created from actual colour-chart references photographed on Fujifilm Vivid 500T and compared with ARRI Alexa footage. Real Cineon scans informed the negative response.\u003c\/p\u003e\n\u003cp data-start=\"3338\" data-end=\"3654\"\u003eBecause the film references were balanced during scanning, the emulation does not impose the original tungsten white balance as a fixed creative cast. It reproduces the scanned stock response: denser, earthier and warmer in character, while remaining responsive to the white balance and lighting of the source image.\u003c\/p\u003e\n\u003cp data-start=\"3656\" data-end=\"3913\"\u003eAs with any film reproduction, the final image is shaped by more than the negative alone. Exposure, processing, scanning, print emulation and display rendering all contribute. The Cineon-to-Print and Cineon-to-Display options keep that distinction explicit.\u003c\/p\u003e\n\u003ch3 data-section-id=\"1hx3z6s\" data-start=\"3915\" data-end=\"3933\"\u003eBest suited for\u003c\/h3\u003e\n\u003cul data-start=\"3935\" data-end=\"4327\"\u003e\n\u003cli data-section-id=\"1wa0h0c\" data-start=\"3935\" data-end=\"4032\"\u003eNarrative, fashion, music and commercial imagery that benefits from a denser, earthier palette.\u003c\/li\u003e\n\u003cli data-section-id=\"1gg09yt\" data-start=\"4033\" data-end=\"4146\"\u003eInteriors, exteriors and mixed-light scenes where rich colour separation matters more than clinical neutrality.\u003c\/li\u003e\n\u003cli data-section-id=\"h5yj75\" data-start=\"4147\" data-end=\"4237\"\u003eColorists who want to combine the negative response with their own print-film emulation.\u003c\/li\u003e\n\u003cli data-section-id=\"1t1094\" data-start=\"4238\" data-end=\"4327\"\u003eCreators who want a direct film response through the included display-rendered version.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"offwhitecolor","offers":[{"title":"ARRI","offer_id":50480513089874,"sku":"","price":35.0,"currency_code":"EUR","in_stock":true},{"title":"Sony","offer_id":50480512893266,"sku":"","price":35.0,"currency_code":"EUR","in_stock":true},{"title":"Blackmagic","offer_id":50480512991570,"sku":"","price":35.0,"currency_code":"EUR","in_stock":true},{"title":"Bundle","offer_id":50480512860498,"sku":null,"price":75.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0819\/7344\/4946\/files\/Photo_Album_1_-_00000009.jpg?v=1784210521"},{"product_id":"pastel-dream-lut","title":"OW Essentials No.08 - Pastel Dream LUT","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eA soft, airy LUT inspired by Fuji 400H and pastel wedding photography. Creates gentle color shifts with bright highlights, a soft-contrast feel, and delicate pastel tones — reminiscent of lavender and mint. Ideal for romantic visuals, lifestyle b-roll, garden shoots, or dreamy YouTube content. The Dreamy Pastel LUT packgage comes in three unique flavours delivering a timeless, filmic aesthetic without complex grading steps.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCompatible with all editing software that supports LUTs — including DaVinci Resolve, Premiere Pro, Final Cut Pro, and more. Includes .CUBE x65 (grading) and .CUBE x33 (monitoring) versions. Optimized for Sony S-Log3, Blackmagic Gen 5, ARRI LogC3, DJI D-Log M, and more.\u003c\/strong\u003e\u003c\/p\u003e","brand":"offwhitecolor","offers":[{"title":"Default Title","offer_id":50506084516178,"sku":null,"price":19.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0819\/7344\/4946\/files\/collectie_images.jpg?v=1784636811"},{"product_id":"moody-teal-dust-lut","title":"OW Essentials No.04 - Moody Teal \u0026 Dust LUT","description":"\u003ch2 class=\"isSelectedEnd\"\u003eA muted teal-and-olive look with weathered neutrals, controlled highlights and natural warmth in skin.\u003c\/h2\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eMoody Teal \u0026amp; Dust is designed for footage that should feel grounded, textured and slightly weathered rather than bright, glossy or overly polished.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eThe look draws cooler cyan-teal tones into skies, shadows, denim and darker environmental colours. Greens move towards deep olive, while concrete, earth tones and warmer surfaces become softer and dustier. Whites settle into restrained cream and grey instead of remaining clinically bright.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eSkin retains enough natural warmth to remain believable within the cooler palette. Rather than creating an exaggerated orange-and-teal split, the colours stay connected to the environment.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eThe result is controlled but clearly visible. In direct daylight, the look creates density, stronger colour separation and a darker urban structure. In overcast light, interiors and coastal environments, it becomes softer, quieter and more atmospheric.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan\u003eWhat you will notice\u003c\/span\u003e\u003c\/h3\u003e\n\u003cul data-spread=\"false\"\u003e\n\u003cli\u003e\u003cspan\u003eCyan-teal separation through skies, shadows and darker blue surfaces\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eDeep olive greens with reduced yellow brightness\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eDustier browns, concrete tones and weathered neutrals\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eCream and grey highlights instead of clean digital white\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eNatural warm-neutral skin without an exaggerated orange cast\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eDense blacks and controlled contrast that remain adjustable in the grade\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003e\u003cspan\u003eA look for real environments\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eMoody Teal \u0026amp; Dust works particularly well when the scene already contains surfaces the palette can respond to: concrete, brick, denim, foliage, wet streets, dark architecture, pale interiors and open skies.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eIt gives everyday footage a stronger visual identity without making every shot feel like a stylised effect. Urban reportage, portraits, travel footage and behind-the-scenes material remain observational and believable while sharing a consistent colour world.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan\u003eBest suited for\u003c\/span\u003e\u003c\/h3\u003e\n\u003cul data-spread=\"false\"\u003e\n\u003cli\u003e\u003cspan\u003eUrban documentary and street footage\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eEnvironmental portraits and lifestyle films\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eMusic sessions, rehearsals and behind-the-scenes content\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eArchitecture, industrial spaces and transport environments\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eOvercast streets, wet weather and cloudy coastlines\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eFoliage, earth tones and subdued natural landscapes\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eDirect daylight that needs a denser, less digital response\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eQuiet editorial, fashion and narrative work\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003e\u003cbr\u003e\u003c\/h2\u003e","brand":"offwhitecolor","offers":[{"title":"Default Title","offer_id":50515409535314,"sku":"","price":19.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0819\/7344\/4946\/files\/Still_2025-03-28_154954_1.36.1.POST.jpg?v=1754315565"},{"product_id":"adolescence-film-look-lut","title":"OW Cinema Looks No. 5 - Early Hours","description":"\u003cp data-start=\"588\" data-end=\"742\"\u003e\u003cstrong data-start=\"588\" data-end=\"742\"\u003eInspired by the restrained natural-light colour language of the Netflix series Adolescence, Early Hours translates its muted blues, creamy highlights and gentle shadow structure into an original look for contemporary footage.\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch2 data-section-id=\"1og2oc7\" data-start=\"773\" data-end=\"815\"\u003eSoft colour for changing natural light\u003c\/h2\u003e\n\u003cp data-start=\"817\" data-end=\"1100\"\u003eNatural light rarely remains consistent. Overcast exteriors, open shade, window light and brief moments of low sun can all exist within the same scene. Early Hours brings those conditions into one controlled visual world without flattening the atmosphere that makes them interesting.\u003c\/p\u003e\n\u003cp data-start=\"1102\" data-end=\"1325\"\u003eThe look combines grounded saturation with muted blues, creamy highlights and a gentle shadow structure. Skin tones remain natural within the restrained palette, while brighter areas take on a softer, less clinical quality.\u003c\/p\u003e\n\u003cp data-start=\"1327\" data-end=\"1561\"\u003eEarly Hours is designed to feel quiet and observational rather than heavily graded. It gives uncontrolled light greater continuity while allowing the emotional distance, stillness and intimacy of the original images to remain present.\u003c\/p\u003e\n\u003ch3 data-section-id=\"h8v77v\" data-start=\"1563\" data-end=\"1587\"\u003eWhat you will notice\u003c\/h3\u003e\n\u003cul data-start=\"1589\" data-end=\"2022\"\u003e\n\u003cli data-section-id=\"bkh3ud\" data-start=\"1589\" data-end=\"1669\"\u003eGrounded saturation that removes digital intensity without draining the image.\u003c\/li\u003e\n\u003cli data-section-id=\"1yqzmxx\" data-start=\"1670\" data-end=\"1716\"\u003eMuted blues and cooler environmental colour.\u003c\/li\u003e\n\u003cli data-section-id=\"1tnegk8\" data-start=\"1717\" data-end=\"1763\"\u003eCreamy, gently softened highlight rendering.\u003c\/li\u003e\n\u003cli data-section-id=\"6ae04q\" data-start=\"1764\" data-end=\"1828\"\u003eOpen shadows with controlled contrast and retained separation.\u003c\/li\u003e\n\u003cli data-section-id=\"1miyp8s\" data-start=\"1829\" data-end=\"1895\"\u003eNatural skin-tone relationships within a cooler overall palette.\u003c\/li\u003e\n\u003cli data-section-id=\"bboa72\" data-start=\"1896\" data-end=\"1960\"\u003eGreater visual continuity across changing daylight conditions.\u003c\/li\u003e\n\u003cli data-section-id=\"26k5zi\" data-start=\"1961\" data-end=\"2022\"\u003eA soft film-inspired character without a heavy colour cast.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 data-section-id=\"zgmg8k\" data-start=\"2024\" data-end=\"2052\"\u003eTwo versions of the look\u003c\/h3\u003e\n\u003cp data-start=\"2054\" data-end=\"2246\"\u003e\u003cstrong data-start=\"2054\" data-end=\"2065\"\u003eNeutral\u003c\/strong\u003e preserves the core palette in its most balanced form. It is designed for overcast exteriors, open shade, window light and scenes where the existing warmth should remain controlled.\u003c\/p\u003e\n\u003cp data-start=\"2248\" data-end=\"2430\"\u003e\u003cstrong data-start=\"2248\" data-end=\"2256\"\u003eWarm\u003c\/strong\u003e introduces a measured increase in warmth for golden hour, low sunlight and emotionally softer scenes. It follows warmer light rather than forcing every image towards orange.\u003c\/p\u003e\n\u003cp data-start=\"2432\" data-end=\"2530\"\u003eBoth versions share the same contrast structure, saturation behaviour and overall colour identity.\u003c\/p\u003e\n\u003ch3 data-section-id=\"17a8yz2\" data-start=\"2532\" data-end=\"2556\"\u003eHow it was developed\u003c\/h3\u003e\n\u003cp data-start=\"2558\" data-end=\"2766\"\u003eEarly Hours was developed around the challenge of maintaining visual continuity in uncontrolled natural light, particularly across longer scenes where the lighting cannot be rebuilt for every angle or moment.\u003c\/p\u003e\n\u003cp data-start=\"2768\" data-end=\"3068\"\u003eThe palette was shaped to keep skin tones stable while reducing the intensity of blues, softening brighter areas and preventing shadows from becoming unnecessarily heavy. The goal was not to disguise changes in the light, but to make those changes feel as though they belong to the same visual world.\u003c\/p\u003e\n\u003cp data-start=\"3070\" data-end=\"3205\"\u003eThis is an original, film-inspired colour design. It is not a measured reproduction of a specific film stock or a technical conversion.\u003c\/p\u003e\n\u003ch3 data-section-id=\"1tlfnfr\" data-start=\"3207\" data-end=\"3226\"\u003eBest suited for\u003c\/h3\u003e\n\u003cul data-start=\"3228\" data-end=\"3629\"\u003e\n\u003cli data-section-id=\"1c611l9\" data-start=\"3228\" data-end=\"3281\"\u003eCharacter-driven narrative and coming-of-age films.\u003c\/li\u003e\n\u003cli data-section-id=\"1v3n2iq\" data-start=\"3282\" data-end=\"3343\"\u003eNatural-light productions and continuous-take environments.\u003c\/li\u003e\n\u003cli data-section-id=\"h0e7jj\" data-start=\"3344\" data-end=\"3402\"\u003eOvercast exteriors, open shade and window-lit interiors.\u003c\/li\u003e\n\u003cli data-section-id=\"1qwsoch\" data-start=\"3403\" data-end=\"3447\"\u003eGolden-hour scenes using the Warm version.\u003c\/li\u003e\n\u003cli data-section-id=\"1j9tyxw\" data-start=\"3448\" data-end=\"3500\"\u003eDocumentary, lifestyle and ambient travel footage.\u003c\/li\u003e\n\u003cli data-section-id=\"6v18pe\" data-start=\"3501\" data-end=\"3561\"\u003eMusic films and visual essays with a quiet emotional tone.\u003c\/li\u003e\n\u003cli data-section-id=\"ekygkd\" data-start=\"3562\" data-end=\"3629\"\u003eProjects that need softness without losing believable skin tones.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"offwhitecolor","offers":[{"title":"Default Title","offer_id":50538407887186,"sku":"","price":19.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0819\/7344\/4946\/files\/Adolesence_LOOK_1.19.1.POST.png?v=1754319480"},{"product_id":"kodak-gold-native-film-emulation-lut","title":"OW Digital Film Stocks No.02 — Kodak Gold 200 \/ Frontier FR01","description":"\u003ch2 data-start=\"715\" data-end=\"773\" class=\"PDq2pG_selectionAnchorContainer\"\u003eKodak Gold 200 — Fuji Frontier FR01 Film Emulation LUT\u003cspan aria-hidden=\"true\" class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\n\u003c\/h2\u003e\n\u003cp data-start=\"799\" data-end=\"952\"\u003eA scan-derived emulation of Kodak Gold 200 through the Fuji Frontier SP-3000, built around bright contrast, warm colour and vivid minilab separation.\u003c\/p\u003e\n\u003ch3 data-section-id=\"eaavde\" data-start=\"983\" data-end=\"1021\"\u003eThe complete film-and-scanner look\u003c\/h3\u003e\n\u003cp data-start=\"1023\" data-end=\"1213\"\u003eThe recognisable appearance of Kodak Gold 200 is shaped by more than the negative alone. Lab processing, scanner profiling and output contrast all influence how the stock is ultimately seen.\u003c\/p\u003e\n\u003cp data-start=\"1215\" data-end=\"1551\"\u003eFR01 recreates one defined version of that complete pipeline: Kodak Gold 200, processed by HAFO and scanned on a Fuji Frontier SP-3000. The result is brighter, warmer and more immediately finished than a native negative emulation, with pronounced contrast, stronger saturation and the distinctive Frontier treatment of greens and blues.\u003c\/p\u003e\n\u003cp data-start=\"1553\" data-end=\"1832\"\u003eWhere Native Cineon leaves the film response open for further grading, FR01 includes the character of the finished minilab scan. It is designed for creators who want the familiar colour of consumer film photography without having to build a separate negative-to-display workflow.\u003c\/p\u003e\n\u003ch3 data-section-id=\"h8v77v\" data-start=\"1834\" data-end=\"1858\"\u003eWhat you will notice\u003c\/h3\u003e\n\u003cul data-start=\"1860\" data-end=\"2302\"\u003e\n\u003cli data-section-id=\"1k24bs\" data-start=\"1860\" data-end=\"1936\"\u003eBright, high-contrast rendering with a more immediate finished appearance.\u003c\/li\u003e\n\u003cli data-section-id=\"137ski5\" data-start=\"1937\" data-end=\"2018\"\u003ePronounced saturation derived from the combined Gold 200 and Frontier response.\u003c\/li\u003e\n\u003cli data-section-id=\"gg7xsd\" data-start=\"2019\" data-end=\"2099\"\u003eWarm reds and orange-based colour with energetic skin and environmental tones.\u003c\/li\u003e\n\u003cli data-section-id=\"ic2qi5\" data-start=\"2100\" data-end=\"2152\"\u003eDistinctive separation in greens, cyans and blues.\u003c\/li\u003e\n\u003cli data-section-id=\"1h08o48\" data-start=\"2153\" data-end=\"2229\"\u003eA direct minilab character associated with consumer film scans and prints.\u003c\/li\u003e\n\u003cli data-section-id=\"7jfgni\" data-start=\"2230\" data-end=\"2302\"\u003eA stronger, more assertive result than the open Native Cineon version.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 data-section-id=\"17a8yz2\" data-start=\"2304\" data-end=\"2328\"\u003eHow it was developed\u003c\/h3\u003e\n\u003cp data-start=\"2330\" data-end=\"2436\"\u003eFR01 was developed from real Kodak Gold 200 film processed by HAFO and scanned on a Fuji Frontier SP-3000.\u003c\/p\u003e\n\u003cp data-start=\"2438\" data-end=\"2689\"\u003eThe purpose of this version is to preserve the combined character of the entire reference pipeline. It therefore includes the influence of the film stock, processing, scanner response and the contrast and colour decisions present in the selected scan.\u003c\/p\u003e\n\u003cp data-start=\"2691\" data-end=\"2924\"\u003eThis is a reference-led reproduction of one defined Frontier result. It is not intended to represent every possible Gold 200 scan. Exposure, processing, scanner settings and lab corrections can all change the appearance of real film.\u003c\/p\u003e\n\u003ch3 data-section-id=\"1tlfnfr\" data-start=\"2926\" data-end=\"2945\"\u003eBest suited for\u003c\/h3\u003e\n\u003cul data-start=\"2947\" data-end=\"3377\"\u003e\n\u003cli data-section-id=\"1y7zjc4\" data-start=\"2947\" data-end=\"3000\"\u003eLifestyle, travel, fashion and documentary footage.\u003c\/li\u003e\n\u003cli data-section-id=\"1hhocz7\" data-start=\"3001\" data-end=\"3083\"\u003eImages that benefit from warm colour, brighter contrast and stronger saturation.\u003c\/li\u003e\n\u003cli data-section-id=\"jqd81v\" data-start=\"3084\" data-end=\"3178\"\u003eProjects inspired by consumer photography and minilab prints from the 1990s and early 2000s.\u003c\/li\u003e\n\u003cli data-section-id=\"16cwpix\" data-start=\"3179\" data-end=\"3246\"\u003eCreators who want a more direct and finished film-scan aesthetic.\u003c\/li\u003e\n\u003cli data-section-id=\"1qng0n6\" data-start=\"3247\" data-end=\"3309\"\u003eDigital footage that feels too clean, neutral or controlled.\u003c\/li\u003e\n\u003cli data-section-id=\"deqb6d\" data-start=\"3310\" data-end=\"3377\"\u003eWorkflows that do not require a separate negative-to-print stage.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"offwhitecolor","offers":[{"title":"SLOG-3","offer_id":54047708414290,"sku":null,"price":19.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0819\/7344\/4946\/files\/Photo_Album_1_-_00000002.jpg?v=1784215396"},{"product_id":"kodak-gold-native-film-emulation-lut-1","title":"OW Digital Film Stocks No.01 — Kodak Gold 200 \/ Native Cineon","description":"\u003ch2 data-start=\"688\" data-end=\"741\" class=\"PDq2pG_selectionAnchorContainer\"\u003eKodak Gold 200 — Native Cineon Film Emulation LUT\u003cspan aria-hidden=\"true\" class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\n\u003c\/h2\u003e\n\u003cp data-start=\"881\" data-end=\"1046\"\u003eA scanner-independent reproduction of Kodak Gold 200’s warm, saturated colour response, delivered as both a Cineon grading stage and a Rec.709 display transform.\u003c\/p\u003e\n\u003ch3 data-section-id=\"1d4zlg3\" data-start=\"1077\" data-end=\"1122\"\u003eThe film response before the scanner look\u003c\/h3\u003e\n\u003cp data-start=\"1124\" data-end=\"1396\"\u003eKodak Gold 200 is known for warm, saturated daylight colour with an immediate, recognisable energy. A finished film scan, however, contains more than the response of the stock itself. Scanner profiling, lab correction and output contrast can all influence the final image.\u003c\/p\u003e\n\u003cp data-start=\"1398\" data-end=\"1644\"\u003eThis emulation was developed to separate those stages. Rather than matching the appearance of one finished scan, it isolates the underlying colour and tonal behaviour of Kodak Gold 200 and translates it into a controlled digital grading workflow.\u003c\/p\u003e\n\u003cp data-start=\"1646\" data-end=\"1913\"\u003eThe included Native Cineon version retains the open, negative-style response for further grading and print-film processing. A second version adds a custom Rec.709 gamma 2.4 display transform, providing a more direct viewing route based on the full R4A print pipeline.\u003c\/p\u003e\n\u003ch3 data-section-id=\"h8v77v\" data-start=\"1915\" data-end=\"1939\"\u003eWhat you will notice\u003c\/h3\u003e\n\u003cul data-start=\"1941\" data-end=\"2401\"\u003e\n\u003cli data-section-id=\"g50pvh\" data-start=\"1941\" data-end=\"2040\"\u003eWarm, saturated colour relationships derived from Kodak Gold 200 rather than a generic warm cast.\u003c\/li\u003e\n\u003cli data-section-id=\"15vi4al\" data-start=\"2041\" data-end=\"2112\"\u003eClearer separation between the profiled red, green and blue channels.\u003c\/li\u003e\n\u003cli data-section-id=\"z5kzof\" data-start=\"2113\" data-end=\"2220\"\u003eA negative-style tonal response without additional display contrast baked into the Native Cineon version.\u003c\/li\u003e\n\u003cli data-section-id=\"1aspldp\" data-start=\"2221\" data-end=\"2295\"\u003eA display-ready Rec.709 interpretation for faster editing and finishing.\u003c\/li\u003e\n\u003cli data-section-id=\"1buyg29\" data-start=\"2296\" data-end=\"2401\"\u003eColour that remains connected to the source image rather than sitting on top of it as a surface effect.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 data-section-id=\"17a8yz2\" data-start=\"2403\" data-end=\"2427\"\u003eHow it was developed\u003c\/h3\u003e\n\u003cp data-start=\"2429\" data-end=\"2685\"\u003eKodak Gold 200 was profiled using controlled narrowband RGB exposures. Each colour channel was measured separately to minimise cross-talk and reduce scanner-induced colour shifts. The resulting data was then translated into a Cineon-based digital response.\u003c\/p\u003e\n\u003cp data-start=\"2687\" data-end=\"2867\"\u003eNo additional saturation, contrast or scanner character was added to the Native Cineon version. Its character comes from the measured relationships within the film response itself.\u003c\/p\u003e\n\u003cp data-start=\"2869\" data-end=\"3081\"\u003eThe Rec.709 version adds a custom gamma 2.4 display transform designed around the R4A print pipeline. This provides a finished viewing route while preserving the colour relationships established during profiling.\u003c\/p\u003e\n\u003cp data-start=\"3083\" data-end=\"3286\"\u003eThis is a reference-led reproduction of a defined Kodak Gold 200 response. It is not a claim to recreate every possible combination of exposure, C-41 processing, scanner, lab correction and print output.\u003c\/p\u003e\n\u003ch3 data-section-id=\"1tlfnfr\" data-start=\"3288\" data-end=\"3307\"\u003eBest suited for\u003c\/h3\u003e\n\u003cul data-start=\"3309\" data-end=\"3704\"\u003e\n\u003cli data-section-id=\"1ufieeq\" data-start=\"3309\" data-end=\"3373\"\u003eDaylight lifestyle, travel, documentary and narrative footage.\u003c\/li\u003e\n\u003cli data-section-id=\"1cxeq3d\" data-start=\"3374\" data-end=\"3457\"\u003eImages that benefit from warmer colour and a more pronounced saturation response.\u003c\/li\u003e\n\u003cli data-section-id=\"12szw9j\" data-start=\"3458\" data-end=\"3529\"\u003eColorists building a negative-to-print or Cineon-to-display workflow.\u003c\/li\u003e\n\u003cli data-section-id=\"1i3ldew\" data-start=\"3530\" data-end=\"3631\"\u003eCreators who want the Gold 200 response without inheriting the character of one particular scanner.\u003c\/li\u003e\n\u003cli data-section-id=\"363nho\" data-start=\"3632\" data-end=\"3704\"\u003eFaster projects that benefit from an included Rec.709 display version.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"offwhitecolor","offers":[{"title":"SLOG-3","offer_id":54047193399634,"sku":null,"price":19.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0819\/7344\/4946\/files\/ChatGPT_Image_Jul_20_2026_12_59_00_PM.jpg?v=1784545428"},{"product_id":"ow-essentials-no-5-mintprint","title":"OW Essentials No.05 – Mintprint 2-Strip LUT","description":"\u003cp\u003eA modern take on the classic 2-color Technicolor process. This LUT delivers warm-biased reds, minty greens, dusty pinks, and bold split-toning for a stylized, two-strip inspired look with an edge.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCompatible with all editing software that supports LUTs — including DaVinci Resolve, Premiere Pro, Final Cut Pro, and more. Includes .CUBE x65 (grading) and .CUBE x33 (monitoring) versions. Optimized for Sony S-Log3, Blackmagic Gen 5, ARRI LogC3, DJI D-Log M, and more.\u003c\/strong\u003e\u003c\/p\u003e","brand":"offwhitecolor","offers":[{"title":"Default Title","offer_id":51282644992338,"sku":null,"price":19.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0819\/7344\/4946\/files\/mint_4.jpg?v=1784560569"},{"product_id":"ow-essentials-no-6-golden-sunset-lut","title":"OW Essentials No.06 - Golden Sunset LUT","description":"\u003cp\u003eA soft, golden-hued grade inspired by sunset light and warm summer tones. This LUT delivers glowing skin tones, golden highlights, and gently faded contrast—ideal for natural light footage, portraits, and mood-driven storytelling.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCompatible with all editing software that supports LUTs — including DaVinci Resolve, Premiere Pro, Final Cut Pro, and more. Includes .CUBE x65 (grading) and .CUBE x33 (monitoring) versions. Optimized for Sony S-Log3, Blackmagic Gen 5, ARRI LogC3, DJI D-Log M, and more.\u003c\/strong\u003e\u003c\/p\u003e","brand":"offwhitecolor","offers":[{"title":"Default Title","offer_id":51284910866770,"sku":null,"price":19.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0819\/7344\/4946\/files\/2.jpg?v=1784728417"},{"product_id":"ow-essentials-no-7-printlite-3513-lut","title":"OW Essentials No.07 – Printlite 3513 LUT","description":"\u003ch2\u003e\u003cspan\u003eThe character of 3513DI, rebuilt for commercial grading\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003ePrintLite 3513 began inside a real commercial grade that called for the recognisable look and feel associated with Fujifilm 3513DI D55. The standard film-print LUT supplied with DaVinci Resolve brought the image into the right general colour world, but its transformation was not clean or flexible enough for the finish the project required.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eTraditional film-print LUTs can introduce a strong tonal curve, colour shifts and other characteristics that form part of their identity. In commercial work, those same characteristics can become restrictive. Skin, products, brand colours and neutral surfaces often require precise control, leaving the colorist to correct or work against qualities introduced by the LUT itself.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eInstead of first imposing those limitations and then grading them back out, PrintLite 3513 rebuilds the most useful parts of the look in a cleaner form. It retains print-inspired colour cohesion, controlled saturation and satisfying tonal density while preserving more freedom for balancing, matching and creative adjustment.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eThe result is recognisably filmic and finished, but clean enough for commercials, branded content, narrative work and other projects where the grade still needs to remain controlled.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan\u003eWhat you will notice\u003c\/span\u003e\u003c\/h3\u003e\n\u003cul data-spread=\"false\"\u003e\n\u003cli\u003e\u003cspan\u003eFilm-print-inspired colour cohesion without an overpowering global cast.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eControlled saturation that creates colour density rather than a broad digital boost.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eGently weighted midtones and controlled blacks without unnecessarily crushing the image.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eWarm, cohesive skin rendering without a strong orange bias.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eCleaner neutral separation across whites, greys and production-design surfaces.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eSofter, less brittle highlight transitions.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eA finished filmic character that still leaves room for normal grading decisions.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eGreater flexibility across products, skin, interiors and mixed real-world colour.\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003e\u003cspan\u003eHow it was designed\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003ePrintLite 3513 was developed during a commercial project that required the familiar visual character of Fujifilm 3513DI D55, but demanded a cleaner and more controllable result than the standard DaVinci Resolve film-print LUT provided.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eRather than modifying or redistributing the original LUT, the look was rebuilt independently by identifying the qualities that made the reference useful: its colour organisation, compact saturation, tonal density, highlight behaviour and overall sense of cohesion. These qualities were then translated into a cleaner creative transform without retaining corrections that would immediately need to be counteracted during a commercial grade.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eThis approach avoids a workflow in which the image is first pushed too far by a conventional print transform and then corrected back towards the desired result. PrintLite 3513 starts closer to that intended endpoint, providing film-print character while keeping the underlying grade more adaptable.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eEach camera- and log-specific version is designed for direct use with its stated input profile. PrintLite 3513 is an independently developed Offwhitecolor look and does not contain or redistribute the original Fujifilm or DaVinci Resolve LUT.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan\u003eBest suited for\u003c\/span\u003e\u003c\/h3\u003e\n\u003cul data-spread=\"false\"\u003e\n\u003cli\u003e\u003cspan\u003eCommercials and branded content requiring film character with precise colour control.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eNarrative, documentary and lifestyle footage.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eProduct imagery in which brand colours and neutral surfaces need to remain manageable.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003ePortraits and close-ups that benefit from cohesive, controlled skin rendering.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eDaylight and interior footage requiring greater tonal density without a heavy vintage finish.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eProjects that need a consistent print-inspired foundation across varied scenes.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eColorists who enjoy the character of 3513DI D55 but regularly find themselves grading against a conventional film-print LUT.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eCreators who want a finished filmic result without building a separate Cineon print workflow.\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\n\n\n\n","brand":"offwhitecolor","offers":[{"title":"Default Title","offer_id":51288683184466,"sku":null,"price":19.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0819\/7344\/4946\/files\/pl2.jpg?v=1785153770"},{"product_id":"pluribus-look-lut","title":"OW Cinema Looks No. 6 - Collective Neutral LUT","description":"\u003ch2\u003e\u003cspan\u003eA Pluribus-inspired balance of film colour and modern clarity\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eCollective Neutral translates the distinctive colour world associated with the Apple TV series \u003c\/span\u003e\u003cem\u003e\u003cspan\u003ePluribus\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e into a complete authored grade. Softened blues and greens sit against natural skin, pale sunlit neutrals and concentrated red accents, while controlled contrast gives the image a finished sense of density without making it feel heavy or aggressively stylised.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eIts character lies in the balance between two visual qualities. The colour has the compactness and gentle softness associated with transparency film, while whites, skin tones and fine colour separation retain the clarity of contemporary high-end television. The result feels filmic without becoming faded, grainy or overtly nostalgic.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eCollective Neutral is designed as a finished creative look rather than a neutral technical foundation. The matching input version establishes the intended palette, saturation and contrast in one transformation, while still leaving room for normal exposure balancing, white-balance correction and shot matching.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan\u003eWhat you will notice\u003c\/span\u003e\u003c\/h3\u003e\n\u003cul data-spread=\"false\"\u003e\n\u003cli\u003e\u003cspan\u003eNatural to softly peach skin without an exaggerated orange bias.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eSoftened blue and green hues with a subtle transparency-film character.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eConcentrated reds and rust tones that remain distinct without becoming neon.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eClean pale neutrals and whites with restrained digital harshness.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eControlled highlight transitions and greater density through the midtones.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eFirm, defined contrast that retains separation in darker environments.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eA complete colour finish that remains clean rather than heavily filtered.\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003e\u003cspan\u003eHow it was designed\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eCollective Neutral was developed by studying the recurring palette and tonal relationships associated with \u003c\/span\u003e\u003cem\u003e\u003cspan\u003ePluribus\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e, the Apple TV series created by Vince Gilligan and starring Rhea Seehorn.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eThe visual reference combines faded blue-green colour, stronger red accents, natural faces and pale sunlit surfaces with the clean image structure of contemporary digital cinematography. Instead of matching one individual frame, these relationships were translated into a repeatable colour design that can respond across daylight, interiors and lower-light material.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eThe result is an independently developed Cinema Look with its own controlled balance of film colour and modern clarity. Collective Neutral does not reproduce or claim to contain the original production LUT, colour grade or post-production pipeline used for \u003c\/span\u003e\u003cem\u003e\u003cspan\u003ePluribus\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan\u003eBest suited for\u003c\/span\u003e\u003c\/h3\u003e\n\u003cul data-spread=\"false\"\u003e\n\u003cli\u003e\u003cspan\u003eCharacter-led drama, science fiction and psychologically restrained narrative work.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eDry daylight, suburban environments and wide exterior cinematography.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eContemporary interiors that benefit from cleaner neutral separation.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eFootage containing blue, green, white, red or rust-coloured production design.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003ePortraits and close-ups requiring natural skin within a clearly authored palette.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eCommercial, fashion and music work that needs film character without a visibly retro finish.\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"offwhitecolor","offers":[{"title":"Arri LogC3","offer_id":52526294008146,"sku":null,"price":20.0,"currency_code":"EUR","in_stock":true},{"title":"SLOG-3","offer_id":52526293942610,"sku":null,"price":20.0,"currency_code":"EUR","in_stock":true},{"title":"OSMO Pocket DJI D-Log M","offer_id":52526294040914,"sku":null,"price":20.0,"currency_code":"EUR","in_stock":true},{"title":"Appe Log 1\/ Log 2","offer_id":52526561001810,"sku":null,"price":20.0,"currency_code":"EUR","in_stock":true},{"title":"Blackmagic Gen 5","offer_id":52526293975378,"sku":null,"price":20.0,"currency_code":"EUR","in_stock":true},{"title":"RED IPP2","offer_id":52526294073682,"sku":null,"price":20.0,"currency_code":"EUR","in_stock":true},{"title":"Panasonic V-LOG","offer_id":52526560969042,"sku":null,"price":20.0,"currency_code":"EUR","in_stock":true},{"title":"Canon Log 2","offer_id":52527364997458,"sku":null,"price":20.0,"currency_code":"EUR","in_stock":true},{"title":"sRGB","offer_id":52526561034578,"sku":null,"price":20.0,"currency_code":"EUR","in_stock":true},{"title":"BUNDLE (ALL FORMATS)","offer_id":52526561067346,"sku":null,"price":35.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0819\/7344\/4946\/files\/ChatGPT_Image_Jul_27_2026_12_55_13_PM_1.jpg?v=1785150193"},{"product_id":"odyssey-65-the-odyssey-inspired-film-emulation-lut","title":"OW Cinema Look No.5 – Odyssey 65","description":"\u003ch2\u003e\u003cspan\u003eThe Odyssey Inspired Film Emulation LUT\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eAn original digital film stock inspired by the large-format film pipeline and elemental colour world of Christopher Nolan’s \u003c\/span\u003e\u003cem\u003e\u003cspan\u003eThe Odyssey\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2\u003e\u003cspan\u003eBuilt from a film response, not only a colour palette\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eThe visual character associated with Christopher Nolan’s work is shaped by more than a finished colour grade. Film capture, negative response and the wider photochemical pipeline all contribute to the density, separation and physical presence of the image.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eOdyssey 65 was developed from that principle. Instead of copying only the most recognisable colours from \u003c\/span\u003e\u003cem\u003e\u003cspan\u003eThe Odyssey\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e, the look begins with a custom Cineon film-emulation foundation. That negative-style response is combined with original colour decisions designed around pale landscapes, steel-blue environments, weathered earth tones and controlled human warmth.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eThe result is a distinctive film-derived starting point for modern digital footage, rather than a simple ancient-world colour filter.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2\u003e\u003cspan\u003eWhat you will notice\u003c\/span\u003e\u003c\/h2\u003e\n\u003cul data-spread=\"false\"\u003e\n\u003cli\u003e\u003cspan\u003eDenser, more substantial midtones.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eControlled highlights in hard daylight and reflective environments.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003ePale sand, stone and earth tones without a heavy sepia wash.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eSteel-blue separation in water, skies and cooler shadows.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eWarm skin, firelight and bronze held apart from the surrounding palette.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eRestrained saturation with clear colour separation.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eA grounded image that works across both wide landscapes and close human detail.\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003e\u003cspan\u003eHow it was developed\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eOdyssey 65 was built using custom Offwhitecolor film-stock profiles and a Cineon-based negative emulation.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eThe underlying film response was informed partly by photographed colour-chart references and partly by published technical film data. These sources were used to shape the tonal response and colour relationships beneath the finished look.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eOriginal colour decisions were then added to create the specific Odyssey 65 palette. This second stage controls the relationship between bleached earth, cooler environments, protected skin tones and selective warmth.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eIt is not an exact reproduction of the film’s private negative, laboratory or final grading pipeline. It is an independently developed digital film stock inspired by its large-format film language.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2\u003e\u003cspan\u003eBest suited for\u003c\/span\u003e\u003c\/h2\u003e\n\u003cul data-spread=\"false\"\u003e\n\u003cli\u003e\u003cspan\u003eNarrative, historical and myth-inspired filmmaking.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eCoastal landscapes, beaches, mountains and exposed natural environments.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eStone architecture, weathered locations and practical sets.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eImages combining warm skin with cooler water, skies or shadow.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eTravel, documentary, fashion and editorial work.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eNatural daylight, overcast exteriors and firelit scenes.\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"offwhitecolor","offers":[{"title":"SLOG-3","offer_id":54056513929554,"sku":null,"price":19.99,"currency_code":"EUR","in_stock":true},{"title":"ARRI LogC3","offer_id":54056743076178,"sku":null,"price":19.99,"currency_code":"EUR","in_stock":true},{"title":"ARRI LogC4","offer_id":54056869724498,"sku":null,"price":19.99,"currency_code":"EUR","in_stock":true},{"title":"Canon Log 2","offer_id":54056869757266,"sku":null,"price":19.99,"currency_code":"EUR","in_stock":true},{"title":"RED IPP2","offer_id":54056743108946,"sku":null,"price":19.99,"currency_code":"EUR","in_stock":true},{"title":"DJI OSMO POCKET (D-LOG M)","offer_id":54056743141714,"sku":null,"price":19.99,"currency_code":"EUR","in_stock":true},{"title":"Blackmagic Gen 5","offer_id":54063571665234,"sku":null,"price":19.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0819\/7344\/4946\/files\/ChatGPTImageJul21_2026_04_49_21PM.jpg?v=1784645422"}],"url":"https:\/\/offwhitecolor.com\/collections\/all-luts.oembed","provider":"OFFWHITECOLOR","version":"1.0","type":"link"}